One problem: Wells's father is Jack Henderson, America's most famous conservative shock jock...and Allie hasn't told Wells that her family is Muslim. It's not like Allie's religion is a secret, exactly. It's just that her parents don't practice and raised her to keep her Islamic heritage to herself. But as Allie witnesses ever-growing Islamophobia in her small town and across the nation, she begins to embrace her faith—studying it, practicing it, and facing hatred and misunderstanding for it. Who is Allie, if she sheds the façade of the "perfect" all-American girl? What does it mean to be a "Good Muslim?" And can a Muslim girl in America ever truly fit in? ALL-AMERICAN MUSLIM GIRL is a relevant, relatable story of being caught between two worlds, and the struggles and hard-won joys of finding your place.

    But Joe Spooner brought more back with him than just good war stories. When movie-star handsome Peter Coleridge, a young ex-GI who served in Joe's company in postwar Austria, shows up, Evie is suddenly caught in a complicated web of lies that she only slowly recognizes. She finds herself falling for Peter, ignoring the secrets that surround him . . . until a tragedy occurs that shatters her family and breaks her life in two.

    Saints, those special people moving the world forward. Sometimes you glaze over them. Or, at least, I do. They’re in your face so much, you can’t see them, like how you can’t see your nose.2. Misfits, people who don’t belong. Like me—the way I don’t fit into Dad’s brand-new family or in the leftover one composed of Mom and my older brother, Mama’s-Boy-Muhammad.Also, there’s Jeremy and me. Misfits. Because although, alliteratively speaking, Janna and Jeremy sound good together, we don’t go together. Same planet, different worlds.But sometimes worlds collide and beautiful things happen, right?3. Monsters. Well, monsters wearing saint masks, like in Flannery O’Connor’s stories.Like the monster at my mosque.People think he’s holy, untouchable, but nobody has seen under the mask.Except me.

    But when she’s caught setting one too many fires, she’s whisked away to London before she can get arrested—at least that’s the story her mother tells. Mounting debt actually drove them out of LA, and it’s greed that brings them to a home Iris doesn’t recognize, where her millionaire father—a man she’s never met—lives. Though not for much longer.Iris’s father is dying, and her mother is determined to claim his life’s fortune, including his priceless art collection. Forced to live with him as part of an exploitive scheme, Iris soon realizes her father is far different than the man she’s been schooled to hate, and everything she thought she knew—about her father and herself—is suddenly unclear. There may be hidden beauty in Iris’s uncertain past, and future, if only she can see beyond the flames.

    The brutal murder of two teenage girls on the last day of Nora Cunningham's junior year in high school throws Nora into turmoil. Her certainties, friendships, religion, her prudence, her resolve to find a boyfriend taller than she is - are shaken or cast off altogether. Most people in Elmgrove, Maryland, share the comforting conviction that Buddy Novak, who had every reason to want his ex-girlfriend dead, is responsible for the killings. Nora agrees at first, then begins to doubt Buddy's guilt, and finally comes to believe him innocent - the lone dissenting voice in Elmgrove.Told from several different perspectives, including that of the murderer, Mister Death's Blue-Eyed Girls is a suspenseful page-turner with a powerful human drama at its core.

    Through his dramatic storytelling, Allan Stratton captures the enduring strength of loyalty, the profound impact of loss, and a fearlessness that is powered by the heart. Above all, this is a story about living with truth.

    Sixteen-year-old Maggie Lynch is uprooted from big-city Chicago to a windswept town on the Irish Sea. Surviving on care packages of Spin magazine and Twizzlers from her rocker uncle Kevin, she wonders if she'll ever find her place in this new world. When first love and sudden death simultaneously strike, a naive but determined Maggie embarks on a forbidden pilgrimage that will take her to a seedy part of Dublin and on to a life- altering night in Rome to fulfill a dying wish. Through it all, Maggie discovers an untapped inner strength to do the most difficult but rewarding thing of all, live.

    Talented photographer. Former baseball star. When a freakish injury ends his pitching career, Peter has some major things to figure out. Is there life after sports? Why has his grandfather suddenly given him thousands of dollars worth of camera equipment? And is it his imagination, or is the super-hot star of the girls' swim team flirting with him, right in front of the amazing new girl in his photography class? In his new novel, teen author Jordan Sonnenblick performs his usual miraculous feat: exploring deep themes of friendship, romance, family, and tragedy, while still managing to be hilariously funny. Reading Level: Age 12 and Up

    But Nikki lies in a coma, and Branwell is in a juvenile behavioral center, suspected of a horrible crime and unable to utter the words to tell what really happened. Connor is the only one who might be able to break through Branwell's wall of silence. But how can he prove Branwell didn't commit the unspeakable act of which he's accused — when Branwell can't speak for himself?

    When Kit meets John Askew, another boy whose family has both worked and died in the mines, Askew invites Kit to join him in playing a game called Death. As Kit’s grandfather tells him stories of the mine’s past and the history of the Watson family, Askew takes Kit into the mines, where the boys look to find the childhood ghosts of their long-gone ancestors. Written in haunting, lyrical prose, Kit’s Wilderness examines the bonds of family from one generation to the next, and explores how meaning and beauty can be revealed from the depths of darkness.A Michael L. Printz Award WinnerAn ALA Notable Book A Publishers Weekly Best Book

    . .Sixteen-year-old Willa is fortunate to have a happy blended family. But a frantic phone call from Pryor, Texas, shatters the calm. Willa’s birth father has murdered his second wife and daughters . . . and the police think he’s on his way east to hunt down Willa and her mother. As this disturbing tragedy inevitably exposes family secrets to Willa and her community, she struggles with her own destructive secret.

    Yet, despite his efforts to blend into the background, he finds himself falling for the quintessential “It” girl, Vanessa Sheller, girlfriend of Irving’s most popular boy. To Tim's surprise, Vanessa is into him, too, but she can kiss her social status goodbye if anyone ever finds out. Tim and Vanessa begin a clandestine romance, but looming over them is the Tragedy Paper, Irving’s version of a senior year thesis, assigned by the school’s least forgiving teacher. Jumping between viewpoints of the love-struck Tim and Duncan, a current senior about to uncover the truth of Tim and Vanessa, The Tragedy Paper is a compelling tale of forbidden love and the lengths people will go to keep their love.

    As he tries to hold his crazy father and their crumbling home together, Jason relies on a host of imaginary friends for guidance as he stumbles along trying not to draw attention to his father’s deteriorating condition.Both heartbreaking and funny, Crazy lives up to the intense and compelling characters Han Nolan is praised for. As Jason himself teeters on the edge of insanity, Nolan uncovers the clever coping system he develops for himself and throws him a lifeline in the guise of friendship.

    Her dad's consulting job means she's grown up moving from one rundown city to the next, and she's learned to cope by collecting (sometimes even stealing) quirky trinkets and souvenirs in each new place--possessions that allow her to feel at least some semblance of home.But in the year since her brother Oren's death, Lo's hoarding has blossomed into a full-blown, potentially dangerous obsession. She discovers a beautiful, antique butterfly pendant during a routine scour at a weekend flea market, and recognizes it as having been stolen from the home of a recently murdered girl known only as "Sapphire"--a girl just a few years older than Lo. As usual when Lo begins to obsess over something, she can't get the murder out of her mind.As she attempts to piece together the mysterious "butterfly clues," with the unlikely help of a street artist named Flynt, Lo quickly finds herself caught up in a seedy, violent underworld much closer to home than she ever imagined--a world, she'll ultimately discover, that could hold the key to her brother's tragic death.

    Lines you cross, lines you don’t cross. That clear?”New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them.“No Negroes, Mexicans, or dogs.”They know the people who enforce them.“They all decided they’d ride out in their sheets and pay Blue a visit.”But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive.“More than grief, more than anger, there is a need. Someone to blame. Someone to make pay.”Ashley Hope Pérez takes the facts of the 1937 New London school explosion—the worst school disaster in American history—as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people.