Their deaths in the late 1970s marked the end of a tribal lifestyle that stretched back more than 30,000 years. The Last of the Nomads tells of an extraordinary journey in search of Warri and Yatungka.

    Set in almost uninhabitable regions of Central Australia, The Songlines asks and tries to answer these questions: Why is man the most restless, dissatisfied of animals? Why do wandering people conceive the world as perfect whereas sedentary ones always try to change it? Why have the great teachers—Christ or the Buddha—recommended the Road as the way. to salvation? Do we agree with Pascal that all man's troubles stem from his inability to sit quietly in a room?We do not often ask these questions today for we commonly assume that living in a house is normal and that the wandering life is aberrant. But for more than twenty years Chatwin has mulled over the possibility that the reverse might be the case.Pre-colonial Australia was the last landmass on earth peopled not by herdsmen, farmers, or city dwellers, but by hunter-gatherers. Their labyrinths of invisible pathways across the continent are known to us as Songlines or Dreaming Tracks, but to the Aboriginals as the tracks of their ancestors—the Way of the Law. Along these "roads" they travel in order to perform all those activities that are distinctively human—song, dance, marriage, exchange of ideas, and arrangements of territorial boundaries by agreement rather than force.In Chatwin's search for the Songlines, Arkady is an ideal friend and guide: Australian by birth, the son of a Cossack exile, with all the strength and warmth of his inheritance. Whether hunting kangaroo from a Land Cruiser, talking to the diminutive Rolf in his book-crammed trailer, buying drinks for a bigoted policeman (and would-be writer), cheering as Arkady's true love declares herself (part of The Songlines is a romantic comedy), Chatwin turns this almost implausible picaresque adventure into something approaching the scale of a Greek tragedy.The life of the Aboriginals stands in vivid contrast, of course, to the prevailing cultures of our time. And The Songlines presents unforgettable details about the kinds of disputes we know all too well from less traumatic confrontations: over sacred lands invaded by railroads, mines, and construction sites, over the laws and rights of a poor people versus a wealthy invasive one. To Chatwin these are but recent, local examples of an eternal basic distinction between settlers and wanderers. His book, devoted to the latter, is a brilliant evocation of this profound optimism: that man is by nature not a bellicose aggressor but a pacific, song-creating, adaptive species whose destiny is to quest for the truth.

    Literally cutting a swathe through the bush with their bare hands, they lay claim to territory beyond government jurisdiction - and the reach of the law. As she accepts a position on one such farm, seventeen-year-old Kate Carter is unaware she is entering a land of outlaws, adventurers and murderous natives.Because the first people of this new world will no longer accept the white man's advance, and retaliatory attacks on both sides have made it a frontier on the brink of war.Into Kate's path comes Bronzewing, a young white man schooled by a settler family yet raised within an Aboriginal tribe. Caught between two worlds, Bronzewing strives to protect his adopted people and their vanishing civilisation.But as he and Kate will discover, 'beyond the outer limits' is a beautiful yet terrifying place, where it's impossible to know who is friend and who is enemy . . .'Alexander writers [with] a deep love of the land' The Courier-Mail

    It combines a brilliant overview of this immense conflict with telling detail, stories, letters and diaries that breathe life into those terrible battles of 90 years ago. In The Great War Carlyon has produced a masterpiece that takes the reader from the generals formulating strategy, to the troops fighting cold, filth and the terror of sudden death in their trenches.Written with the same narrative skill, humanity, vivid recreation and meticulous research that made Gallipoli a number one bestseller, Les Carlyon's astonishing new book is an epic that will stand as the lasting and definitive history of Australia's involvement in the Great War.

    At eight, still too small to mount her horse unaided, she was galloping miles, alone, across Coorain, her parents' thirty thousand windswept, drought-haunted acres in the Australian outback, doing a "man's job" of helping herd the sheep because World War II had taken away the able-bodied men. She loved (and makes us see and feel) the vast unpeopled landscape, beautiful and hostile, whose uncertain weathers tormented the sheep ranchers with conflicting promises of riches and inescapable disaster. She adored (and makes us know) her large-visioned father and her strong, radiant mother, who had gone willingly with him into a pioneering life of loneliness and bone-breaking toil, who seemed miraculously to succeed in creating a warmly sheltering home in the harsh outback, and who, upon her husband's sudden death when Jill was ten, began to slide—bereft of the partnership of work and love that had so utterly fulfilled her—into depression and dependency.We see Jill, staggered by the loss of her father, catapulted to what seemed another planet—the suburban Sydney of the 1950s and its crowded, noisy, cliquish school life. Then the heady excitement of the University, but with it a yet more demanding course of lessons—Jill embracing new ideas, new possibilities, while at the same time trying to be mother to her mother and resenting it, escaping into drink, pulling herself back, striking a balance. We see her slowly gaining strength, coming into her own emotionally and intellectually and beginning the joyous love affair that gave wings to her newfound self.Worlds away from Coorain, in America, Jill Conway became a historian and the first woman president of Smith College. Her story of Coorain and the road from Coorain startles by its passion and evocative power, by its understanding of the ways in which a total, deep-rooted commitment to place—or to a dream—can at once liberate and imprison. It is a story of childhood as both Eden and anguish, and of growing up as a journey toward the difficult life of the free.

    The Clashing Rock.The Hard Darkness."It hangs above the grave mound.I sing, dreaming...William Buckley was transported to Australia in 1801. He escaped and lived as an Aborigine for thirty-one years. In this visionary novel, Alan Garner is true to William the Cheshire bricklayer and William the Aboriginal spiritual leader, as William is true to his fate. The result is extraordinary.

    As the final recoil echoes through the paddocks, a revered sheep-breeding dynasty comes to a bloody and inglorious end. No one could have anticipated the orgy of violence that wiped out three generations of the Wettenhall family, much less the lurid scandals about Darcy Wettenhall, the man behind the world famous Stanbury sheep stud, that would emerge from the aftermath. Almost three decades later, the web of secrets and lies that led to this bizarre and seemingly motiveless murder spree are unravelled with the help of Bob Perry, Darcy Wettenhall’s secret lover for a decade prior to his murder. From the bucolic majesty, privilege and snobbery of the Western District’s prized pastoral lands and dynasties to the bleak, loveless underworld of orphanages, rodeo stables and homeless shelters, The Devil’s Grip is a courageous and thought-provoking meditation on the fragility of reputation, the folly of deception and the power of shame.

    He can buckle down and set about his agricultural recovery, or he can heed the whispers of an earthly paradise on the far side of the mountains – a place where men are truly free – and strike out for a new life. But what chance does a ditherer such as Sparrow have of renewal, either in the brutal colony or in the forbidding wilderness?The decision he makes triggers a harrowing chain of events and draws in a cast of extraordinary characters, including Alister Mackie, the chief constable on the river; his deputy, Thaddeus Cuff; the vicious hunter, Griffin Pinney; the Romany girl, Bea Faa; and the young Aboriginal men, Caleb and Moowut’tin, caught between war and peace.Rich, raw, strangely beautiful and utterly convincing, The Making of Martin Sparrow reveals Peter Cochrane – already one of our leading historians – as one of our most compelling novelists.

    Related in first person by bushranger Dick Marston as he awaits his appointment with the gallows, the novel vividly evokes his turbulent years as cattleduffer and bushranger in company with his father Ben, brother Jim and the gentleman adventurer, Captain Starlight.

    His success and good fortune at such a young age was a remarkable accomplishment for someone from a small Central California farm town. Everything was coming together for Axel until a devastating tragedy beset his hometown. Axel’s perfect life was thrown into turmoil, exposing the moral compromises that he had made to achieve success. In his struggle to put the pieces of his life back together, he discovered his true purpose. From the depths of tragedy, Axel embarked on a quest to revitalize his people and restore the American Nation.

    Annie Cossins pieces together the fascinating story of the most infamous legal trial in Australia to reveal an underworld of struggling mothers, unwanted babies, and a society that preferred to turn a blind eye.In October 1892, a one-month-old baby boy was found buried in the backyard of Sarah and John Makin, two wretchedly poor baby farmers in inner Sydney. In the weeks that followed, 12 more babies were found buried in the backyards of other houses in which the Makins had lived. This resulted in the most infamous trial in Australian legal history, and exposed a shocking underworld of desperate mothers, drugged and starving babies, and a black market in the sale and murder of children.Annie Cossins pieces together a dramatic and tragic tale with larger than life characters: theatrical Sarah Makin; her smooth-talking husband, John; her disloyal daughter, Clarice; diligent Constable James Joyce, with curious domestic arrangements of his own; and a network of baby farmers stretching across the city. It's a glimpse into a society that preferred to turn a blind eye to the fate of its most vulnerable members, only a century ago.

    The discovery has been described as "the equivalent of finding a small dinosaur still alive on Earth."

    It is an intimate account of the transformation of a campsite in a beautiful cove to the town that later became Australia's largest and best-known city. From the sparkling beaches to the foothills of the Blue Mountains, Grace Karskens skillfully reveals how landscape shaped both the lives of the original Aboriginal inhabitants and newcomers alike. She traces the ways in which relationships between the colonial authorities and ordinary men and women broke with old patterns, and the ways that settler and Aboriginal histories became entwined. She uncovers the ties between the burgeoning township and its rural hinterland expanding along the river systems of the Cumberland Plain. This is a landmark account of the birthplace of modern Australia, and a fascinating and richly textured narrative of people and place.

    Hubert Wilkins was the most successful explorer in history: no one saw with his own eyes more undiscovered land and sea. Largely self-taught, he was a celebrated reporter, pilot, spy, war hero, scientist, and adventurer. He captured in his lens war and famine, cheated death repeatedly, met world leaders like Lenin, Mussolini, and King George V, and circled the globe on a zeppelin. Knighted for being the first person to fly across the North Pole, Wilkins was also the first to fly in the Antarctic, discover land by airplane, and take a submarine under the Arctic ice.

    Penetrating, gripping, and provocative, this book combines natural history, anthropology, and ecology on an epic scale. Illustrations.