Its flowing narrative style, character sketches, and lively anecdotes bring the people and places of the past to life. In this newly illustrated edition, John Broadley's unique tableaux-like illustrations capture the landscape, costumes, and characters of the history that Hibbert's text so vividly evokes.

    It assumes no prior acquaintance with the classical world, and explains the necessary linguistic, historical, religious, social, and political background needed to fully understand Roman art.

    The mythical imagery of this matrilinear era tells us much about early humanity's concepts of the cosmos, of human relations with nature, of the complementary roles of male and female. Through study of sculpture, vases, and other cult objects from southeastern Europe, Gimbutas sketches the village culture that evolved there before it was overwhelmed by the patriarchal Indo-Euopreans. The Goddess incarnating the creative principle as a Source and Giver of All, fertility images, mythical animals, and other artifacts are anlyzed for their mythic and social significance in this beautifully illustrated study.

    The way in which their stories intersect with real places offers potential for a richly textured narrative. By drawing together narrative history, new academic research and first-hand experience, Tom Williams offers a vital evocation of a forgotten world, its echoes in later history and its implications for the present.A Viking Britain truly existed, and its historical and cultural footprint is in many ways broader and deeper than Rome’s. Between the conventional beginning of the Viking Age in the late eighth century and its close in the eleventh, Scandinavian people and culture were involved with Britain to a degree that has left a permanent impression on these islands. They came to plunder and, ultimately, to settle, to colonize and to rule. By the time of the Norman Conquest, much of Britain might justifiably be described as ‘Viking’, and in language, literature, place-names and folklore, the presence of Scandinavian settlers can still be felt. Indeed, the Vikings have been a powerful cultural force in modern times. Their representation in paintings, novels and operas – from the music of Elgar to the writing of Kipling, Morris and Tolkien – has had a profound impact on the British psyche. Much of what we imagine when we think of the Vikings – even the word ‘Viking’ itself – grew, not form the Viking Age itself, but from the political, literary and artistic currents of the nineteenth and early twentieth centuries. Here, too, a Viking Britain came alive.

    In Jamestown, the Buried Truth, William Kelso takes us literally to the soil where the Jamestown colony began, unearthing the James Fort and its contents to reveal fascinating evidence of the lives and deaths of the first settlers, of their endeavors and struggles, and of their relationships with the Virginia Indians. He offers up a lively but fact-based account, framed around a narrative of the archaeological team's exciting discoveries.Once thought to have been washed away by the James River, James Fort still retains much of its structure, including palisade walls, bulwarks, interior buildings, a well, a warehouse, and several pits, and more than 500,000 objects have been cataloged, half dating to the time of Queen Elizabeth and King James. Artifacts especially reflective of life at James Fort include an ivory compass, Cabasset helmets and breastplates, glass and copper beads and ornaments, ceramics, tools, religious icons, a pewter flagon, and personal items. Dr. Kelso and his team of archaeologists have discovered the lost burial of one of Jamestown's early leaders, presumed to be Captain Bartholomew Gosnold, and the remains of several other early settlers, including a young man who died of a musket ball wound. In addition, they've uncovered and analyzed the remains of the foundations of Jamestown's massive capitol building.Refuting the now decades-old stereotype that attributed the high mortality rate of the Jamestown settlers to their laziness and ineptitude, Jamestown, the Buried Truth produces a vivid picture of the settlement that is far more complex, incorporating the most recent archaeology to give Jamestown its rightful place in history and thus contributing to a broader understanding of the transatlantic world.

    This is the inside story of a momentous archeological discovery: the 1st-century ossuary of Jesus' brother, James, head of the Jerusalem church. Reportedly found just outside ancient Jerusalem, the fragile limestone burial box bears the inscription "James, son of Joseph, brother of Jesus." The ossuary & its inscription are now regarded as authentic by top scholars. They represent the 1st visual, tangible, scientific evidence of Jesus' existence. The implications are monumental for understanding Jesus, his family & the Jewish Christian movement during Christianity's formative years. Hidden for centuries, the ossuary was purchased years ago by an Israeli collector unaware of its importance. Only when the French scholar Andre Lemaire saw the Aramaic inscription in 4/2002 was its significance discovered. In 10/2002, Lemaire announced the news, asserting it was almost certain that the inscription referred to the biblical Jesus, his father Joseph & his brother James. Controversy immediately erupted over the age & authenticity of the inscription. The discovery also rekindled an ancient debate over whether Mary was a virgin--a doctrine still dividing Catholics & Protestants. Hershel Shanks, a central figure of biblical archeology, who led a campaign to make the Dead Sea Scrolls available to the world, recounts the story of the ossuary's discovery & authentication. Ben Witherington III, a New Testament scholar, shows how the discovery reveals surprising facts about a story people thought they knew: How Jesus was raised in a large, religiously conservative Jewish family; how his siblings were skeptical about his claims--until he died; how Jesus' brother James went on to head the Jewish Christian movement in Jerusalem, becoming the leader Peter & Paul looked to for guidance & approval; how James brokered a major church controversy of the 1st century & wrote a biblical book; how he was martyred & written out of history by the Roman Church. The ossuary's discovery allows reacquaintance with the historical figure Paul called a "pillar of the church."

    Musical Theatre: A History presents a comprehensive history of stage musicals from the earliest accounts of the ancient Greeks and Romans, for whom songs were common elements in staging, to Jacques Offenbach in Paris during the 1840s, to Gilbert and Sullivan in England, to the rise of music halls and vaudeville traditions in America, and eventually to "Broadway's Golden Age" with George M. Cohan, Victor Herbert, Jerome Kern, George and Ira Gershwin, Rodgers and Hart, Oscar Hammerstein, Leonard Bernstein, and Andrew Lloyd Webber. The 21st century has also brought a popular new wave of musicals to the Broadway stage, from The Producers to Spamalot, and Mamma Mia! to The Drowsy Chaperone. Musical Theatre: A History covers it all, from the opening number to the curtain call, offering readers the most comprehensive and up-to-date history of the art form. As informative as it is entertaining, Musical Theatre is richly illustrated with anecdotes of shows and show people. It is cause for celebration for those working in the theatre as well as its legion of devoted fans.

    The scuttlers were the hooligans of their day and for thirty years they held the streets of Manchester and Salford in a grip of fear. The Gangs of Manchester traces the history of the scuttlers from the Rochdale Road War of 1870-1, through the antics of such infamous fighters as the Bellis brothers of Salford and John Hillier, the King of the Scuttlers, until the demise of the gangs at the turn of the century.