Achsa is a lonely, passionate and precocious fourteen-year-old. Isolated at school by her intelligence and disfigurement, troubled at home by the undercurrents in her parents' relationship, she finds comfort and inspiration in the tunes and rhythms she hears on her radio. Hearing a recording by an unknown 20-year-old country singer named Elvis Presley, she fires off a fan letter, telling him she knows he's going to be a star.

    He has no choice but to deal with it all drug free.

    Before she can come to terms with being unemployed (yet again), she finds herself up the duff, father unknown. Is it her charming, arrogant and married ex-boss? Or is it the man-child she met one drunken night at the Irish pub. If only she could remember his name… Sally is married to Vincent, a self-absorbed televangelist, obsessed with his TV show and beauty treatments. She spends her days working, ferrying her three children around and listening to her husband preach. How could her hopes and dreams have been so unimportant she waved them goodbye without a second thought? Kat has the perfect life all mapped out: the perfect job, the perfect husband, the perfectly renovated home and the soon-to-come perfect children. But when her suspicions that her husband is having an affair are proved to be correct, she suddenly finds herself single with a handbag full of broken dreams. Can they find their way back to the dreams of their youth – or is it time to accept life’s lemons and start making lemonade?

    She hoped to work on her novel, play Rook with the old lady next door and spend some lazy time with her husband and daughters. But when a new neighbor winds up dead, Tessa and her Rook partner find themselves jumping to suspicious conclusions. Add a young hippie named Rusty to the mix, and these three seem like an unlikely trio to solve an alleged crime. When you’re not laughing at the humorous rhetoric in Suspicion on Sugar Creek, you’ll be on the edge of your seat wondering how it will all play out.

    . .Harriet Lockwood has never really bonded with her daughter, Florence, the way she has with her three sons. Then one day, she discovers why. The girl she’s raised for the last fifteen years is not her biological child.Zoey Sands is a single mother with a chaotic lifestyle. The one constant in her life is her daughter, Nell. Nothing can ever come between them – can it?When Harriet turns up on Zoey’s doorstep demanding to see her biological daughter, the two families are plunged into a storm of bitter rivalries… and unexpected alliances.

    She barely thought twice about making the decision, but it soon began to consume her every thought. And not just her thoughts, but those of every neighbour, police officer and social security worker in a 15-mile radius. But this is her child. Surely she knows best?After she’d made the move to a small town in Scotland, the rolling hills and blustery beaches seemed to be the perfect backdrop for her and her four-year-old daughter, Emily, to start again. It wasn’t always easy just the two of them, but Liz was sure that she could manage this time. And now this?Sometimes, one mistake is all it takes to unravel everything. Cat Step is a lyrically sparse tale about judgement, intergenerational relationships, community, class and the expectations that we place on mothers. With sharp prose Alison Irvine has crafted a compassionate narrative that compels you to listen on.

    His love affair with punk comes full circle as he learns to hate it and then learns to love it again. The pieces in this book take us from his Southern roots, his brief stay in St. Louis, and his journey to California on a quest for punk bliss. Sinister finds himself in Oakland, where he gets exactly what he wanted, but it may just kill him. From recounts of specific shows to metaphorical dreams of Abraham Lincoln to the tragic stories of circus elephants, All Blacked Out & Nowhere to Go mixes tragedy and comedy into a book that's louder and faster than any book of its kind.

    . . More Like Wrestling is the magnificent debut novel by one of the most acclaimed music journalists of her generation. It tells the story of Pinch and Paige, two sisters coming of age in Oakland, California, in the 1980s, a time when that beautiful, crumbling city is being transformed by tectonic shifts, both literal and figurative. The novel unfolds through the alternating narration of the two sisters: Pinch, quiet and observant, and Paige, louder and wilder but faltering under her facade. The sisters are teenage refugees from a violent home, living alone in a faded Victorian mansion where they survive by creating a closed world centered around each other and their new friends—a rowdy makeshift family of castoffs, dealers, and drama queens on the periphery of the burgeoning drug game, some looking for a way out, some looking for a way deeper in. As the sisters grow from girls into women, they are confronted with a series of surprising reversals—death, imprisonment, and, just maybe, love—that force them to come to grips with the truth about their choices, their friends, and their tangled roots.More Like Wrestling takes readers into fresh and surprising terrain, bringing a complex set of characters to vivid life with bracing honesty and sophistication. With a journalist’s eye for detail and a poet’s ear for language, Danyel Smith has written an unforgettable tale about memory, forgiveness, and love in a world built on fault lines.

    This 50th Anniversary edition contains a new foreword by his publisher and friend, Jay Shore, and an introduction by his sister, Diane Craddock, as well as a selection of photos, drawings and other writings by Craddock."Superb in the tradition of Kerouac’s On The Road, with overtones of Ken Kesey and Hunter Thompson’s Hell’s Angels, but Craddock’s style is all his own." — Robert Kirsch, Los Angeles Times"The definitive book of the acid-freak movement. A psychedelic pilgrim’s progress of beauty, intelligence, sensitivity." — Joseph Haas, Chicago Daily News"An astounding book, so good it defies praise. The writing is superb. Craddock is a born writer with an iceberg of talent." — Shane Stevens, Chicago Sun Times"Willam J. Craddock’s masterpiece, legendary to those in the know, is as exhilarating now as ever." — Elizabeth McKenzie, author of The Portable Veblen, long listed for the 2016 National Book AwardMostly autobiographical, Be Not Content begins with the 16-year-old Craddock riding his beloved Harley Davidson with the Hells Angels, the outlaw motorcycle club, and getting into brawls and being chased by the cops. It’s an unexpected anomaly for this bright, middle-class kid from Los Gatos, California. Craddock then takes us through his college days publishing an underground newspaper, attending poetry readings with Alan Ginsberg, tripping at one of the first acid tests, and taking for days on end the strongest, most pure doses LSD. All of it done for the purpose of Craddock discovering the meaning of life.Barely 21 when he finished writing it, Doubleday bought the book in 1968 but held up publication until 1970. The first edition sold out with collectors prizing the few copies available, and copies going for as much as $950 on the Internet. Be Not Content is a powerful literary coming of age narrative that millions of Americans can personally identify with – an unforgettable time in the cultural and sociological history of America.

    Would you even believe me if I did or didn't? Could this paper touch your face? I've spent enough years with my face arranged in books. I've read enough to crush my sternum. In each of the books are people talking, saying the same thing, their tongues thin and white and speckled.I don't want to be here. I want to get older. I want to see my skin go folding over.Someday I plan to die.Books that reappear when you destroy them, lampshades made of skin, people named with numbers and who can't recall each other, a Universal Ceiling constructed by an otherwise faceless authority, a stairwell stuffed with birds: the terrain and populace of Sky Saw is packed with stroboscopic memory mirage. In dynamic sentences and image, Blake Butler crafts a post-Lynchian nightmare where space and family have deformed, leaving the human persons left in the strange wake to struggle after the shapes of both what they loved and who they were.

    But nothing ages them like having to suddenly pass the torch (of sexuality, independence, and the ineffable alchemy of cool) to their own offspring.Back in the band's heyday, Elizabeth put on a snarl over her Midwestern smile, Andrew let his unwashed hair grow past his chin, and Zoe was the lesbian all the straight women wanted to sleep with. Now nearing fifty, they all live within shouting distance in the same neighborhood deep in gentrified Brooklyn, and the trappings of the adult world seem to have arrived with ease. But the summer that their children reach maturity (and start sleeping together), the fabric of the adults' lives suddenly begins to unravel, and the secrets and revelations that are finally let loose—about themselves, and about the famous fourth band member who soared and fell without them—can never be reclaimed.Straub packs wisdom and insight and humor together in a satisfying book about neighbors and nosiness, ambition and pleasure, the excitement of youth, the shock of middle age, and the fact that our passions—be they food, or friendship, or music—never go away, they just evolve and grow along with us.

    THE WESTERN FRONT IS IN STALEMATE. Captain Malcolm MacPhail of the Canadian Corps has been in the trenches for longer than he cares to remember. He’s just landed a new job on the intelligence staff, but if he thinks staying alive is going to become any easier, he’s sorely mistaken.The rain is pelting down, the shells are flying and the dreaded battle for Passchendaele looms. Malcolm reckons matters can still get worse. Which proves to be an accurate assessment, especially as his unruly tongue has a habit of making enemies all on its own.The Allies are fighting desperately to swing the tide of war, and Malcolm’s future hangs in the balance, so keeping his head down is simply not an option… Authentic and gripping military historical fiction. Praise for MALCOLM MACPHAIL'S GREAT WAR: "Darrell Duthie skilfully blends history and fiction... He brings his invented hero, Malcolm MacPhail, into conjunction with real characters, to inform and stimulate readers... Malcolm MacPhail's Great War is realistic and often gripping... deserves a Mentioned-in-Despatches at least!" -- Dr. Peter Stanley, professor, former principal historian of the Australian War Memorial, author"The concept of trench warfare... is a prominent theme in this very readable work of 'faction'... The friction between HQ politics and the front line resonates throughout this tale. All in all, it is an enjoyable read."-- Soldier Magazine (magazine of the British Army)

    Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar’s life, so different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a “proper” family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude.John Williams’s luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.

    He has glimpsed his neighbors—beautiful manicurist Rayleen, lonely old Ms. Hinman, bigoted and angry Mr. Lafferty, kind-hearted Felipe, and 9-year-old Grace and her former addict mother Eileen. But most of them have never seen Billy. Not until Grace begins to sit outside on the building’s front stoop for hours every day, inches from Billy’s patio. Troubled by this change in the natural order, Billy makes it far enough out onto his porch to ask Grace why she doesn’t sit inside where it’s safe. Her answer: “If I sit inside, then nobody will know I’m in trouble. And then nobody will help me.” Her answer changes everything.

    But Hildy isn't one for self-pity and instead meets the world with a wry smile, a dark wit and a glass or two of Pinot Noir. When her two earnest grown-up children stage 'an intervention' and pack Hildy off to an addiction centre, she thinks all this fuss is ridiculous. After all, why shouldn't Hildy enjoy a drink now and then?But as the story progresses, we start to see another side to Hildy Good, and to her life's greatest passion - the lies and self deceptions needed to support her drinking, and the damage she causes to those she loves. When a cluster of secrets become dangerously entwined, the reckless behaviour of one threatens to expose the other, with devastating consequences.