Running away from heartache and scandal, Tessa flees Cornwall to London in search of anonymity and freedom. Sleeping rough, scared and suicidal, she contemplates throwing herself in the river. Then she discovers the Samaritans and a volunteer, Dorothy, who patiently listens as Tessa pours out a lifetime of troubles. Inspired by Dorothy, Tessa tries to turn her life around. And when she meets Paul, she feels she has at last found a soulmate. But Paul is not the man he seems.   When a tragedy at home calls Tessa back to the countryside she grew up in, her past and present collide. Can she finally find the strength to fulfil her destiny? And who will be waiting to help her begin her journey?

    So when the British Secret Service asks him to become their ‘man in Havana’ he can’t afford to say no. There’s just one problem…he doesn’t know anything! To avoid suspicion, he begins to recruit nonexistent sub-agents, concocting a series of intricate fictions. But Wormold soon discovers that his stories are closer to the truth than he could have ever imagined… In Clive Francis’ adaptation, Graham Greene’s classic satirical novel becomes a wonderfully funny and fast-moving romp.

    They commiserate with each other. They celebrate together, clinking glasses and toasting themselves: “Forever friends!” As Maddy battles to gain recognition in the male-dominated property business, she takes her own first tentative but exciting step on the property ladder. She thrives on the cut and thrust of the property boom – she loves her house, her family and her friends. Life is good. All that is missing is a man to share it all with. Enter the gorgeous Greg Delaney! Dream on, Rosie and Sophie! Talk in the Pink Parrot turns from boyfriends to wedding plans. But as the years roll by, will they still – at their joint fiftieth birthday celebration – be able to raise their glasses and toast to “Forever friends! May nothing ever come between us!”?

    But when a major global catastrophic event strikes the planet, their date takes on evolutionary significance and the fate of humanity hangs in the balance. Will they survive? What about the fish in the tank? And who is that woman pulling levers and playing the timpani? An epic and intimate comedy that spans over billions of years, boom explores the influences of fate versus randomness in the course of one's life, and life as we know it on the planet.

    Book by McLure, James

    Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    The first play, Tughlaq, is a historical play in the manner of nineteenth-century Parsee theater. The second, Hayavadana was one of the first modern Indian plays to employ traditional theatrical techniques. In Naga-Mandala, the third play, Karnad turns to oral tales, usually narrated by women. This selected work of one of India's best known playwrights should attract the attention of students and scholars of comparative literature, or any reader interested in South Asian literature.

    A series of scenes that gradually tell the story of how the financial collapse affects a British couple and how fiscal worry, stress, and fear can strain mankind's greatest emotion.

    For more than thirty years, Simon's wry and astute observations on life, love, and the human condition have been making audiences laugh uproariously even as his beautifully realized characters touch their hearts. These five plays, including the Pulitzer- and Tony-award-winning Lost in Yonkers, show Simon at the pinnacle of his extraordinary career. Rumors Lost in Yonkers Jake's Women Laughter on the 23rd Floor London Suite Including the author's introduction: "How to Stop Writing and Other Impossibilities"

    Its lyrical scenes still etch a portrait of Cyrano as a man of uncompromising bravery except in matters of the heart. They come off beautifully in the intimate off-Broadway-size Roundabout Theater. To the open minded, Langella's work will hardly seem felonious and it may be a breakthrough!" --David Patrick Stearns, U S A Today"Frank Langella has abridged the text and given the play a bare-bones production shorn of extravagance. CYRANO is compelling enough in its characterizations, dialogue and situations to withstand minimalism." --Frank Scheck, Hollywood Reporter"Frank Langella's adaptation is relatively short, fast and intimate. The speed of the shortened version allows the ideas behind the play to emerge with great force and clarity. The result is a terrifically enjoyable and surprising thought-provoking piece of theater." --Fintan O'Toole, Daily News, New York

    From high-class hookers to 7/7 survivors these monologues paint a revelatory picture of Britain as it is today. After rave reviews at the 2008 Edinburgh Festival and in New York, "Eight" opened in London's West End in July 2009.

    Beckwith was isolated, sometimes beautiful, sometimes inhospitable, and had been owned by the Hendry family since 1700.When Cara fell in love with Edward Hendry, it was not what her family had intended for her.Edward was fifteen years older than Cara, a pacifist, and a widower with two children, one of whom bitterly resented her new stepmother.But Cara was determined to make the marriage work, in spite of the hard life on the farm, in spite of Edward's reserved personality and the shadow of Nancy, his former wife.Her greatest friend on the farm was Edward's mother.Edith Hendry, a loyal and wise daleswoman, was to see the young bride through many tragedies, many vicissitudes and the years of trying to run the wild sheep farm on her own.And as Cara's life began to change, so Cara changed too, finding a complete and utter happiness where she had never expected to.

    He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.

     He dreams of the sea. But his dream of an honest trade is wrecked on the Essex shoals. Swept away to the Spanish Main, Matthew is plunged into a bloody life of pillage and prize money. Struggling to adhere to his own code of honour yet seduced by life at sea, Matthew carries in his heart the hope of reclaiming his rightful legacy. Furthermore, he longs to be worthy of the hand of woman he loves – the woman he left behind in Whitby. Fierce sea battles, lawless privateers, naval skirmishes and ruthless slave traders combine in a story of adventure and high drama during one of the most colourful periods in maritime history. Matthew’s Prize is the first book in the Matthew Loftus series. Marcus Palliser left his job as Director of Communications at a big computer corporation to live on a small yacht and sail the Mediterranean. He crossed the Atlantic single-handed before returning to Britain to write a series of elegant and well-received historical seafaring novels. The three books in the series, Matthew's Prize, A Devil of a Fix and To the Bitter End, explore life in the Caribbean at a time when it was filled with pirates and warring imperial powers, and have a fresh and invigorating perspective backed up by painstaking historical research. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    Many of them don’t survive their ordeals and those who do are often either too afraid or too ashamed to speak. If I Live to Tell is unique in that respect. It’s a real, first-person look at the world from the perspective of a woman who has endured tragedy, heartbreak, abuse and betrayal at almost every point in her life.Set on three continents, If I Live to Tell is a rare glimpse into the world and heart of the largely invisible victimized woman. Following one woman’s struggle to discover purpose and identity, If I Live to Tell shows how tragedy can become triumph and how pain can turn to purpose. This is a true story like you’ve never heard before.