has dared to take on a difficult, grief-stricken period of English history, and done so with sensitivity and understanding; EARTH AND HEAVEN is the clever, compelling result' The Times

    Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives--all of them unconventional. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place. As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories-- these two women-- something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation. Here Maggie O'Farrell brings us a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Like her acclaimed The Vanishing Act of Esme Lennox, it is a "breathtaking, heart-breaking creation." (The Washington Post Book World) and it is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

     At thirty-five, Gabriella Graham—“Ella” to her family and friends—has already made a name for herself as a successful portrait artist in London. She can capture the essential truth in each of her subjects’ faces—a tilt of the chin, a glint in the eye—and immortalize it on canvas. This gift has earned Ella commissions from royals and regular folks alike.But closer to home, Ella finds the truth more elusive. Her father abandoned the family when she was five, and her mother has remained silent on the subject ever since. Ella’s sister, Chloe, is engaged to Nate, an American working in London, but Ella suspects that he may not be so committed. Then, at Chloe’s behest, Ella agrees to paint Nate’s portrait.From session to session, Ella begins to see Nate in a different light, which gives rise to conflicted feelings. In fact, through the various people she paints—an elderly client reflecting on her life, another woman dreading the prospect of turning forty, a young cyclist (from a photograph) who met a tragic end—Ella realizes that there is so much more to a person’s life than what is seen on the surface, a notion made even clearer when an unexpected email arrives from the other side of the world. And as her portraits of Nate and the others progress, they begin to reveal less about their subjects than the artist herself.A picture is worth a thousand words, and in Isabel Wolff’s vibrant and textured story, these words are brilliantly crafted to convey the humor, mystery, and beauty that exists within each of us.

    But Felicity knows better. Sent to live with them as a child because her mother could no longer care for her, she grows up as the sisters’ companion. Both an outsider and a part of the family, she witnesses the complex lives upstairs and downstairs, sees the compromises and sacrifices beneath the glamorous surface. Then, at a party one summer’s evening, something happens that sends shock waves through the entire household.Inspired by a remarkable true story and fascinating real events, The Glorious Guinness Girls  is an unforgettable novel about the haves and have-nots, one that will make you ask if where you find yourself is where you truly belong.

    Her parents are exasperated at the way in which she flits from one thing to another. A chance encounter helping Dulcie, an elderly lady who has had a fall in the street, leads to Gemma becoming housekeeper to Dulcie and her friend, Rupert.Following a lottery win, Dulcie and Rupert rent a Spanish villa for six months and Gemma goes with them for a working holiday. It’s all one long adventure for the three of them, filled with fun days out, nights in the best restaurants and plenty of laughter.Dario, the local taxi driver becomes fond of Gemma. Likewise, she thinks a lot of him too, but he harbours a secret.Jamie, Dulcie’s grandson, pops over to Spain to check on his grandmother. but she’s not his only reason for visiting.Craig, an old friend of Gemma’s, is also an acquaintance of Dulcie and Rupert. When he visits from England, Gemma’s life becomes a little uncomfortable.How can ONE SUMMER IN SPAIN change everyone’s life? Will it be for the good, and how do their lives pan out after the six month holiday is over?

    He is entranced by her image, flooded by memories of their teenage summer together, and utterly conpelled to make contact with her again. Charles sends Sian a letter, knowing all the while that "from the very first sentence of the very first note there was nothing innocent about it." Sian writes back - she is now a poet living with her husband and small child on an onion farm in Pennsylvania. She is intrigued that Charles has sought her out after so many years but wary of where their correspondence might lead. For Charles, troubled by financial woes, on the verge of losing his home, and concerned about the security of his family, the letters become a secret obsession and another source of instability in his already complicated life. Despite their reservations, the power of Charles and Sian's attraction leads them to meet again . . . and again. As Charles understands it, "for the two of them, eros is linked with time. It is the very urgency of time he dreads, the sense that their minutes together are short and numbered, that he must say what he has come to say before she leaves, that gestures and words cannot be wasted." Anita Shreve takes the classic theme of "Romeo and Juliet" and gives it an unusual twist: two lovers struggle against formidable odds, reaching across a lifetime to reclaim what they once lost. In doing so, they set in motion a tumultuous series of events that moves inexorably to a shocking conclusion.

    . . just in time for his wife to learn the extent of his affair. Rudderless and remorseful, Richard embarks on a series of misguided attempts to win Anne back while focusing his creative energy on a provocative art piece to prove that he's still the man she once loved.Skillfully balancing biting wit with a deep emotional undercurrent, debut novelist Courtney Maum has created the perfect portrait of an imperfect family-and a heartfelt exploration of marriage, love, and fidelity.

    By 2008, it is in a complete state of ruin due to the dulled ambition and the financial ineptitude of the twenty-four earls, two world wars, the Wall Street crash, and inheritance taxes. Still: the heir to all of it, Kitto, his wife, Jane, their three children, their dog, Kitto's ancient parents, and his aunt Tuffy Scott, an entomologist who studies fleas, all manage to live there and keep it going. Four women dominate the story: Jane; Kitto's sister, Blaze, who left Trelawney and made a killing in finance in London, the wildly beautiful, seductive, and long-ago banished Anastasia and her daughter, Ayesha. When Anastasia sends a letter announcing that her nineteen-year-old daughter, Ayesha, will be coming to stay, the long-estranged Blaze and Jane must band together to take charge of their new visitor--and save the house of Trelawney. But both Blaze and Jane are about to discover that the house itself is really only a very small part of what keeps the family together.

    Her two grown-up daughters, Jess and Lily, are estranged, and her two teenage granddaughters have never been allowed to meet. A secret that echoes back thirty years has splintered the family in two, but is also the one thing keeping them connected.As tensions reach breaking point, the irrevocable choice that one of them made all those years ago is about to surface. After years of secrets and silence, how can one broken family find their way back to each other?

    Mary, a small village in the English countryside filled with rolling hills, thatched cottages, and a cast of characters both hilariously original and as familiar as the members of your own family. Among them is Major Ernest Pettigrew (retired), the unlikely hero of Helen Simonson's wondrous debut. Wry, courtly, opinionated, and completely endearing, Major Pettigrew is one of the most indelible characters in contemporary fiction, and from the very first page of this remarkable novel he will steal your heart.The Major leads a quiet life valuing the proper things that Englishmen have lived by for generations: honor, duty, decorum, and a properly brewed cup of tea. But then his brother's death sparks an unexpected friendship with Mrs. Jasmina Ali, the Pakistani shopkeeper from the village. Drawn together by their shared love of literature and the loss of their respective spouses, the Major and Mrs. Ali soon find their friendship blossoming into something more. But village society insists on embracing him as the quintessential local and her as the permanent foreigner. Can their relationship survive the risks one takes when pursuing happiness in the face of culture and tradition?

    But as a penniless and partnerless house-painter with an expired lease on her flat and a twelve-year-old daughter, she could hardly turn down her parents' offer to take them on a once-in-a-lifetime trip to the Caribbean. She'd just have to put up with her sister Theresa (making no secret of preferring Tuscany as a holiday destination) and brother Simon (worrying that there might be some sinister agenda behind their parents' wish to take them all away) with their various spouses, teenagers, young children and au pair. In a luxury hotel, with bright sunshine, swimming, diving, glorious food and friendly locals, any family tensions should have melted away in the fabulous heat. The children should have been angelic, the teenagers cheerful, the adults relaxed and happy. But...some problems just refuse to be left at home.

    What if you find him—and he doesn’t remember you? In her captivating new novel, Susan Shapiro explores the perils of revisiting past passion. Lila Penn leaves Wisconsin for graduate school in the big city, where she falls for her professor Daniel Wildman. Decades after their tangled link, she arranges a tête-à-tête in downtown Manhattan. But the shocking encounter blindsides Lila, causing her to question her memory—and sanity. Switching between Greenwich Village and Tel Aviv, the saga unravels the sexual secret that’s haunted Daniel and Lila for thirty years.“Frank, darkly funny, entertaining...”—New York Times Book Review“A promiscuously readable guilty pleasure...”—Elle Magazine“Funny and original, with a soulfulness beneath the humor.”—Ian Frazier“Sly, candid, disarming...”—Pam Houston“Shapiro’s voice is so passionate and honest,it’s bewitching.”—Erica Jong“Irresistible energy, winning humor... breathtakingly frank honesty.”—Philip Lopate“Unputdownable.”—Gael GreenePublisher’s Weekly, October 2015:In raw and elegant prose, Shapiro (Five Men Who Broke My Heart) sensitively examines the subject of the one who got away—and what happens when you try to revisit an old romance. When brash, naive graduate student Lila Lerner arrives in New York City from Baraboo, Wisc., she immediately falls for her poetry professor, Daniel Wildman, who is 20 years her senior. As the tale opens, a now-happily married Lila attends the book signing of her former love, and is appalled when he doesn't seem to recognize her. But is his forgetfulness real, or simply a defense mechanism? Shapiro then leads the reader into the past, skillfully illustrating why Daniel's reaction is so upsetting to Lila and even leads her to think that her own memory is faulty. The author deftly toggles through decades, opening in 2010 and often moving to the early '80s, and from New York City to Israel, telling the story from Daniel's point of view as well as Lila's—lending empathy to a character who could have been the stereotypical older man taking advantage of a younger woman. Shapiro's witty, flawed characters leap off the page, showing the before, during, and after of a love affair. Library Journal, October 15, 2015: Lila Penn came to New York City from Wisconsin in 1980 as an idealistic young student in a graduate writing program. She fell in love with the city and with her professor and mentor, Daniel Wildman, but their relationship ended abruptly when he left for Tel Aviv. Professor Wildman turned out to be more indecisive than wild, and Lila was very young. Now, 30 years later, both are happily married to other people. But is there still a spark between the former student and her much older professor? Forward to 2010: Wildman has just won a Pulitzer Prize for his writing. Lila nervously decides to go to his reading and book signing, but it doesn't go well. Could it be that her former love doesn't even remember her? This wistful story of love and poetry is told from the viewpoints of both characters, then and now. Shapiro (Overexposed) is especially clever in her portrayal of the petty dramas and rivalries of creative writing programs. VERDICT This wry look back at a complicated and doomed romance is a sophisticated and witty novel about academia and New York publishing.—Leslie Patterson, Rehoboth, MA

    Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the twentieth century as seen through the eyes of an English girl determined to learn about her family and its secrets.

    Yet there is one more shock to come when Richie’s will is read. It seems he never forgot the wife and son he left behind years ago—Margaret, who lives a quiet life of routine and work, and Scott, who never knew his famous father. Now two families are left to confront their losses and each other, and none of them will ever be the same. Witty, intelligent, and insightful, The Other Family is a story of modern family life from one of our most beloved authors of domestic fiction.

    Sequel to This Can't Be Life