Unluckily for him, some local Christian activists are trying to get his favorite fantasy series banned from the Americus public library on grounds of immoral content and heresy. Something has to be done, and it looks like quiet, shy Neal is going to have to do it. With youth services librarian Charlotte Murphy at his back, Neal finds himself leading the charge to defend the mega-bestselling fantasy series that makes his life worth living. This funny, gripping, and relatable tale of life and local politics in middle America is currently being serialized online.

    But you never really get away from war. So it feels inevitable when his old army buddy Jason comes calling, with a lucrative military contract for a mining job in an obscure South-East Asian country called Quanlom. They'll have to operate under the radar--Quanlom is being torn apart by civil war, and the US military isn't strictly supposed to be there.With no career prospects and a baby on the way, Mark finds himself making the worst mistake of his life and signing on with Jason. What awaits him in Quanlom is going to change everything. What awaits him in Quanlom is weirdness of the highest order: a civil war led by ten-year-old twins wielding something that looks a lot like magic, leading an army of warriors who look a lot like gods.What awaits him in Quanlom is an actual goddamn dragon.From world-renowned artists Asaf and Tomer Hanuka (twins, whose magic powers are strictly confined to pen and paper) and Boaz Lavie, The Divine is a fast-paced, brutal, and breathlessly beautiful portrait of a world where ancient powers vie with modern warfare and nobody escapes unscathed.

    He's embarking on the most painful yet important journey of his life—he's leaving home to build a better future for his family. Shaun Tan evokes universal aspects of an immigrant's experience through a singular work of the imagination. He does so using brilliantly clear and mesmerizing images. Because the main character can't communicate in words, the book forgoes them too. But while the reader experiences the main character's isolation, he also shares his ultimate joy.

    Inotu, her inquisitive brother with a penchant for trouble, finds himself on the run after he’s caught eavesdropping on an illegal business deal between small town business tycoons and their cyborg bodyguard. When Boetema accidentally gets someone hurt while in another girl’s body, the siblings are forced to work together to solve the problems they’ve created on their planet and others.

    When Lily Westmoreland, her white playmate, is snatched by agents of an evil creature known as Bog, Lee's father is accused of kidnapping. Lee's only hope is to follow Lily's trail into this fantastic and frightening alternate world. Along the way she enlists the help of a benevolent, blues singing, swamp monster called Bayou. Together, Lee and Bayou trek across a hauntingly familiar Southern Neverland, confronting creatures both benign and malevolent, in an effort to rescue Lily and save Lee's father from being lynched.BAYOU VOL. 1 collects the first four chapters of the critically acclaimed webcomic series by Glyph Award nominee Jeremy Love.

    Life sucks for Dave Marshall.  The girl he’s in love with doesn’t know he exists, he hates his job, and ever since his boss turned him into a vampire, he can’t go out in daylight without starting to charbroil. Undead life in its uncoolest incarnation yet is on display in this cinematic, supernatural drama told with gallons of humor and hemoglobin.  In striking, colorful, B-movie style artwork and light-hearted, intelligent writing by Jessica Abel, Gabe Soria, and Warren Pleece, Dave Marshall’s story comes alive – in a vampiric kind of way.

    The dazzling lights cast shadows that grow ever darker as the glitzy prosperity of the Roaring Twenties screeches to a halt. Enter a cast of familiar characters: a young girl, Samantha White, returning after being sent away by her cruel stepmother, the Queen of the Follies, years earlier; her father, the King of Wall Street, who survives the stock market crash only to suffer a strange and sudden death; seven street urchins, brave protectors for a girl as pure as snow; and a mysterious stock ticker that holds the stepmother in its thrall, churning out ticker tape imprinted with the wicked words "Another . . . More Beautiful . . . KILL." In a moody, cinematic new telling of a beloved fairy tale, extraordinary graphic novelist Matt Phelan captures the essence of classic film noir on the page—and draws a striking distinction between good and evil.

    She's the star of her high school baseball team, and Jack's the star of the science program. Her idea of a study session includes sleeping in the sun, and his idea of a good game involves dungeons and dice. But opposites start attracting when they're assigned to be partners in a class project. Now an outbreak of a weird infection--it eats your brains and leaves you hungry for more--might not mean just the end of their first date. It might mean the end of everything. Will their relationship fall apart faster than zombies in the Florida sun, or can Dicey and Jack beat the odds and find a happy ending?

    There's a war going on, and girls are expected to help the struggling economy by selling cookies. But Blue loves living and working at the Bugle, the only paper in town that tells the truth. And what's printed in the newspapers now matters more than ever.But Blue struggles with her secret, and worries that if her friends and adopted family at the Bugle find out that she's a girl, she'll lose everything and everyone she cares about. And when she meets and befriends Crow, a boy who is also not what he seems, together they seek the freedom to be their true selves... and to save each other.

    There she meets Hyejung and Tina, two other girls who came to Japan to freely forge their own paths. The trio live together, share meals, and even attend the same Japanese-language school, which results in them becoming fast friends. But will they be able to hold one another up as life tests them with new loves, old heartbreaks, and the everyday challenges of being fish out of water?

    In her old town, Huda knew exactly who she was: She was the hijabi girl. But in Dearborn, everyone is the hijabi girl. Huda is lost in a sea of hijabis, and she can't rely on her hijab to define her anymore. She has to define herself. So she tries on a bunch of cliques, but she isn't a hijabi fashionista or a hijabi athlete or a hijabi gamer. She's not the one who knows everything about her religion or the one all the guys like. She's miscellaneous, which makes her feel like no one at all. Until she realizes that it'll take finding out who she isn't to figure out who she is.

    Here is the continuation of her fascinating story. In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging.Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran.As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up--here compounded by Marjane's status as an outsider both abroad and at home--it is raw, honest, and incredibly illuminating.

    Strange, Osborn) present the collected opening arc of their surprise-hit series that marries the magical realism of Sandman with the western brutality of Preacher. Death's daughter rides the wind on a horse made of smoke and her face bears the skull marks of her father. Her origin story is a tale of retribution as beautifully lush as it is unflinchingly savage. "It's a perfect match for the gorgeous, dizzying artwork in a sumptuous palette-overlaid panels add intricate choreography to fight scenes, and detailed, whirling splash pages beg for long-lingering looks. Couple that, along with a handful of Eisner nominations, with a multicultural cast of tough-as-nails women who all fight for their own honor, and this is a series to watch out for." - Booklist"It's ambitious and challenging (two qualities that are not often valued, but that probably should be), under a façade of violence and sacrifice. Rio's art is lush and detailed, and is more than capable of keeping up with the far-reaching story." - PW

    We follow them as their lives unfold together and apart; as they struggle to make a place for themselves in a world (not unlike our own) fueled by fear, lust, and greed; and as they discover the extraordinary depth—and frailty—of their connection. At once contemporary and timeless, Habibi gives us a love story of astounding resonance: a parable about our relationship to the natural world, the cultural divide between the first and third worlds, the common heritage of Christianity and Islam, and, most potently, the magic of storytelling.

    These three ground-breaking researchers were all students of the great Louis Leakey, and each made profound contributions to primatology—and to our own understanding of ourselves.Tackling Goodall, Fossey, and Galdikas in turn, and covering the highlights of their respective careers, Primates is an accessible, entertaining, and informative look at the field of primatology and at the lives of three of the most remarkable women scientists of the twentieth century. Thanks to the charming and inviting illustrations by Maris Wicks, this is a nonfiction graphic novel with broad appeal.