Not only did they support the leading stars in Hollywood films, they also added an extra dimension that make these movies all the more golden. In this sequel, even more character players' lives and careers are featured, with interesting insight into their personal lives and backgrounds, as well as their stunning film contributions. If you like Old Hollywood and Turner Classic Movies is your go-to movie channel, you will enjoy The Name Below The Title, Volume 2: 20 MORE Classic Movie Character Actors From Hollywood's Golden Age. Click "Buy Now" and enjoy fun and interesting insight into a time gone by.

    Most of this instructive and funny book is written in dialogue form and based on film classes Mamet taught at Columbia University. He encourages his students to tell their stories not with words, but through the juxtaposition of uninflected images. The best films, Mamet argues, are composed of simple shots. The great filmmaker understands that the burden of cinematic storytelling lies less in the individual shot than in the collective meaning that shots convey when they are edited together. Mamet borrows many of his ideas about directing, writing, and acting from Russian masters such as Konstantin Stanislavsky, Sergei M. Eisenstein, and Vsevelod Pudovkin, but he presents his material in so delightful and lively a fashion that he revitalizes it for the contemporary reader.

    

    The magic of the silent screen, illuminated by the recollections of those who created it.A narrative and photographic history of the early days of the movies, combining fact, anecdote, and reminiscence in a critical survey of films, actors, directors, producers, writers, editors, technicians, and other participants and hangers-on.

    The tapes, gathering dust in a garage, did indeed exist, and this book reveals for the first time what they contain.Here is Welles as he has never been seen before: talking intimately, disclosing personal secrets, reflecting on the highs and lows of his astonishing Hollywood career, the people he knew—FDR, Winston Churchill, Charlie Chaplin, Marlene Dietrich, Laurence Olivier, David Selznick, Rita Hayworth, and more—and the many disappointments of his last years. This is the great director unplugged, free to be irreverent and worse—sexist, homophobic, racist, or none of the above— because he was nothing if not a fabulator and provocateur. Ranging from politics to literature to movies to the shortcomings of his friends and the many films he was still eager to launch, Welles is at once cynical and romantic, sentimental and raunchy, but never boring and always wickedly funny.Edited by Peter Biskind, America's foremost film historian, My Lunches with Orson reveals one of the giants of the twentieth century, a man struggling with reversals, bitter and angry, desperate for one last triumph, but crackling with wit and a restless intelligence. This is as close as we will get to the real Welles—if such a creature ever existed.

    It covers films like Giant, Rebel Without A Cause and Invasion of the Body Snatchers to show how politically innocent movies in fact do bear an ideological burden. As we see organization men and rugged individualists, housewives and career women, cops and doctors, teen angels and teenage werewolves fight it out across the screen, from suburbia to the farthest reaches of the cosmos, we understand that we have been watching one long dispute about how to be a man, a woman, and an American.

    

    Drawing on 40 years of experience on movies ranging from Long Day's Journey Into Night to The Verdict, Lumet explains the painstaking labor that results in two hours of screen magic.

    The brightest stars in Hollywood's firmament have been assembled in one volume: Garbo and Swanson, Gable and Grant, Tracy and Hepburn, Fairbanks and Pickford, Taylor and Burton - along with today's cinematic giants: Cruise and Kidman, Nicholson and Streep, De Niro and DiCaprio, Hanks and Roberts, and scores more. Vanity Fair's photographers - among them Cecil Beaton, Annie Leibovitz, Helmut Newton, Herb Ritts, Edward Steichen and Bruce Weber - have helped to define modern portraiture. Likewise, Vanity Fair's stable of Hollywood writers in this volume includes luminaries of the past (P.G. Wodehouse, Dorothy Parker and D.H. Lawrence) and of the present (Christopher Hitchens, Dominick Dunne, Amy Fine). Here, then, is a century's worth of stars and moguls, parties and scandals, power and glamour, through the unrivalled lens and the inimitable prose of Vanity Fair.

    Strangelove, 2001: Space Odyssey. A Clockwork Orange, The Shining, and Full Metal Jacket, is arguably one of the greatest American filmmakers. Yet, despite being hailed as “a giant” by Orson Welles, little is known about the reclusive director. Stanley Kubrick—the first full-length study of his life—is based on assiduous archival research as well as new interviews with friends, family, and colleagues.Film scholar Vincent LoBRutto provides a comprehensive portrait of the director, from his high school days, in the Bronx and his stint as a photographer for Look magazine, through the creation of his wide-ranging movies, including the long-awaited Eyes Wide Shut. The author provides behind-the-scenes details about writing, filming, financing, and reception of the director’s entire output, paying close attention to the technical innovations and to his often contentious relationships with actors. This fascinating biography exposes the enigma that is Stanley Kubrick while placing him in context of film history.

    Internationally-renowned directing coach Weston demonstrates what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis and preparation, how actors work, and shares insights into the director/actor relationship.

    Strangelove, 2001: A Space Odyssey, and A Clockwork Orange. From their first meeting at an advance screening of The Shining in 1980, Kubrick and Herr began an intense intellectual exchange that grew into the artistic collaboration that ultimately produced the groundbreaking Vietnam film Full Metal Jacket.Filled with personal insights and previously untold anecdotes, Kubrick is a probing view into the inner life of a man whose creative passion and powerful intellect changed the art of filmmaking forever -- and of the complicated, often misunderstood man behind the art.

    Woody was apparently too busy for introductions. My instructions were to run out of a building, through a crowd, and into a strange car. When Woody called 'Action,' I opened the car door, jumped in, and landed smack on William Powell's lap. He looked up nonchalantly: 'Miss Loy, I presume?' I said, 'Mr. Powell?' And that's how I met the man who would be my partner in fourteen films.” – Myrna Loy Movie stars are revered for their ability to captivate audiences, and Hollywood began to flourish before the onset of television, allowing movies to enjoy relatively uncontested supremacy over American entertainment. The popularity of various actors would thus extend well beyond the success of any of their individual films, reflecting their much broader cultural significance as monuments of Hollywood during its Golden Age. In the 1920s, the burgeoning movie industry was starting to come into its own, and while older silent film stars like Charlie Chaplin and Buster Keaton reached the peak of Hollywood, some actors born near the beginning of the 20th century were ready to capitalize. While actors like Humphrey Bogart and Cary Grant remain household names, and actresses like Greta Garbo are still widely remembered, few had careers that enjoyed the success of William Powell. In a career spanning several decades, Powell would receive three Oscar nominations for Best Actor for critically acclaimed movies, so it is somewhat ironic that he is mostly remembered today for his association with the more famous Myrna Loy. Together, they starred in 14 films, including the 1934 box office hit, The Thin Man. One thing that helped Powell’s career along in the old days when Hollywood would only cast white actors in major roles, no matter what the nationality of the character was supposed to be, were his dark good looks. In pointing this out, a contemporary profile of Powell explained, “Many people imagine that William Powell has a foreign look. His first big stage success, his first big picture roles, were all in foreign parts — Spanish, Italian, Cuban. As a matter of fact, he is American to the core. Perhaps that look is his heritage from a paternal grandfather named Brady. The black Irish fit into any nationality. There is, too, a good strong strain of Holland Dutch, and a bit of French and English.” William Powell: The Life and Legacy of One of Early Hollywood’s Most Acclaimed Actors chronicles the long life and diverse career of Powell on and off the screen. Along with pictures depicting important people, places, and events, you will learn about Powell like never before.

    These notes take us behind the scenes, and at the same time brings us into a private world of exhilaration, pain and dramatic conflict.

    Now Andy Serkis tells his own story about how a three-week commission to provide a voiceover for Gollum grew into a five-year commitment to breathe life and soul into The Lord of the Rings' most challenging creation.- Did the voice of Gollum really start with a cat being sick?- What was it like acting in a bodysuit covered in dots?- How much was Gollum modeled to look like Andy?- What surprises does The Return of the King hold in store?Fully illustrated with more than one hundred exclusive behind-the-scenes photos and drawings, and with contributions from the many designers and animators who brought Gollum to life, this book examines the transition to the big screen of one of literature's most unforgettable creatures. As the filming takes him from London to Wellington, and from the MIsty Mountains to Mount Doom, Andy Serkis explains the methods - and the madness - behind the most amazing five years in this actor's life.