She'd rather spend golden afternoons with her trusty camera or in her aunt Vivian's lively salon, ignoring her sister's wishes that she stop all that "nonsense" and become a "respectable" member of society. Alice is happy to meander to Miss. Yao's teashop or to visit the children playing in the Square. She's also interested in learning more about the young lawyer she met there, but just because she's curious, of course, not because he was sweet and charming.But when Alice develops photographs she has recently taken about town, familiar faces of old suddenly appear in the place of her actual subjects-the Queen of Hearts, the Mad Hatter, the Caterpillar. There's something eerily off about them, even for Wonderland creatures. And as Alice develops a self-portrait, she finds the most disturbing image of all-a badly-injured dark-haired girl asking for Alice's help. Mary Ann.Returning to the place of nonsense from her childhood, Alice finds herself on a mission to stop the Queen of Hearts' tyrannical rule and to find her place in both worlds. But will she able to do so . . . before the End of Time?

    Getting away with it is highly preferable, of course, but perhaps when I’m long gone, someone will open an old safe and find this confession. The public would reel. After all, almost nobody else in the world can possibly understand how someone, by the tender age of 28, can have calmly killed six members of her family. And then happily got on with the rest of her life, never to regret a thing.When Grace Bernard discovers her absentee millionaire father has rejected her dying mother’s pleas for help, she vows revenge, and sets about to kill every member of his family. Readers have a front row seat as Grace picks off the family one by one – and the result is as and gruesome as it is entertaining in this wickedly dark romp about class, family, love… and murder.But then Grace is imprisoned for a murder she didn’t commit.Outrageously funny, compulsive and subversive, perfect for fans of Killing Eve and My Sister, the Serial Killer.

    As a child Julia Forrester spent many idyllic hours in the hothouse of Wharton Park, the great house where her grandfather tended exotic orchids. Years later, while struggling with overwhelming grief over the death of her husband and young child, she returns to the tranquility of the estate. There she reunites with Kit Crawford, heir to the estate and her possible salvation. When they discover an old diary, Julia seeks out her grandmother to learn the truth behind a love affair that almost destroyed Wharton Park. Their search takes them back to the 1930s when a former heir to Wharton Park married his young society bride on the eve of World War II. When the two lovers are cruelly separated, the impact will be felt on generations to come.Lucinda Riley skillfully sweeps her readers between the magical world of Wharton Park and Thailand during World War II with irresistible and atmospheric storytelling. Filled with twists and turns, passions and lies, and ultimately redemption, The Orchid House is a romantic, poignant novel that became an instant bestseller in the UK and Germany.

    and a hidden brotherhood that threaten to tear her lover from her forever.

    Among his effects: a bloodstained business card bearing the name of a master wizard and a curious pocket watch that doesn’t seem to tell time. To retrieve his lost memories, Ian demands answers from Edwina and Mary Blackwood, sister witches with a murky past. But as their secret is slowly unveiled, a dangerous mystery emerges on the darkened streets of London.To help piece together Ian’s lost time, he and Edwina embark on a journey that will take them from the river foreshore to an East End music hall, and on to a safe house for witches in need of sanctuary from angry mortals. The clues they find suggest a link between a series of gruesome murders, a missing person’s case, and a dreadful suspicion that threatens to tear apart the bonds of sisterhood. As the investigation deepens, could Ian and Edwina be the next to die?

    She’s much more interested in researching ladybugs than marriage, fashionable dresses, or dances. So when her father sends her to London for a season, she’s determined not to form any attachments. Instead, she plans to secretly publish their research.Spencer Northam is not the average young gentleman of leisure he appears. He is actually a spy for the War Office, and is more focused on acing his first mission than meeting eligible ladies. Fortunately, Juliana feels the same, and they agree to pretend to fall for each other. Spencer can finally focus, until he is tasked with observing Juliana’s traveling companions . . . and Juliana herself.

    Now Christopher Buehlman invites readers into an even darker age—one of temptation and corruption, of war in heaven, and of hell on earth… And Lucifer said: “Let us rise against Him now in all our numbers, and pull the walls of heaven down…” The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm—that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict. Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon. There, she tells Thomas, she will fulfill her mission: to confront the evil that has devastated the earth, and to restore to this betrayed, murderous knight the nobility and hope of salvation he long abandoned. As hell unleashes its wrath, and as the true nature of the girl is revealed, Thomas will find himself on a macabre battleground of angels and demons, saints, and the risen dead, and in the midst of a desperate struggle for nothing less than the soul of man.

    Recently, a similar party had also attempted to explore the town and was never heard from again. Now the area is believed to be haunted. This crew is about to discover, twenty miles from civilization with a blizzard bearing down, that they are not alone, and the past is very much alive.Revised edition: This edition of Abandon includes editorial revisions.

    On a summer evening in 1931, Lilly Blackwood glimpses circus lights from the grimy window of her attic bedroom. Lilly isn't allowed to explore the meadows around Blackwood Manor. She's never even ventured beyond her narrow room. Momma insists it's for Lilly's own protection, that people would be afraid if they saw her. But on this unforgettable night, Lilly is taken outside for the first time--and sold to the circus sideshow. More than two decades later, nineteen-year-old Julia Blackwood has inherited her parents' estate and horse farm. For Julia, home was an unhappy place full of strict rules and forbidden rooms, and she hopes that returning might erase those painful memories. Instead, she becomes immersed in a mystery involving a hidden attic room and photos of circus scenes featuring a striking young girl. At first, The Barlow Brothers' Circus is just another prison for Lilly. But in this rag-tag, sometimes brutal world, Lilly discovers strength, friendship, and a rare affinity for animals. Soon, thanks to elephants Pepper and JoJo and their handler, Cole, Lilly is no longer a sideshow spectacle but the circus's biggest attraction. . .until tragedy and cruelty collide. It will fall to Julia to learn the truth about Lilly's fate and her family's shocking betrayal, and find a way to make Blackwood Manor into a place of healing at last. Moving between Julia and Lilly's stories, Ellen Marie Wiseman portrays two extraordinary, very different women in a novel that, while tender and heartbreaking, offers moments of joy and indomitable hope.

    This alone could have got him burned at the stake, but he was also a student of occult philosophies and magic. In S.J. Parris's gripping novel, Bruno's pursuit of this rare knowledge brings him to London, where he is unexpectedly recruited by Queen Elizabeth I and is sent undercover to Oxford University on the pretext of a royal visitation. Officially Bruno is to take part in a debate on the Copernican theory of the universe; unofficially, he is to find out whatever he can about a Catholic plot to overthrow the queen. His mission is dramatically thrown off course by a series of grisly murders and a spirited and beautiful young woman. As Bruno begins to discover a pattern in these killings, he realizes that no one at Oxford is who he seems to be. Bruno must attempt to outwit a killer who appears obsessed with the boundary between truth and heresy. Like The Dante Club and The Alienist, this clever, sophisticated, exceptionally enjoyable novel is written with the unstoppable narrative propulsion and stylistic flair of the very best historical thrillers.

    . . by pirates! Offered a choice by Captain Phil Davies to join their seafaring band or die, Chandagnac assumes the name John Shandy and a new life as a brigand. But more than swashbuckling sea battles and fabulous plunder await the novice buccaneer on the roiling Caribbean waters–for treachery and powerful vodun sorcery are coins of the realm in this dark new world. And for the love of beautiful, magically imperiled Beth Hurwood, Shandy will set sail on even stranger tides, following the savage, ghost-infested pirate king, Blackbeard, and a motley crew of the living and the dead to the cursed nightmare banks of the fabled Fountain of Youth.

    Selling exotic firearms under her alias, the ‘Brass Queen,’ has kept her baronial estate’s coffers full. But when US spy, Trusdale, saves her from assassins, she’s pulled into a search for a scientist with an invisibility serum. As royal foes create an invisible army to start a global war, Constance and Trusdale must learn to trust each other. If they don’t, the world they know will literally disappear before their eyes.

    Healing. Haunting. The spellbinding story of a mysterious boarding school sheltering a centuries-old secret by the bestselling author of THE BOTANIST'S DAUGHTER.Australian history teacher Thea Rust arrives at an exclusive boarding school in the British countryside only to find that she is to look after the first intake of girls in its 150-year history. She is to stay with them in Silk House, a building with a long and troubled past, where the shadows hide more mysteries than she could ever imagine.In the late 1700s, Rowan Caswell leaves her village to work in the home of an English silk merchant. She is thrust into a new and dangerous world where her talent for herbs and healing soon attracts attention.In London, Mary-Louise Stephenson lives amid the clatter of the weaving trade and dreams of becoming a silk designer, a job that is the domain of men. Arriving in the market town of Oxleigh, she brings with her a length of fabric woven with a pattern of deadly plants that will have far-reaching consequences for all who dwell in the silk house.Intoxicating, haunting and inspired by the author's background, THE SILK HOUSE is the exceptional new gothic mystery by Kayte Nunn.

    The villagers blame her corrupted bloodline—her father was a Yehuli man, one of the much-loathed servants of the fanatical king. When soldiers arrive from the Holy Order of Woodsmen to claim a pagan girl for the king’s blood sacrifice, Évike is betrayed by her fellow villagers and surrendered.But when monsters attack the Woodsmen and their captive en route, slaughtering everyone but Évike and the cold, one-eyed captain, they have no choice but to rely on each other. Except he’s no ordinary Woodsman—he’s the disgraced prince, Gáspár Bárány, whose father needs pagan magic to consolidate his power. Gáspár fears that his cruelly zealous brother plans to seize the throne and instigate a violent reign that would damn the pagans and the Yehuli alike. As the son of a reviled foreign queen, Gáspár understands what it’s like to be an outcast, and he and Évike make a tenuous pact to stop his brother.As their mission takes them from the bitter northern tundra to the smog-choked capital, their mutual loathing slowly turns to affection, bound by a shared history of alienation and oppression. However, trust can easily turn to betrayal, and as Évike reconnects with her estranged father and discovers her own hidden magic, she and Gáspár need to decide whose side they’re on, and what they’re willing to give up for a nation that never cared for them at all.In the vein of Naomi Novik’s New York Times bestseller Spinning Silver and Katherine Arden’s national bestseller The Bear and the Nightingale, this unforgettable debut— inspired by Hungarian history and Jewish mythology—follows a young pagan woman with hidden powers and a one-eyed captain of the Woodsmen as they form an unlikely alliance to thwart a tyrant.

    For the past six years, under the moniker Angelica, Lillian was one of the most sought-after artists’ models in New York City, with statues based on her figure gracing landmarks from the Plaza Hotel to the Brooklyn Bridge. But with her mother gone, a grieving Lillian is rudderless and desperate—the work has dried up and a looming scandal has left her entirely without a safe haven. So when she stumbles upon an employment opportunity at the Frick mansion—a building that, ironically, bears her own visage—Lillian jumps at the chance. But the longer she works as a private secretary to the imperious and demanding Helen Frick, the daughter and heiress of industrialist and art patron Henry Clay Frick, the more deeply her life gets intertwined with that of the family—pulling her into a tangled web of romantic trysts, stolen jewels, and family drama that runs so deep, the stakes just may be life or death.Nearly fifty years later, mod English model Veronica Weber has her own chance to make her career—and with it, earn the money she needs to support her family back home—within the walls of the former Frick residence, now converted into one of New York City’s most impressive museums. But when she—along with a charming intern/budding art curator named Joshua—is dismissed from the Vogue shoot taking place at the Frick Collection, she chances upon a series of hidden messages in the museum: messages that will lead her and Joshua on a hunt that could not only solve Veronica’s financial woes, but could finally reveal the truth behind a decades-old murder in the infamous Frick family.