The scene is tranquil, but Rachel and her aunt can never forget what happened exactly twenty-five years ago. On that day, Evie's young daughter Jessamy vanished. She hasn’t been seen since. Soon after, news comes of Evie's sudden death, and Rachel must return to the village to deal with her aunt’s estate. The extraordinary story she uncovers there will change everything. It is a story of departure and return, of atrocity and betrayal, of unrequited love and the dreadful legacy of war.

    For Tom already knows Danny Miller. When Danny was ten Tom helped imprison him for the killing of an old woman. Now out of prison with a new identity, Danny has some questions - questions he thinks only Tom can answer.Reluctantly, Tom is drawn back into Danny's world - a place where the border between good and evil, innocence and guilt is blurred and confused. But when Danny's demands on Tom become extreme, Tom wonders whether he has crossed a line of his own - and in crossing it, can he ever go back?

    She also has an insomniac toddler, a precocious, death-obsessed seven-year-old, and a frequently-absent ecologist husband who has brought them all to Colsay, a desolate island in the Hebrides, so he can count the puffins. Ferociously sleep-deprived, torn between mothering and her desire for the pleasures of work and solitude, Anna becomes haunted by the discovery of a baby's skeleton in the garden of their house. Her narrative is punctuated by letters home, written 200 years before, by May, a young, middle-class midwife desperately trying to introduce modern medicine to the suspicious, insular islanders. The lives of these two characters intersect unexpectedly in this deeply moving but also at times blackly funny story about maternal ambivalence, the way we try to control children, and about women's vexed and passionate relationship with work. Moss's second novel displays an exciting expansion of her range - showing her to be both an excellent comic writer, and a novelist of great emotional depth.

    Here, on Alexanderplatz, he discovers a new community -- a tent city, established by African asylum seekers. Hesitantly, getting to know the new arrivals, Richard finds his life changing, as he begins to question his own sense of belonging in a city that once divided its citizens into them and us.At once a passionate contribution to the debate on race, privilege and nationality and a beautifully written examination of an ageing man's quest to find meaning in his life, Go, Went, Gone showcases one of the great contemporary European writers at the height of her powers.

    But they lost touch and her dreams of a lasting love died. Now that she's back, Kaitlyn won't risk her heart again. But fate has other plans. She and Connor reconnect and he realizes the pendant makes her a target. As a government agent, Connor is conflicted between his duty protecting Kaitlyn and feelings he never got over. As the two race to find a centuries' old treasure, they discover first loves aren't easily forgotten.

    She's been asked to write an exclusive on celebrity getaway Coconut Cay, a private paradise belonging to billionaire businessman James Redmond. When a couple of pompous journalists turn up unexpectedly, scuppering Laura's chances of an exclusive, she decides to enjoy the glittering sea and golden Caribbean sands instead. But Laura soon discovers that the hi-tech, haute luxe, seven-star comfort of Coconut Cay hides some dark secrets. And she's determined to get the scoop before her rivals...

    Set half in Doncaster, half in London, this is a very funny riff on modern values, featuring hamsters, cockroaches, poodles, a chicken and multiplying rabbits, told by Marina Lewycka in her unique and brilliant combination of irony, farce and wit.

    Over the next four years, the two become inseparable. For him, she breaks her solitude; for her, he leaves his busy circles behind. But knowing Max means knowing his family: the wealthy Rippons, all generosity, social ease, and quiet repression. Theirs is a very different world from Kate’s own upbringing, and yet she finds herself quickly drawn into their gilded lives, and the secrets that lie beneath. Until one evening, at the Rippons home, just after graduation, her life is shattered apart in a bedroom while a party goes on downstairs. What Red Was is an incisive and mesmerizing novel about power, privilege, and consent--one that fearlessly explores the effects of trauma on the mind and body of a young woman, the tyrannies of memory, the sacrifices involved in staying silent, and the courage in speaking out. And when Kate does, it raises this urgent question: whose story is it now?

    Assuming her isolation to be the result of a military experiment gone awry, she begins the terrifying work of survival and self-renewal. This novel is at once a simple and moving tale and a disturbing meditation on humanity.

    Though they hide it from themselves, their thoughts and memories reveal the spiteful, long-buried motivations behind seemingly innocent actions. The masks finally drop during an eight-course meal on a celebratory trip to Copenhagen, revealing undisguised fear and loathing. Shocking secrets are unearthed as the balance of power subtly shifts from one to the other. Brilliantly observed, this is female bonding at its worst, manipulative, and psychotic, exposing the dependency and deceit behind the compassionate and affectionate facade.

    At the same time, the novel explores the boundaries of love and friendship and the allegiances that we have to one another. The depth of feeling that the inhabitants of Aldwinter share are matched by their city counterparts as they strive to find the courage to express and understand their deepest desires, and strongest fears.

    It’s 2008 and things are falling apart: Bear Stearns and Lehman Brothers are going under, and the residents of Pepys Road, London—a banker and his shopaholic wife, an old woman dying of a brain tumor and her graffiti-artist grandson, Pakistani shop owners and a shadowy refugee who works as the meter maid, the young soccer star from Senegal and his minder—are receiving anonymous postcards reading “We Want What You Have.” Who is behind it? What do they want? Epic in scope yet intimate, capturing the ordinary dramas of very different lives, this is a novel of love and suspicion, of financial collapse and terrorist threat, of property values going up and fortunes going down, and of a city at a moment of extraordinary tension.

    I knew what it meant, that clasp and the mischievous grateful glance that accompanied it: it meant I was thanked, that there were secrets here. I could accept that. I too had secrets - who doesn't?Sent abroad to Egypt in 1922 to recover from the typhoid that killed her mother, eleven-year-old Lucy is caught up in the intrigue and excitement that surrounds the obsessive hunt for Tutankhamun's tomb. As she struggles to comprehend an adult world in which those closest to her are often cold and unpredictable, Lucy longs for a friend she can love. When she meets Frances, the daughter of an American archaeologist, her life is transformed. As the two girls spy on the grown-ups and try to understand the truth behind their evasions, a lifelong bond is formed. Haunted by the ghosts of her past, the mistakes she made and the secrets she kept, Lucy disinters her past, trying to make sense of what happened all those years ago in Cairo and the Valley of the Kings. And for the first time in her life, she comes to terms with what happened after Egypt, when Frances needed Lucy most.

     'Really liked! V interesting, gripping and unusual!' - Sophie Hannah, bestselling author of 'Little Face' and 'Kind of Cruel.' doG Backwards is the story of six lives that come together through an unimaginable opportunity: to meet with the dead for just one hour. Michael works in an office and is mourning the loss of his five-year-old daughter, Milly. Barbara has her own cleaning company and the death of her stepfather, Eric, hangs heavy on her conscience. Connor is ten and, despite having the love of his aunt and uncle, still misses his mother, who has been dead for over a year. Liam lives in his big family home all by himself, where he hides from his past and yearns for the return of his mother, father and sister, all of whom are gone for good. Shelley, friend and lover to Liam, also has her losses, but keeps these a secret from him. Their reactions are very different. Michael’s is very positive: he simply cannot believe his luck. The others, however, do not react in the same way: Shelley is disgusted, Barbara cannot face making a decision and ten-year-old Connor simply doesn’t understand. There are further complications. Michael has to consider his estranged wife, Susan: she has not been chosen for the program. Barbara discovers the experience is likely to leave her penniless. Connor has not only lost his mother, but also his father. So he is faced with a dilemma that no ten-year-old boy should ever have to face: which one to choose?

    Now, following the death of their grandmother, they have returned to the grand, imposing house in Wiltshire, England. Unable to stem the tide of childhood memories that arise as she sorts through her grandmother’s belongings, Erica thinks back to the summer her cousin Henry vanished mysteriously from the estate, an event that tore their family to pieces. It is time, she believes, to lay the past to rest, bring her sister some peace, and finally solve the mystery of her cousin’s disappearance.But sifting through remnants of a bygone time is bringing a secret family history to light—one that stretches back over a century, to a beautiful society heiress in Oklahoma, a haunting, savage land across the ocean. And as past and present converge, Erica and Beth must come to terms with two shocking acts of betrayal . . . and the heartbreaking legacy they left behind.