Ten new poems introduce Prodigal, followed by fifty poems, culled from Gregerson's five collections, that range broadly in subject from class in America to our world's ravaged environment to the wonders of parenthood to the intersection of science and art to the passion of the Roman gods, and beyond. This selection reinforces Gregerson’s standing as “one of poetry’s mavens . . . whose poetics seek truth through the precise apprehension of the beautiful while never denying the importance of rationality” (Chicago Tribune). A brilliant stylist, known for her formal experiments as well as her perfected lines, Gregerson is a poet of great vision. Here, the growth of her art and the breadth of her interests offer a snapshot of a major poet's intellect in the midst of her career.

    Here the characters' lives are linked to each other by acts of generosity or cruelty. A critic once called Rakoff "magnificent," a word which perfectly describes this wonderful novel in verse.

    her writing engages with subjects such as coming out as a trans woman, "surviving and thriving w/mental illness, and attempting to reconcile [her] anger/sadness at the state of things w/ [her] love for all the beauty that exists."

    In Life of the Party, she weaves together her own coming of age with an investigation into our culture's romanticization of violence against women. In precise, searing language—at times blistering and riotous, at times soulful and exuberant—she explores the boundary between what is real and what is imagined in a life saturated with fear. How does one grow from a girl to a woman in a world wracked by violence? Where is the line between perpetrator and victim? What is the meaning of bravery? Visceral and haunting, this multifaceted collection illustrates that what happens to our bodies makes us who we are.

    The first section of this collection pays homage to the poet's roots in a place where the world hands you nothing and promises less, so you are left to invent yourself or disappear. From there these poems both recount and embody repeated acts of defiant self-creation in the face of despair, loss, and shame, and always in the shadow of annihilation.With darkly raucous humor and wrenching pathos, Seuss burrows furiously into liminal places of no dimension—state lines, lakes' edges, the space "between the m and the e in the word amen." From what she calls "this place inbetween" come profane prayers in which "the sound of hope and the sound of suffering" are revealed to be "the same music played on the same instrument."Midway through this book, a man tells the speaker that beauty is that which has not been touched. This collection is a righteous and fierce counterargument: in the world of this imagination, beauty spills from that which has been crushed, torn, and harrowed. "We receive beauty," Seuss writes, "as a nail receives / the hammer blow." This is the poetry that comes only after the white dress has been blown open—the poetry of necessity, where a wild imagination is the only hope.

    Eliot Prize 2021.The female body is a political space. C+nto enters the private lives of characters from the butch counterculture, telling the inside story of the protests these women led to reclaim their bodies as their own - for self-expression and against hatred. History, magic, rebellion, party and sermon vibrate through Joelle Taylor's cantos, which celebrate these underground communities throughout the '90s.

    At the center of the novel is Pooja Kapoor, a betrayed wife and mother who is forced to question her faith and marriage when she discovers that her banker husband Rahul has fallen in love with a young Muslim illegal immigrant man who happens to be their son’s age. Faced with the potential of losing faith in Rahul, divine intervention and family, she is forced to confront painful truths about the past and the duality in God and husband. The Two Krishnas draws inspiration from archetypal Hindu mythology and romantic Sufi poetry, evoking unforgettable characters to explore how, with a new world come new freedoms, and with them, the choices that could change everything we know about those we thought we knew – including ourselves.  “Shiraz immerses us in his gripping narrative as he delves into the nooks and crannies of human desire and explores both its splendor and the havoc it can wreak. A formidably intelligent and adept writer, he has stretched my understanding of a world I know very little about with this touching and masterfully written novel.”—Bapsi Sidhwa, author of Cracking India "The Two Krishnas is a powerful, sure footed novel of love, longing and loss that richly portrays life like no other work of fiction I've read. With his complex cast of characters and poetically drawn landscapes, Dhalla's talent shines and he shows us he's wise beyond his years.”—Mark Jude Poirier, author of Goats  ADVANCE PRAISE FOR THE TWO KRISHNAS “In The Two Krishnas, a novel filled with unexpected turns and beauty, Ghalib Shiraz Dhalla has examined with perceptive compassion the complex and heart-wrenching ties that bind families and the secret desires that pull them apart.”—Chitra Divakaruni, bestselling author of The Palace of Illusions “Shiraz immerses us in his gripping narrative as he delves into the nooks and crannies of human desire and explores both its splendor and the havoc it can wreak. A formidably intelligent and adept writer, he has stretched my understanding of a world I know very little about with this touching and masterfully written novel.”—Bapsi Sidhwa, author of New York Times Notable Novel Cracking India "Ghalib Shiraz Dhalla writes with a voice that is both agile and compassionate. He renders scenes of great emotion with equal parts passion and precision. At it's core, The Two Krishnas is a classic tale of tragic, forbidden love, but Dhalla infuses it with an astute discussion of Hindu culture that should appeal to a broad cross-section of readers.”—Christopher Rice, New York Times bestselling author of A Density of Souls and Blind Fall "The Two Krishnas is a powerful, sure footed novel of love, longing and loss that richly portrays life like no other work of fiction I've read. With his complex cast of characters and poetically drawn landscapes, Dhalla's talent shines and he shows us he's wise beyondhis years.”—Mark Jude Poirier, author of Goats and Modern Ranch Living

    INTO THE DARK & EMPTYING FIELD is an interrogation of loneliness and its many masks. The book explores innocence as the price of knowledge in a host of voices that share an emotional truth. McKibbens offers a monument of understanding for even the bleakest pieces of our human conundrum.

    While the plot of the book was wildly imaginative, it was also based on the author's own experience as a sex worker in the 1990s and early 2000s, and on her coming out as lesbian.How Poetry Saved My Life, Amber Dawn's sophomore book, reveals an even more poignant and personal landscape—the terrain of sex work, queer identity, and survivor pride. This memoir, told in prose and poetry, offers a frank, multifaceted portrait of the author's experiences hustling the streets of Vancouver, and the how those years took away her self-esteem and nearly destroyed her; at the crux of this autobiographical narrative is the tender celebration of poetry and literature, that—as the title suggests—acted as a lifeline during her most pivotal moments.

    The light draws you in where you will find Caitlyn there digging. When you get close enough, she'll lean in & whisper, Baby, buried things will surface no matter what, get to them before they get to you first. Her unbounded love will propel you to pick up a shovel & help- even though the only thing you want to do is kiss her lips, kiss her hands, kiss every one of her stretch marks & the fire that is raging in pit of her stomach. She'll see your eyes made of devour & sadness, she'll hug you & say, Baby, if you eat me alive, I will cut my way out of your stomach. Don't let this be your funeral. Teach yourself to navigate the wound.

    Disappointing lovers surface in the bedroom; in the bathroom, "the drained tub ticks with mollusks & lobsters;" revenge fantasies and death lurk in the basement where they rightly belong. With lush imagery and au courant asides, Hothouse surprises and delights.Karyna McGlynn is the author of I Have to Go Back to 1994 and Kill a Girl and three chapbooks. She is currently a Visiting Assistant Professor of Creative Writing and Translation at Oberlin College.

    / In writing. / I signed my name. / It’s death’s move.” As he considers his mortality, the poet finds a new elation and clarity on the page, handing over for our examination the flawed yet kneeling-in-gratitude self he has become. F stands both for Franz, the poet-speaker who represents all of us on our baffling lifelong journeys, and for the alphabet, the utility and sometimes brutality of our symbols. (It may be, he jokes grimly, his “grade in life.”) From “Entries of the Cell,” the long central poem that details the loneliness of the single soul, to short narrative prose poems and traditional lyrics, Wright revels in the compensatory power of language, observing the daytime headlights following a hearse, or the wind, “blessing one by one the unlighted buds of the backbent peach tree’s unnoted return.” He is at his best in this beautiful and startling collection.

    Dylan's story—which is, sadly, not that unusual—has already received attention from such shows as 20/20, Dateline, Today, and Leeza. But his memoir, bound to become a classic, tells the story in a funny, ironic, unforgettable voice that "isn't all grim; Scholinski tells [his] story in beautifully evocative prose and mines [his] experiences for every last drop of ironic humor, determined to have the last laugh." (Time Out New York)

    Lonely Christopher combines a striking emotional grammar, reminiscent of Gertrude Stein's Three Lives, with an unyielding imagination in the lovely/ugly architecture of his stories.Lonely Christopher is the author of several poetry chapbooks and is a contributor to the poetry volume Into (Seven Circles Press). His plays have been published, staged in New York City and internationally, and released in Mandarin translation. His fiction received Pratt Institute's 2009 Thesis Award. He is a founding member of the small press The Corresponding Society and an editor of its biannual journal Correspondence. He lives in Bed-Stuy, Brooklyn.

    Hunter and Van become boyfriends before they're even teenagers, and stay a couple even when adolescence intervenes. But in high school, conflict arises -- mostly because Hunter is much more comfortable with the sex part of sexual identity. As the two boys start to realize that loving someone doesn't guarantee they will always be with you, they find out more about their own identities -- with Hunter striking out on his own while Van begins to understand his own asexuality.In poems that are romantic and poems that are heartbreaking, Vanilla explores all the flavors of the spectrum -- and how romance and love aren't always the same thing.