After a childhood moving from one academic outpost to another with her father (a man prone to aphorisms and meteoric affairs), Blue is clever, deadpan, and possessed of a vast lexicon of literary, political, philosophical, and scientific knowledge—and is quite the cineaste to boot. In her final year of high school at the elite (and unusual) St. Gallway School in Stockton, North Carolina, Blue falls in with a charismatic group of friends and their captivating teacher, Hannah Schneider. But when the drowning of one of Hannah's friends and the shocking death of Hannah herself lead to a confluence of mysteries, Blue is left to make sense of it all with only her gimlet-eyed instincts and cultural references to guide—or misguide—her.

    Dream Story tells how through a simple sexual admission a husband and wife are driven apart into rival worlds of erotic intrigue and revenge.

    Plunging toward its riveting finale, Malina brutally lays bare the struggle for love and the limits of discourse between women and men.

    By the time she and her lifelong friend Zóra begin to inoculate the children there, she feels age-old superstitions and secrets gathering everywhere around her. Secrets her outwardly cheerful hosts have chosen not to tell her. Secrets involving the strange family digging for something in the surrounding vineyards. Secrets hidden in the landscape itself.But Natalia is also confronting a private, hurtful mystery of her own: the inexplicable circumstances surrounding her beloved grandfather’s recent death. After telling her grandmother that he was on his way to meet Natalia, he instead set off for a ramshackle settlement none of their family had ever heard of and died there alone. A famed physician, her grandfather must have known that he was too ill to travel. Why he left home becomes a riddle Natalia is compelled to unravel. Grief struck and searching for clues to her grandfather’s final state of mind, she turns to the stories he told her when she was a child. On their weeklytrips to the zoo he would read to her from a worn copy of Rudyard Kipling’s The Jungle Book, which he carried with him everywhere; later, he told her stories of his own encounters over many years with “the deathless man,” a vagabond who claimed to be immortal and appeared never to age. But the most extraordinary story of all is the one her grandfather never told her, the one Natalia must discover for herself. One winter during the Second World War, his childhood village was snowbound, cut off even from the encroaching German invaders but haunted by another, fierce presence: a tiger who comes ever closer under cover of darkness. “These stories,” Natalia comes to understand, “run like secret rivers through all the other stories” of her grandfather’s life. And it is ultimately within these rich, luminous narratives that she will find the answer she is looking for.

    The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss.

    For this is the eve of the Battle of Waterloo, and many of the handsome young men attending the ball will find themselves, the very next day, on the battlefield.For Sophia Trenchard, the young and beautiful daughter of Wellington's chief supplier, this night will change everything. But it is only twenty-five years later, when the upwardly mobile Trenchards move into the fashionable new area of Belgravia, that the true repercussions of that moment will be felt. For in this new world, where the aristocracy rub shoulders with the emerging nouveau riche, there are those who would prefer the secrets of the past to remain buried...

    Bright, ambitious, and yearning for adulthood, fifteen-year-old Vanessa Wye becomes entangled in an affair with Jacob Strane, her magnetic and guileful forty-two-year-old English teacher. 2017. Amid the rising wave of allegations against powerful men, a reckoning is coming due. Strane has been accused of sexual abuse by a former student, who reaches out to Vanessa, and now Vanessa suddenly finds herself facing an impossible choice: remain silent, firm in the belief that her teenage self willingly engaged in this relationship, or redefine herself and the events of her past. But how can Vanessa reject her first love, the man who fundamentally transformed her and has been a persistent presence in her life? Is it possible that the man she loved as a teenager—and who professed to worship only her—may be far different from what she has always believed?Alternating between Vanessa’s present and her past, My Dark Vanessa juxtaposes memory and trauma with the breathless excitement of a teenage girl discovering the power her own body can wield. Thought-provoking and impossible to put down, this is a masterful portrayal of troubled adolescence and its repercussions that raises vital questions about agency, consent, complicity, and victimhood. Written with the haunting intimacy of The Girls and the creeping intensity of Room, My Dark Vanessa is an era-defining novel that brilliantly captures and reflects the shifting cultural mores transforming our relationships and society itself.

    He’d give anything to have just one more glimpse of her. But when Cam visits the site of Viv’s deadly car accident, he sees an apparition. Her name is Nina, and she’s a girl from a parallel world. When Cam follows her there and makes an unbelievable discovery, it’s as if all his wildest dreams have come true. But things are very different in this other world. Nina is hiding a secret, and the window between the worlds is shrinking every day. As Cam comes to terms with the truth, he’s forced to make a choice that will change his life forever.

    There’s a village sixty miles outside London. It’s no different from many other villages in England: one pub, one church, red-brick cottages, council cottages and a few bigger houses dotted about. Voices rise up, as they might do anywhere, speaking of loving and needing and working and dying and walking the dogs.This village belongs to the people who live in it and to the people who lived in it hundreds of years ago. It belongs to England’s mysterious past and its confounding present. But it also belongs to Dead Papa Toothwort, a figure schoolchildren used to draw green and leafy, choked by tendrils growing out of his mouth. Dead Papa Toothwort is awake. He is listening to this twenty-first-century village, to his English symphony. He is listening, intently, for a mischievous, enchanting boy whose parents have recently made the village their home. Lanny.

    Brilliantly observed, captivatingly written, grippingly narrated – a triumph' William BoydWhen John Dyer returns to Oxford from Brazil with his young son, he doesn't expect to find them both in danger. Every day is the same. He drops Leandro at his smart prep school and walks to the library to research his new book. His time living on the edge as a foreign correspondent in Rio is over.But the rainy streets of this English city turn out to be just as treacherous as those he used to walk in the favelas. Leandro’s schoolmates are the children of influential people, among them an international banker, a Russian oligarch, an American CIA operative and a British spook. As they congregate round the sports field for the weekly football matches, the network of alliances and covert interests that spreads between these power brokers soon becomes clear to Dyer,. But it is a chance conversation with an Iranian nuclear scientist, Rustum Marvar, father of a friend of Leandro, that sets him onto a truly precarious path.When Marvar and his son disappear, several sinister factions seem acutely interested in Marvar’s groundbreaking research at the Physics Faculty, and what he might have told Dyer about it, given Dyer was the last person to see Marvar alive.

    Then there’s Violet Devohr, Zee’s great-grandmother, who they say took her own life somewhere in the vast house, and whose massive oil portrait still hangs in the dining room.The Hundred-Year House unfolds a generational saga in reverse, leading the reader back in time on a literary scavenger hunt as we seek to uncover the truth about these strange people and this mysterious house. With intelligence and humor, a daring narrative approach, and a lovingly satirical voice, Rebecca Makkai has crafted an unforgettable novel about family, fate and the incredible surprises life can offer.

    When another teen vanishes from the same riding stable, the details are too eerily similar to ignore, and she vows to uncover the truth.No longer a child but a newly minted private investigator, she now has additional weapons in her arsenal, including a re-homed police dog and an enigmatic detective with ties to the horse stable. However, digging into her sister's case erodes old trusts and brings dark secrets bubbling to the surface.And this time they could be fatal...for her.REPENT (#2)Sometimes the isolated countryside isn't as peaceful as it first appears...Local police aren't very concerned when fourteen-year-old Billy Tanner doesn't show up for his community service at their stable. Tossing a firebomb at a police horse isn't something they can easily forgive.Yet when the boy's frantic grandmother begs PI Nikki Drake to hunt for her missing grandson, it's a call for help Nikki can't ignore. Her search takes her to the backwoods of California where a serial killer is pursuing his own brand of vigilante justice.But time is not on her side...or Billy's.

    Handing out clean needles to drug addicts, she falls for a recipient she calls Mr. Disgusting, who proceeds to break her heart in unimaginable ways. In search of healing, Mona decamps to Taos, New Mexico, for a fresh start, where she finds a community of seekers and cast-offs, all of whom have one or two things to teach her—the pajama-wearing, blissed-out New Agers, the slightly creepy client with peculiar tastes in controlled substances, the psychic who might really be psychic. But always lurking just beneath the surface are her memories of growing up in a chaotic, destructive family from which she’s trying to disentangle herself, and the larger legacy of the past she left behind. The story of Mona’s journey to find her place in this working-class American world is at once hilarious and wonderfully strange, true to life and boldly human, and introduces a stunningly one-of-a-kind new voice in American fiction.

    “Why would I talk to you about my life? I don't know you, and even if I did, I don't tell my story to just any boy with long hair, who probably smokes weed. You wanna hear about me. You gotta tell me something about you. To make this worth my while.”1925: Chicago is the jazz capital of the world, and the Dreamland Café is the ritziest black-and-tan club in town. Honoree Dalcour is a sharecropper’s daughter, willing to work hard and dance every night on her way to the top. Dreamland offers a path to the good life, socializing with celebrities like Louis Armstrong and filmmaker Oscar Micheaux. But Chicago is also awash in bootleg whiskey, gambling, and gangsters. And a young woman driven by ambition might risk more than she can stand to lose. 2015: Film student Sawyer Hayes arrives at the bedside of 110-year-old Honoree Dalcour, still reeling from a devastating loss that has taken him right to the brink. Sawyer has rested all his hope on this frail but formidable woman, the only living link to the legendary Oscar Micheaux. If he’s right—if she can fill in the blanks in his research, perhaps he can complete his thesis and begin a new chapter in his life. But the links Honoree makes are not ones he’s expecting... Piece by piece, Honoree reveals her past and her secrets, while Sawyer fights tooth and nail to keep his. It’s a story of courage and ambition, hot jazz and illicit passions. And as past meets present, for Honoree, it’s a final chance to be truly heard and seen before it’s too late. No matter the cost...

    Bud Salem, 18-years-old, is fleeing his mother's TV church and meets a woman pitching oranges in the Mojave. She's Sylvia Cushman, a 45 year-old housewife, who loves driving alone through the desert. They traverse through western motels and Apache gas stations where Sylvia gives long lectures about Emily Dickinson and drags Bud up into the mesas to search for petroglyphs. After continuing adventures in Detroit, New York, and Amherst, the travelers part... In many ways Let the Dog Drive is an askew detective novel - when a character dies under strange circumstances in Texas, Bud goes to the Panhandle to uncover what happened. His strange narration does contain pleasures of the genre: a shootout inside an aquarium; a faked death; another shootout on a chicken farm in Texas . . . But Let the Dog Drive is also a freewheeling merging of many other genres and concerns - Hollywood, hardboiled novels of the 1930's, Emily Dickinson's white dress, hallucinatory cacti, the Book of Luke... And dogs. Sylvia is married to an auto engineer in Detroit, and this man studies auto accidents by letting dogs drive the cars. Literally. The drivers are often Dalmatians . .