In handsomely crafted prose, and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth - the dense explosion of energy that spawned some of history's greatest poets, philosophers, painters, adventurers, and reformers, as well as some of its most spectacular villains - the Renaissance.

    In The Beauty, part of Claire's Bride Quest II trilogy, a maiden pledged to the convent heals the heart of a crusading knight returned home to find his legacy stolen.In The Rose Red Bride, part of Claire's Jewels of Kinfairlie trilogy, a damsel seeking adventure and romance is abducted, but only she can see the valor her captor would hide from the world. In The Warrior, part of Claire's Rogues of Ravensmuir trilogy, a daughter considered undesirable is chosen by a dangerous knight of dark repute to be his bride, only to be haunted by dreams of their shared past. Three wounded champions, each more honorable than he believes, each destined to be healed by a lady who steals his shielded heart.

    It is believed to have been written in the mid-1590s but was not published until it appeared in the First Folio in 1623.

    But what was it like to actually live in those extraordinary times? Now you can find out.These 36 lectures provide a different perspective on the society and culture of the Middle Ages - one that entrenches you in the daily human experience of living during this underappreciated era. Drawing on history, literature, the arts, technology, and science, these lectures will deepen the way you understand not only the Middle Ages but everything that came afterward: From the Renaissance, to the Enlightenment, to your own world.Filled with amazing insights, this series brings you closer than ever before to life as it was lived and felt. You'll meet the likes of William Caxton, England's first printer who not only printed and distributed a variety of works but also often had to translate them himself; learn about Hugh of Payns and the role of his Knights Templar - organized for the protection of pilgrims traveling to Jerusalem - in the creation of the first modern bank; see how communities dealt with marriage in a time when the church had not yet drawn this institution into its orbit; and much more.Rich with information and period detail (including revealing examples of medieval literature from the English, French, Norse, Icelandic, and Italian worlds), these lectures will dramatically increase your understanding of how lives in the Middle Ages were really lived.

    Life among the warring factions in Scotland was dangerous for the infant Queen, however, and at age five Mary was sent to France to be raised alongside her betrothed, the Dauphin Francois. Surrounded by all the sensual comforts of the French court, Mary's youth was peaceful, charmed, and when she became Queen of France at the age of sixteen, she seemed to have all she could wish for. But by her eighteenth birthday, Mary was a widow who had lost one throne and had been named by the Pope for another. And her extraordinary adventure had only begun. Defying her powerful cousin Elizabeth I, Mary set sail in 1561 to take her place as the Catholic Queen of a newly Protestant Scotland. A virtual stranger in her volatile native land, Mary would be hailed as a saint, denounced as a whore, and ultimately accused of murdering her second husband, Lord Darnley, in order to marry her lover, the Earl of Bothwell. She was but twenty-five years old when she fled Scotland for the imagined sanctuary of Elizabeth's England, where she would be embroiled in intrigue until she was beheaded "like a criminal" in 1587. In her stunning first novel, The Autobiography of Henry VIII, Margaret George established herself as one of the finest historical novelists of our time. Now she brings us a new, mesmerizing blend of history and storytelling as she turns the astonishing facts of the life of Mary Queen of Scots into magnificent fiction that sweeps us from the glittering French court where Mary spent her youth, to the bloodstained Scotland where she reigned as Queen, to the cold English castles where she ended her days. Never before have we been offered such arich and moving portrayal of the Scots Queen, whose beauty inspired poetry, whose spirit brought forth both devotion and hatred, and whose birthright generated glorious dreams, hideous treachery, and murdered men at her feet.

    His head filled with tales of chivalry, instead he is branded a thief, and must make do with being squire to his childhood friend Sir Robert, a knight determined to make a name for himself as a man at arms in France. While William himself slowly acquires the skills of knightly combat, he remains an outsider - until the Battle of Poitiers when Sir Robert is cut down by the greatest knight of the age, Sir Geoffry de Charny, and William, his lowly squire, revenges him. But with his own knight dead, no honour acrrues to William for this feat of arms, and he is forced to become a mercenary. Scavenging a mis-matched set of armour from the knightly corpses, he joins one of the mercenary companies now set to pillage a defenceless France, and so begins a bloody career that sees William joining forces with the infamous Sir John Hawkwood and immersing himself in a treacherous clandestine war among the Italian city states. But paradoxically it is there, among the spies, assassins and hired killers serving their ruthless masters, that William finally discovers the true meaning of chivalry - and his destiny as a knight.

    With compassion and her "unfailing immediacy of language," she raises the struggles of her characters to a plane of recognition that enables them to transcend despair. Life and death, age and youth, attained hopes and unearned pleasures, provide the human settings for a brilliant exploration of life at its most pointed and significant.

    Determined to give her daughter a better life than the one she herself has lived, the young mother vows to break the newborn’s bonds of poverty and ensure that she fulfills her destiny—to dance with kings. Purely by chance, a drunken nobleman witnesses the birth and makes a reckless promise to return for Marguerite in seventeen years. With those fateful words, events are set into motion that will span three monarchies, affecting the lives of four generations of women.Marguerite becomes part of the royal court of the Sun King, but her fairy-tale existence is torn out from under her by a change of political winds. Jasmin, Marguerite’s daughter, is born to the life of privilege her grandmother dreamed of, but tempts fate by daring to catch the eye of the king. Violette, Marguerite’s granddaughter, is drawn to the nefarious side of life among the nobles at Versailles. And Rose, Violette’s daughter, becomes a lady-in-waiting and confidante to Marie Antoinette. Through Rose, a love lost generations before will come full circle, even as the ground beneath Versailles begins to rumble with the chaos of the coming revolution.An epic generational tale of loves lost, promises kept, dreams broken, and monarchies shattered, To Dance with Kings is a story of passion and privilege, humble beginnings and limitless ambition.

    Written in the splendid bareness of her late style, these pages are Marguerite Duras's theory of literature: comparing a dying fly to the work of style; remembering the trance and incurable disarray of writing; recreating the last moments of a British pilot shot during World War II and buried next to her house; or else letting out a magisterial, so what? To question six decades of storytelling, all the essays together operate as a deceitful, yet indispensable confession.

    Barbara Tuchman anatomizes the century, revealing both the great rhythms of history and the grain and texture of domestic life as it was lived.

    A vision from God, received in her parents' garden, instructed her to take up arms and help restore the kingdom of France. Without consulting her family, Joan left home on one of the most remarkable personal quests in history. As a young girl in a world of men, she faced unimaginable odds, yet her belief in her mission propelled her forward. Within months Joan was directing soldiers and bravely fighting for her nation. Before long she had become a national hero and was the guest of honor at her king's coronation. Yet fame ultimately became her undoing. The English shrewdly realized that Joan's demise and defamation would disgrace France and provide a more direct route to victory. Captured in war, Joan became a pawn in one of the longest and bloodiest wars in history.Since her death at the age of nineteen in 1431, Joan of Arc has maintained a remarkable hold on our collective imagination. She was a teenager of astonishing common sense and a national heroine who led men in battle as a courageous warrior. Yet she was also abandoned by the king whose coronation she secured, betrayed by her countrymen, and sold to the enemy. In this meticulously researched landmark biography, Donald Spoto expertly captures this astonishing life and the times in which she lived. Neither wife nor nun, neither queen nor noblewoman, neither philosopher nor stateswoman, Joan of Arc demonstrates that anyone who follows their heart has the power to change history.

    

    The mythic legacy of the Scandinavians includes a cycle of stories filled with magnificent images from pre-Christian Europe. Gods, humans, and monstrous beasts engage in prodigious drinking bouts, contests of strength, greedy schemes for gold, and lusty encounters. The Norse pantheon includes Odin, the wisest and most fearsome of the gods; Thor, the thundering powerhouse; and the exquisite, magic-wielding Freyja. Their loves, wars, and adventures take us through worlds both mortal and divine, culminating in a blazing doomsday for gods and humans alike. These stories bear witness to the courage, passion, and boundless spirit that were hallmarks of the Norse world.“Kevin Crossley-Holland retells the Norse myths in clear, attractive prose . . . An excellent introduction, notes, and a glossary provide mythological and historical backgrounds and suggest parallels with myths in other parts of the world.”–The Denver Post

    It’s where Marat printed L’Ami du Peuple and Thomas Paine wrote The Rights of Man. Napoleon, Hemingway, and Sartre have all called it home. Descartes is buried there. Now bestselling author and Paris expert, John Baxter takes readers and travelers on a narrative tour of Saint-Germain-des-Pres, which is also where Baxter makes his home.Tucked along the shores of the Left Bank, Saint-Germain-des-Pres embodies so much of what makes Paris special. Its cobblestone streets and ancient facades survive to this day, spared from modernization thanks to a quirk in their construction. Traditionally cheap rents attracted outsiders and political dissidents from the days of Robespierre to the student revolts of the 1960s. And its intellectual pedigree boasts such luminaries as Pablo Picasso, Arthur Rimbaud, F. Scott Fitzgerald, Simone de Beauvoir, Gertrude Stein, and Albert Camus. Baxter reveals all, guiding readers to the cafes, gardens, shops, and monuments that bring this hidden history to life.Part-history, part-guidebook, Saint-Germain-des-Pres is a fresh look at one of the City of Light’s most iconic quarters, and a delight for new tourists and Paris veterans alike.

    Caught in the complex dynastic battle of the Hundred Years War, Yolande championed the dauphin's cause against the forces of England and Burgundy, drawing on her savvy, her statecraft, and her intimate network of spies. But the enemy seemed invincible. Just as French hopes dimmed, an astonishingly courageous young woman named Joan of Arc arrived from the farthest recesses of the kingdom, claiming she carried a divine message-a message that would change the course of history and ultimately lead to the coronation of Charles VII and the triumph of France.Now, on the six hundredth anniversary of the birth of Joan of Arc, this fascinating book explores the relationship between these two remarkable women, and deepens our understanding of this dramatic period in history. How did an illiterate peasant girl gain access to the future king of France, earn his trust, and ultimately lead his forces into battle? Was it only the hand of God that moved Joan of Arc-or was it also Yolande of Aragon?