In 1835, The Brothers Jacob and Wilhelm Grimm revise the tale to bury a truth about Jacob even he can’t come to face. In 1986, a folklore scholar and her brother come to find the record is wrong about the figurative witch in the woods, while in 2211, twin space probes aiming to find earth's sister planet disseminate the narrative in binary code. Breadcrumbing back in time from 2365 to 1378, siblings reimagine, reinvent, and recycle the narrative of Hansel and Gretel to articulate personal, regional, and ultimately cosmic experiences of tragedy.Through a relay of speculative pieces that oscillate between eco-fiction and psychological horror, The Archive of Alternate Endings explores sibling love in the face of trauma over the course of a millennium, in the vein of Richard McGuire's Here and Lars von Trier's Melancholia.

    Even more forbidden, she is Amelia, Countess of Garrick—intelligent, beautiful, and very much married—and an affair that would cause the society scandal to end all scandals. It seems Beatrice is destined to remain alone, her only joy the deliciously wicked monthly meetings of the Surrey Sexual Freedom Society.Amelia Garrick is desperate. Trapped in a bad marriage to a man she doesn’t love and unable to give him an heir, her one solace is her companion, Beatrice. Until the night friendship becomes something more, and Amelia is introduced to an intoxicating new world. Together they risk all. Yet now she’s had a heady taste of scorching hot pleasure, Amelia can’t resist…

    Non-stop all-you-can-eat buffets while marathoning her favorite TV shows (best friends totally included) with the smallest dash of adulting--working at the library to pay her share of the rent. The only thing missing from her perfect plan? Her girlfriend (who ended things when Alice confessed she's asexual). Alice is done with dating--no thank you, do not pass go, stick a fork in her, done.But then Alice meets Takumi and she can’t stop thinking about him or the rom com-grade romance feels she did not ask for (uncertainty, butterflies, and swoons, oh my!).When her blissful summer takes an unexpected turn, and Takumi becomes her knight with a shiny library employee badge (close enough), Alice has to decide if she’s willing to risk their friendship for a love that might not be reciprocated—or understood.

    Clair Prep, one of the others being his infinitely more popular older brother. It’s hard enough fitting in but to make matters worse and definitely more complicated, Jake can see the dead. In fact he sees the dead around him all the time. Most are harmless. Stuck in their death loops as they relive their deaths over and over again, they don’t interact often with people. But then Jake meets Sawyer. A troubled teen who shot and killed six kids at a local high school last year before taking his own life. Now a powerful, vengeful ghost, he has plans for his afterlife–plans that include Jake. Suddenly, everything Jake knows about ghosts and the rules to life itself go out the window as Sawyer begins haunting him and bodies turn up in his neighborhood. High school soon becomes a survival game–one Jake is not sure he’s going to win.

    Elliot McHugh is not one of those people. But picking a major is the last thing on Elliot’s mind when she’s too busy experiencing all that college has to offer—from dancing all night at off-campus parties, to testing her RA Rose’s patience, to making new friends, to having the best sex one can have on a twin-sized dorm room bed. But she may not be ready for the fallout when reality hits. When the sex she’s having isn’t that great. When finals creep up and smack her right in the face. Or when her roommate’s boyfriend turns out to be the biggest a-hole. Elliot may make epic mistakes, but if she’s honest with herself (and with you, dear reader), she may just find the person she wants to be. And maybe even fall in love in the process . . . Well, maybe.

    Sold to a "welcome house" as children and branded with cursed markings. Trapped in a life they would never have chosen.When Clementine accidentally murders a man, the girls risk a dangerous escape and harrowing journey to find freedom, justice, and revenge in a country that wants them to have none of those things. Pursued by Arketta's most vicious and powerful forces, both human and inhuman, their only hope lies in a bedtime story passed from one Good Luck Girl to another, a story that only the youngest or most desperate would ever believe.It's going to take more than luck for them all to survive.

    𝑮𝒆𝒕 𝒓𝒆𝒂𝒅𝒚!𝘾𝙇𝘼𝙔Marymount girls are good girls. We’re chaste, we’re untouched, and even if we weren’t, no one would know, because we keep our mouths shut.Not that I have anything to share anyway. I never let guys go too far. I’m behaved. Beautiful, smart, talented, popular, my skirt’s always pressed, and I never have a hair out of place. I own the hallways, walking tall on Monday and dropping to my knees like the good Catholic girl I am on Sunday.That’s me. Always in control. Or so they think. The truth is that it’s easy for me to resist them, because what I truly want, they can never be. Something soft and smooth. Someone dangerous and wild. Unfortunately, what I want I have to hide. In the locker room after hours. In the bathroom stall between classes. In the showers after practice. 𝑀𝑦 ℎ𝑒𝑎𝑑 𝑠𝑤𝑖𝑚𝑚𝑖𝑛𝑔. 𝑀𝑦 ℎ𝑎𝑛𝑑 𝑢𝑝 ℎ𝑒𝑟 𝑠𝑘𝑖𝑟𝑡. For me, life is a web of secrets. No one can find out mine. 𝙊𝙇𝙄𝙑𝙄𝘼I cross the tracks every day for one reason—to graduate from this school and get into the Ivy League. I’m not ashamed of where I come from, my family, or how everyone at Marymount thinks my skirts are too short and my lipstick is too red. Clay Collins and her friends have always turned up their noses at me. The witch with her beautiful skin, clean shoes, and rich parents who torments me daily and thinks I won’t fight back.At least not until I get her alone and find out she’s hiding so much more than just what’s underneath those pretty clothes. The princess thinks I’ll scratch her itch. She thinks she’s still pure as long as it’s not a guy touching her. I told her to stay on her side of town. I told her not to cross the tracks. But one night, she did. And when I’m done with her, she’ll never be pure again. *TRYST SIX VENOM is a standalone, new adult, bully romance suitable for readers 18+. It will release directly into Kindle Unlimited!

    But a secret Jason has been keeping from his sister threatens to tear the siblings apart…right when they need each other most. Scott is waiting to hear about his girlfriend, Aimee, who was on a bus with her theater group when the bridge went down. Their relationship has been rocky, but Scott knows that if he can just see Aimee one more time, if she can just make it through this ordeal and he can tell her he loves her, everything will be all right. And then there’s Skyler, whose sister Kate—the sister who is more like a mother, the sister who is basically Skyler’s everything—was crossing the bridge when it collapsed. As the minutes tick by without a word from the hospital staff, Skyler is left to wonder how she can possibly move through life without the one person who makes her feel strong when she’s at her weakest.

    Tully Stephens wants only to survive her sophomore year. They soon realize how desperately they want each other, but that’s easier said than done.Tulley is a nineteen-year-old new initiate in the Gamma Alpha Epsilon sorority who has never loved a woman. Sue is the twenty-six-year-old resident adviser who jumps from bed to bed. Tulley is discovering her true self while Sue wants to discover more about the sexy young butch who’s invading her fantasies.A sorority house is never the ideal location for keeping a secret, especially when the secret is a blossoming affair. Can their love withstand the strain of the concealment? Will their time together always consist of stolen moments? Or will they complete their Initiation of Desire?

    Powerful and uplifting, Full Disclosure will speak to fans of Angie Thomas and Nicola Yoon. Simone Garcia-Hampton is starting over at a new school, and this time things will be different. She's making real friends, making a name for herself as student director of Rent, and making a play for Miles, the guy who makes her melt every time he walks into a room. The last thing she wants is for word to get out that she's HIV-positive, because last time . . . well, last time things got ugly.Keeping her viral load under control is easy, but keeping her diagnosis under wraps is not so simple. As Simone and Miles start going out for real--shy kisses escalating into much more--she feels an uneasiness that goes beyond butterflies. She knows she has to tell him that she's positive, especially if sex is a possibility, but she's terrified of how he'll react! And then she finds an anonymous note in her locker: I know you have HIV. You have until Thanksgiving to stop hanging out with Miles. Or everyone else will know too. Simone's first instinct is to protect her secret at all costs, but as she gains a deeper understanding of the prejudice and fear in her community, she begins to wonder if the only way to rise above is to face the haters head-on...

    Ros Shew is one of the smartest people in school--but she's a loner, and prefers to keep it that way. Then there's Christian Powell, the darling of the high school soccer team. He's not the best with communication, which is why he and Sam broke up after dating for six months; but he makes up for it by being genuine, effusive, and kind, which is why they're still best friends.When Christian falls for Ros on first sight, their first interaction is a disaster, so he enlists Sam's help to get through to her. Sam, with motives of her own, agrees to coach Christian from the sidelines on how to soften Ros's notorious walls. But as Ros starts to suspect Christian is acting differently, and Sam starts to realize the complexity of her own feelings, their fragile relationships threaten to fall apart.This fresh romantic comedy from debut author Rachel Roasek is a heartfelt story about falling in love--with a partner, with your friends, or just with yourself--and about how maybe, the bravest thing to do in the face of change is just love somebody.

    . ."A riveting tragedy of blood and desire - and the coolest thing you'll read this year" ― Samantha Shannon, author of The Bone Season and The Priory of the Orange Tree"The boldest, smartest, most adventurous fantasy I've read in ages - and it's really f**ing fun" ― Krystal Sutherland, author of Our Chemical Hearts"Arthurian legend meets urban fantasy in a brilliant, bloody wild ride" ― Jay Kristoff, No.1 New York Times and Sunday Times bestselling author

    As their relationship blossoms, Vivi not only helps Jess deal with her pain, she also encourages her to embrace her talent as an artist. And for the first time, it feels like the future is filled with possibilities. After In the midst of senior year, Jess’s perfect world is erased when Vivi suddenly passes away. Reeling from the devastating loss, Jess pushes everyone away, and throws out her plans to go to art school. Because art is Vivi and Vivi is gone forever.Desperate for an escape, Jess gets consumed in her work-study program, letting all of her dreams die. Until she makes an unexpected new friend who shows her a new way to channel her anger, passion, and creativity. Although Jess may never draw again, if she can find a way to heal and room in her heart, she just might be able to forge a new path for herself without Vivi.

    Coworkers at a cultural journal, they soon become good friends. Jack even introduces Will to the woman he will marry. But their friendship is complicated: Jack is also in love with Will. Troubled by his subversive longings, Jack sees a psychiatrist and dates a few women, while also pursuing short-lived liaisons with other men. But in the two decades of their friendship, from the first stirrings of gay liberation through the catastrophe of AIDS, Jack remains devoted to Will. And as Will embraces his heterosexual sensuality, nearly destroying his marriage, the two men share a newfound libertinism in a city that is itself embracing its freedom. Moving among beautifully delineated characters in a variety of social milieus, Edmund White brings narrative daring and an exquisite sense of life's submerged drama to this masterful exploration of friendship, sexuality, and sensibility during a watershed moment in history.

    Written in dialogic fragments and intersped with prose poems reflecting on the lasting impact of colonial trauma, it is arranged around the two different discourses. The bed on which America sleeps, and which America has made, is built on the fear that the nations it has oppressed will rise up against it, a monstrous shadow in a child’s nightmare. Written in English, while they sleep points to a imperialist American identity: the dormant body of the text. Answering in Spanish, under the bed is another country is the footnote, the monster under the bed, the colony: Puerto Rico.