Scheming rivals, foolish rulers and wicked courtiers leave him undaunted. He can organise king Vaideha's security, a network of spies and a royal wedding with equal flair. so, when a deadly plot is revealed, it is Aushadha who swings into action.

    So he decides to pretend to be a wise astrologer, and get people to respect him. His plan works beyond his wildest dreams. Now Manduka finds himself in a different kind of fix,people are actually expecting him to make accurate predictions.Worse, the king himself is asking Manduka's prophecies! The story of Manduka is taken from the Kathasaritsagar, the eleventh century Sanskrit classic by Somadeva.

    Vasudeva was in a quandary as to how much money would satisfy all his needs. And Jinadatta hoped that his father-in-law would help him out of bankruptcy. These tales told by Jain monks in ancient times are as relevant today as they were long ago.

    When her father is exiled from his kingdom, Hothal disguises herself as a man and fights alongside the valient Odha, who she eventually falls deeply in love with.

    Sheltered by a potter the boy grew up with the prophecy of a wandering sage ringing in his ears that he would one day become king. The Sanskrit classic, Kathasaritasagar and Vikrama Charita, from which most of this story is taken, traces the path that makes Shalivahana so powerful that an entire era, the Shalivahana Shaka, was named after him.

    

    Kalidasa, the greatest of Sanskrit poets, wove a tale that caters to every reader's taste. Warring cousins, wily courtiers, jealous wives, disguised princesses, all play their part in his play, which continues to thrill centuries after it was first written.

    Gossiping neighbours and an unhappy marriage would have ruined many women, but Prafulla was not one to give in easily. With hard work and good sense, she turned her life around. An attractive heroine in Bankim Chandra Chattopadhyay’s novel, Prafulla rose from poverty to a life of riches and fame.

    But the gentle and generous nature of the daughter brings good fortune. Six queens plot against the seventh, jealous that she is bearing the King's heir, and accuse her of witchcraft. A thoughtless queen decrees that anyone who cries in her kingdom will be thrown out, not foreseeing that one day she too might feel sorrow. India has a rich heritage of folktales, most of which are never written down, present only in a rapidly vanishing oral culture. Each region and language has its own particular set of stories – though many tales recur across different traditions. The stories here are taken from Bengal.

    The deva also told him that if the necklace broke the person who repaired it would die. It happened as the king feared. The necklace broke and Queen Chellana, who was wear

    The best way to ward off Bikal the Terrible is to avoid taking his name. The word Bikal inspires such fear and awe that even a tiger gets scared of Bikal and tamely allows himself to be fooled by two daredevils. This is a delightful folktale from Madhya Pradesh.

    The Pandava brother, Bheema, was lucky to have him as a son, for he saved his life more than once. And if it were not for this brave young rakshasa, the Kauravas may well have been the victors of the famous battle of Mahabharata.

    Then Lord Brahma gave him eyes and beauty and he became a proud tyrant who refused to see the truth. But Andhaka was the son of Shiva, after all and even Indra, Vishnu and Brahma wished him no harm. Eventually, it was Shiva's firm hand that led him back to happiness.

    It was said to be the beginning of kali Yuga. This Amar Chitra Katha tells the story of the curse which dooms Pareekshit to die at the hands of the Serpent King, Takshaka, and how his son, Janamejaya, avenges his death.

    Her patience snaps, eventually. Pure in her love, this gentle woman is transformed into an avenging angel, raining death and doom on all her foes, until the gods are forced to intervene. Ilango Adigal's Tamil classic, Shilappadikaram presents life with all its flaws but also with hope.