Derailed in the 1970s by mental illness, drug use, and the shifting fortunes of the band, Wilson came back again and again over the next few decades, surviving and--finally--thriving. Now he weighs in on the sources of his creative inspiration and on his struggles, the exhilarating highs and the debilitating lows. Whether he's talking about his childhood, his bandmates, or his own inner demons, Wilson's story, told in his own voice and in his own way, unforgettably illuminates the man behind the music, working through the turbulence and discord to achieve, at last, a new harmony.

    As publication loomed, Mrs. Gaskell was keen to escape the reviews. So, leaving her dull minister husband and dreary provincial city behind, she set off with her daughters to Rome. There she met a dazzling group of artists and writers, among them the American critic Charles Eliot Norton. Seventeen years her junior, Norton was her one true love. They could not be together--it would be an unthinkable breach of convention--but by his side and amidst that splendid circle, Mrs. Gaskell knew she had reached the "tip-top point of [her] life." In 2013, Nell Stevens is embarking on her PhD--about the community of artists and writers living in Rome in the mid-19th century--and falling head over heels for a soulful American screenwriter in another city. As her long-distance romance founders and her passion for academia never quite materializes, she is drawn to Mrs. Gaskell. Could this indomitable Victorian author rescue Nell's pursuit of love, family and a writing career? Lively, witty, and impossible to put down, The Victorian and the Romantic is a moving chronicle of two women each charting a way of life beyond the rules of her time.

    "A stunning memoir from the astronaut who spent a record-breaking year aboard the International Space Station – a candid account of his remarkable voyage, the journeys that preceded it, and his colorful formative years." Inside book cover comments.

    To commemorate this event, the authors have revised and updated over 200 pages of Electric Gypsy, the record of Hendrix's legacy as the music world's most talented guitarist.

    Then make it better.I am 94. I've had an extraordinary life. It's only now that I appreciate how extraordinary.As a young man, I felt I was out there in the wild, experiencing the untouched natural world - but it was an illusion. The tragedy of our time has been happening all around us, barely noticeable from day to day - the loss of our planet's wild places, its biodiversity.I have been witness to this decline. A Life on Our Planet is my witness statement, and my vision for the future. It is the story of how we came to make this, our greatest mistake - and how, if we act now, we can yet put it right.We have one final chance to create the perfect home for ourselves and restore the wonderful world we inherited.All we need is the will to do so.

    This vivid portrait is based on her diaries from the four-year period when she knew Morrison. "Wild Child," one of Morrison's most popular songs, was written for Ashcroft. Morrison's dreams and demons, and the meaning behind his lyrics and poems, are revealed through Ashcroft's evocative writing. Wild Child is a richly detailed and passionate account of what life was like with the legendary Doors singer. It is also the first book to illuminate the mystery of Morrison's death through the words of the woman who was with him when he died in Paris, Pamela Courson. Before flying to Paris, Morrison told the author: "It may have been in bits and pieces, but I gave you the best of me." In return, Linda Ashcroft gives us the best of Jim Morrison.

    Lennon was quickly embraced by radicals and revolutionaries, the hippies and Yippies at odds with the establishment. Settling in Greenwich Village, the heart of Manhattan's counterculture, the former Beatle was soon on the frontlines of the antiwar movement, and championing a range of causes and issues. Seen as a savior by a generation in need of cultural heroes, Lennon was just as passionately hounded by a government eager to find enemies within. The FBI and White House considered Lennon a threat; a plan was devised to deport the singer prior to the election as a "strategic counter-measure" to preserve Richard Nixon's presidency in 1972.The Walrus and the Elephants is told by the unlikely cast of friends, including the musicians of Elephant's Memory, who were among the few with a chance to see the man behind the Beatle. Exclusive interviews include writer and feminist leader Gloria Steinem; congressional black caucus cofounder Ron Dellums; "Chicago Seven" veteran Rennie Davis; immigration attorney Leon Wildes; and legendary poet-activist John Sinclair, whose imprisonment for marijuana--a ten-year sentence for two joints--kicked off Lennon's American journey.It was a busy year of making albums, controversial TV appearances and what would be Lennon's last full-length concert at Madison Square Garden; it was a time of great change in America, the confrontations that began brewing in the sixties reaching an end for many movements . . . and the beginning of a new era. John Lennon fought for peace and was treated with scorn by some, suspicion by others--including a government wishing to silence the singer. The Walrus and the Elephants is a look back by those who fought the fight; he was a dreamer, but he wasn't the only one.

    Here she tells her story.

    But that's merely a glimpse. This is not your average rock book. It is something creative, something unique, something new. It is the story of E-Street. It is the story of stories. It is the story of the Big Man.

    barrio to Hollywood is as close as a short drive on the 101 freeway, but the cultural divide is enormous. Born to Mexican-born and American-naturalized parents, Alicia Armendariz migrated a few miles west to participate in the free-range birth of the 1970s punk movement. Alicia adopted the punk name Alice Bag, and became lead singer for The Bags, early punk visionaries who starred in Penelope Spheeris' documentary The Decline of Western Civilization.Here is a life of many crossed boundaries, from East L.A.'s musica ranchera to Hollywood's punk rock; from a violent male-dominated family to female-dominated transgressive rock bands. Alice's feminist sympathies can be understood by the name of her satiric all-girl early Goth band Castration Squad.Violence Girl takes us from a violent upbringing to an aggressive punk sensibility; this time a difficult coming-of-age memoir culminates with a satisfying conclusion, complete with a happy marriage and children. Nearly a hundred excellent photographs energize the text in remarkable ways.Alice Bag's work and influence can be seen this year in the traveling Smithsonian exhibition "American Sabor: Latinos in U.S. Popular Music."

    There have been numerous biographies about the self-proclaimed "Lizard King's" life and career. But none have examined his roots and childhood, the intellectual foundations of his music, his wild days with the Doors, and his enigmatic early death as completely and insightfully as Break On Through.More than simply a fascinating look at a rock legend whose cult following never stops growing, here is the definitive Morrison biography: his angry relationship with his father; the early tragedies and terrible events responsible for the darkness of his artistic vision; his private life and legal trials, including his infamous Miami obscenity bust; and the truth about his final hours. Based on extensive research and featuring dozens of rarely published photographs, this is the authoritative portrait of the poet, the grim visionary, the haunted man, and his haunting music.

    But instead of being thrown out, inexplicably you're invited to spend the day with your idol. That's exactly what happened to fourteen-year-old Jerry Levitan in 1969. After hearing John was in Toronto for a "bed in," Jerry tracked him down at the King Edward Hotel and convinced the world's biggest rock star to sit down for an exclusive forty-minute interview. John talked candidly about war, politics, the scandalous Two Virgins album, and the supposed subliminal messages in his music.Now, forty years later, it's all here: Jerry's once-in-a-lifetime adventure, illustrated by acclaimed artist James Braithwaite and featuring never before seen photographs of John and Yoko. Also included in the book is Jerry's memorabilia from that day—notes from John and Yoko, the secret code to contact him, drawings, John's doodles, and much more. Complete with an audio and video DVD of the interview that inspired the Academy Award-nominated film of the same name, I Met the Walrus is an immortalized one-on-one moment with John—a must-have for Lennon fans around the world, as well as anyone who has ever dreamed of meeting a hero.

    Reiss explains how the episodes are created, and provides an inside look at the show’s writers, animators, actors and celebrity guests. He answers a range of questions from Simpsons fans and die-hards, and reminisces about the making of perennially favorite episodes.In his freewheeling, irreverent comic style, Reiss reflects on his lifetime inside The Simpsons—a personal highlights reel of his achievements, observations, and favorite stories. Springfield Confidential exposes why Matt Groening decided to make all of the characters yellow; dishes on what it’s like to be crammed in a room full of funny writers sixty hours a week; and tells what Reiss learned after traveling to seventy-one countries where The Simpsons is watched (ironic note: there’s no electricity in many of these places); and even reveals where Springfield is located! He features unique interviews with Judd Apatow, who also provided the foreword, and Conan O'Brien, as well as with Simpsons legends Al Jean, Nancy Cartwright, Dan Castellaneta, and more.Like Cary Elwes’ As You Wish, Jennifer Keishin Armstrong’s Seinfeldia, and Chris Smith’s The Daily Show: An Oral History, Springfield Confidential is a funny, informational, and exclusive look at one of the most beloved programs in all of television land.

    Carole King, Joni Mitchell, and Carly Simon remain among the most enduring and important women in popular music. Each woman is distinct. Carole King is the product of outer-borough, middle-class New York City; Joni Mitchell is a granddaughter of Canadian farmers; and Carly Simon is a child of the Manhattan intellectual upper crust. They collectively represent, in their lives and their songs, a great swath of American girls who came of age in the late 1960s. Their stories trace the arc of the now mythic sixties generation -- female version -- but in a bracingly specific and deeply recalled way, far from cliche. The history of the women of that generation has never been written -- until now, through their resonant lives and emblematic songs. Filled with the voices of many dozens of these women's intimates, who are speaking in these pages for the first time, this alternating biography reads like a novel -- except it's all true, and the heroines are famous and beloved. Sheila Weller captures the character of each woman and gives a balanced portrayal enriched by a wealth of new information. Girls Like Us is an epic treatment of mid-century women who dared to break tradition and become what none had been before them -- confessors in song, rock superstars, and adventurers of heart and soul.

    January 30, 1969 was one of those moments. There are those who were on the periphery of the event that day and heard what was going on; but as one of the few remaining insiders who accompanied the Beatles up onto the cold windswept roof of the Apple building, Ken Mansfield had a front row seat to the full sensory experience of the moment and witnessed what turned out to be beginning of the end. Ken shares in The Roof: The Beatles Final Concert, the sense that something special was taking place before his eyes that would live on forever in the hearts and souls of millions. As the US manager of Apple, Ken Mansfield was on the scene in the days, weeks, and months leading up to this monumental event. He shares his insights into the factors that brought them up onto that roof and why one of the greatest bands of all time left it all on that stage. Join Ken as he reflects on the relationships he built with the Fab Four and the Apple corps and what each player meant to this symphony of music history.