Rasiq is riding the highs of life thanks to his successes as an investment banker. But his arrogance soon gets the better of him and he ends up losing everything he holds dear. Managing to salvage only his grit from the wreckage, Rasiq reboots his life and teams up with five uniquely talented superheroes to start a rescue venture - DareDreamers. These superheroes Nick: a crazy inventor; Halka: an inhumanly strong man; Arjun: a champion shooter; Natasha: a Bollywood stunt-double; Dr. Vyom, a medical Sherlock Holmes; and, of course, Rasiq: the mastermind combine their unique talents to deliver spectacular rescue operations. Their skyrocketing success, however, comes at a price an enemy hell bent on tearing down their fame and reputation.Will DareDreamers defeat its wily adversary? Or will it become yet another failed start-up?Treachery, action and adventure come alive to make DareDreamers a page-turner.

      Anand is a Bangalore success story: successful, well married, rich. At least, that’s how he appears. But if his little factory is to grow, he needs land and money, and, in the New India, neither of these is easy to find.   Kamala, Anand’s family’s maid, lives perilously close to the edge of disaster. She and her clever teenage son have almost nothing, and their small hopes for self-betterment depend on the contentment of Anand’s wife: a woman to whom whims come easily.   But Kamala’s son keeps bad company, and Anand’s marriage is in trouble. The murky world where crime and land and politics meet is a dangerous place for a good man, particularly one on whom the well-being of so many depends.   Rich with irony and compassion, Lavanya Sankaran’s The Hope Factory affirms her gifts as a born storyteller with remarkable prowess, originality, and wisdom.  Praise for Lavanya Sankaran’s The Red Carpet  “By the end of [the] very first story, people half a world away have been transformed into complete human beings, full of frailties and fragile self-regard, achingly sympathetic. That’s why The Red Carpet reads like a revelation. . . . I recommend this book so highly!”—Carolyn See, The Washington Post   “Throughout these fine, articulate stories, Lavanya Sankaran brings to life the new and old social worlds of Bangalore. More important, she uses the quiet dignity of her characters to reveal what’s universal in the wide rift between generations. It’s an unusually elegant and nuanced portrait.”—John Dalton, author of The Inverted Forest   “It’s a pity there aren’t more stories to be told in Carpet. They’re so much fun.”—The Dallas Morning News  “[An] animated debut . . . [These stories] are memorable for their subtle wit and convincing evocation of a dynamic world.”—Publishers Weekly

    Her older brother, Toby: definitely the Star. As popular with the stoners as he is with the cheerleaders, Toby is someone you’d pay ten bucks to watch sweep Battle of the Bands and build a “beach party” in the bathroom. As for Amelia? She’s Toby Anderson’s Younger Sister. She’s perfectly happy to watch Toby’s hijinks from the sidelines, when she’s not engrossed in one of her elaborately themed Netflix movie marathons. But recently Toby’s been acting in a very non-movie-version way. He’s stopped hanging out with his horde of friends and started obsessively journaling and disappearing for days at a time. Amelia doesn’t know what’s happened to her awesome older brother, or who this strange actor is that’s taken his place. And there’s someone else pulling at her attention: a smart, cute new boyfriend who wants to know the real Amelia—not Toby’s Sidekick. Amelia feels adrift without her star, but to best help Toby—and herself—it might be time to cast a new role: Amelia Anderson, leading lady.

    The balance of the world rests on her ability to carry out orders. But when Malin discovers that her mother spared the life of an immortal who was destined to die, her world is thrown into chaos.As Malin wrestles with the knowledge that her mother might not be who she thought, she’s also thrust into the path of a gorgeous blue-eyed guy named Asher who needs her help slaying the rogue immortal who destroyed his family. Malin, along with her best friend and her ex-girlfriend, must decide where her loyalties lie...and whether helping Asher enact his revenge is worth the risk—to the world and to her heart.

    The world, as we know today, is not the same anymore. Blatant threats of war by ‘world leaders’ is the new normal. Gone are the days when mobilizing armies at borders, or aiming missiles at adversaries, was a rare phenomenon.With every nation or their allies possessing nuclear weapons, victory through conventional means is no longer possible, paving way for covert warfare to emerge as the preferred weapon. New Delhi is an easy target and Doshi, the unassailable supremo of the regime, is on the ‘hit list’. The threat assessment being at an all time high, Ajay Kaamte, the director of SPG (Special Protection Group), is tasked with protecting the PM.Intelligence claims that the PM is susceptible to cyanide attacks and situation is grim, to say the least. Will Doshiji survive to serve another term or will he very soon be having his last chai?

    Literally, a pundit predicted Winnie would find the love of her life before her 18th birthday, and Raj meets all of the qualifications. Which is why Winnie is shocked to return from her summer at film camp to find her boyfriend of three years hooking up with Jenny Dickens. Worse, Raj is crowned chair of the student film festival, a spot Winnie was counting on for her film school applications. As a self-proclaimed Bollywood expert, Winnie knows this is not how her perfect ending is scripted.Then there’s Dev, a fellow film geek, and one of the few people Winnie can count on to help her reclaim control of her story. Dev is smart, charming, and challenges Winnie to look beyond her horoscope to find someone she’d pick for herself. But does falling for Dev mean giving up on her prophecy, and her chance to live happily ever after? To get her Bollywood-like life on track, Winnie will need a little bit of help from fate, family, and of course, a Bollywood movie star.

    

    Jayant Kaikini’s gaze takes in the people in the corners of Mumbai—a bus driver who, denied vacation time, steals the bus to travel home; a slum dweller who catches cats and sells them for pharmaceutical testing; a father at his wit’s end who takes his mischievous son to a reform institution. In this metropolis, those who seek find epiphanies in dark movie theaters, the jostle of local trains, and even in roadside keychains and lost thermos flasks. Here, in the shade of an unfinished overpass, a factory worker and her boyfriend browse wedding invitations bearing wealthy couples’ affectations—“no presents please”—and look once more at what they own. Translated from the Kannada by Tejaswini Niranjana, these resonant stories, recently awarded the DSC Prize for South Asian Literature, take us to photo framers, flower markets, and Irani cafes, revealing a city trading in fantasies while its strivers, eating once a day and sleeping ten to a room, hold secret ambitions close.

    As he becomes more and more involved with the lives and troubles of the common people in his district, he finds himself sucked deeper and deeper into the dark heart of the desert. And there, with the help of the mysterious musician, the Sarangiya, he has an encounter with beauty in its purest, most absolute form. An encounter that precipitates a dangerous descent. The pages from the journal he keeps are combined with the narratives of those around him—a Tehsildar, a Circuit House guard, a camel-herder, a pair of tribal girls, a Medical Officer, a Police Superintendent and the Collector's orderly—to create a compelling account of his slide away from reality. Half-real and half-fable, and redolent with the songs and myths of Rajasthan, Anukrti Upadhyay's Daura announces the arrival of a powerful new literary talent.

    They have almost no idea what awaits them.In a dilapidated shared house in Sheffield, Tarlochan, a former rickshaw driver, will say nothing about his life in Bihar. Avtar and Randeep are middle-class boys whose families are slowly sinking into financial ruin, bound together by Avtar's secret. Randeep, in turn, has a visa wife across town, whose cupboards are full of her husband's clothes in case the immigration agents surprise her with a visit. She is Narinder, and her story is the most surprising of them all. The Year of the Runaways unfolds over the course of one shattering year in which the destinies of these four characters become irreversibly entwined, a year in which they are forced to rely on one another in ways they never could have foreseen, and in which their hopes of breaking free of the past are decimated by the punishing realities of immigrant life. A novel of extraordinary ambition and authority, about what it means and what it costs to make a new life—about the capaciousness of the human spirit, and the resurrection of tenderness and humanity in the face of unspeakable suffering.

    In the intimate atmosphere of the all-women sleeping car - the 'Ladies Coupe' - Akhila asks the five women the question that has been haunting her all her adult life: can a woman stay single and be happy, or does she need a man to feel complete?This wonderfully atmospheric, deliciously warm novel takes the reader into the heart of women's lives in contemporary India, revealing how the dilemmas that women face in their relationships with hunsbands, mothers, friends, employers and children are the same world over.

    Hari and Lila were born and raised in the village, but now their family is falling into despair: the father to alcohol while the mother is seriously ill. As for money, that there is not even enough to meet the most basic needs between.

    At seven, she’s correcting her teachers. At eight, she spins the globe and picks her favourite country on the sound of its name: Burundi. And now that she's an adult, Augusta has no interest in the goings-on of the small town where she lives with her parents and her beloved twin sister, Julia.When an unspeakable tragedy upends everything in Augusta's life, she's propelled headfirst into the unknown. She's determined to find where she belongs – but what if her true home, and heart, are half a world away?

    When the younger players in India's cricket team find out that advertising executive Zoya Singh Solanki was born at the very moment India won the World Cup back in 1983, they are intrigued. When having breakfast with her is followed by victories on the field, they are impressed. And when not eating with her results in defeat, they decide she's a lucky charm. The nation goes a step further. Amazed at the ragtag team's sudden spurt of victories, it declares her a Goddess. So when the eccentric IBCC president and his mesmeric, always-exquisitely-attired Swamiji invite Zoya to accompany the team to the tenth ICC World Cup, she has no choice but to agree. Pursued by international cricket boards on the one hand, wooed by Cola majors on the other, Zoya struggles to stay grounded in the thick of the world cup action. And it doesn't help that she keeps clashing with the erratically brilliant new skipper who tells her flatly that he doesn't believe in luck...

    His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself. English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery.