There are wars and sieges, scandals and seductions, fountains playing in deserted squares and crowds thronging the markets.And there is a dark undertone too, of shadowy corners and dead ends, prisons and punishment.The language and way of thinking of the Venetians sets them aside from the rest of Italy. They are an island people, linked to the sea and to the tides rather than the land.'The moon rules Venice,' Ackroyd writes: 'It is built on ocean shells and ocean ground; it has the aspect of infinity.It is the floating world... changing and variable and accidental.'This book, like a magic gondola, transports its readers to thatsensual, surprising realm. We could have no better guide - reading Ackroyd's Venice is, in itself, a glorious journey and the perfect holiday.

          Today, most Americans are familiar only with the "big names" associated with the Founding - Washington, Adams, Madison, Hamilton and so on. Because we have forgotten so many of our lesser-known Founders, many of whom warned of the dangers of centralized federal power, we have also strayed from the system of limited government prescribed by our Constitution. The resulting imbalance of power, allowed to get worse over decades, has created the problems with executive overreach and the expansive federal bureaucracy that plague America today.       Senator Mike Lee, a champion of constitutionally limited government, now seeks to give these nearly forgotten but far-sighted early American thinkers their proper due. He will introduce readers to the influential, liberty-minded Americans who may not be household names but should be, including: · Mercy Otis Warren, one of revolutionary America's most prominent female writers and protégé of John Adams who engaged in vigorous debate against the encroachment of federal power and broke with Adams over the Constitution · Canasatego, an Iroquois chief who taught Benjamin Franklin the basic principles behind the separation of powers in government · Aaron Burr, whose "trial of the century" in the early 1800s defined the limits of executive power and warned of its potential for abuse · Elbridge Gerry, who championed individual rights and greater power for the states over the newly formed federal government - and without whom there would be no Bill of Rights. Written Out of History is not simply a history lesson. By channeling voices from the past, this book will inject renewed passion into the debate over what the Constitution means to us today, and the limits it sets on a power-hungry federal government.From the Hardcover edition.

    As an impoverished writer in need of rejuvenation, Miller travelled to Greece at the invitation of his friend, the writer Lawrence Durrell. The text is inspired by the events that occurred. The text is ostensibly a portrait of the Greek writer George Katsimbalis, although some critics have opined that is more of a self-portrait of Miller himself.[1] Miller considered it to be his greatest work.

    Drawing on new sources, he weaves the lives of six people into a seamless narrative that casts fresh light on the range of experience in colonial America on the cusp of revolution. While some of the protagonists—a Native American warrior, a British aristocrat, George Washington—play major roles on the field of battle, others—a woman, a slave, and a laborer—struggle no less valiantly to realize freedom for themselves.Through these lives we understand that the Revolution was, indeed, fought over the meaning of individual freedom, a philosophical idea that became a force for violent change. A powerful narrative and a brilliant defense of American values, Revolution Song makes the compelling case that the American Revolution is still being fought today and that its ideals are worth defending.

    Poe is viewed as the ultimate doomed romantic whose last days are shrouded in sordid mystery. His life was a disaster, but his achievements in writing are amazing. He is widely recognized as father of the modern short story, inventor of the detective story and the master of horror. A Boston born writer, editor, and literary critic, he's best known for his creepy and macabre tales as well as being one of the central figures in the Romanticism movement in the United States.  Accurately being dubbed as the ultimate doomed romantic, Poe was a drunk, his last days are shrouded in mystery akin to that of his short stories.  During his lifetime, Edgar Allan Poe didn't make a dime out of writing, but his legacy to the world is one of never-ending riches.  He left behind seventy-three wonderfully gruesome stories and a novel filled with suspense and brilliantly twisted plots.  Hist stories and poems are now read and revered globally.  As another master of horror, Stephen King, has said, we are all "the children of Poe." Abraham Lincoln, Josef Stalin, Michael Jackson, and Bart Simpson all have one thing in common; they are fans of the nineteenth century American writer and poet, Edgar Allan Poe.  The writer of "The Raven" has legions of such devotees across the globe.  The list of authors inspired by Poe is long and varied, but his profound influence reaches much further-into music, film, and art just as much as modern day literature.  There have been more than a dozen film adaptations of his story "The Fall of the House of Usher," and his works have inspired composers ranging from Claude Debussy to Lou Reed.  More than 160 years after his death, Charlotte Montague has written a fascinating account of Poe's life and times, in which she uncovers a strange man, standing deep in the shadows, who's unique imagination and macabre writing have changed popular culture forevermore.  n the process, she uncovers a strange man, standing deep in the shadows, whose macabre stories and twisted plots changed literature forever. The Oxford People series offers deep dives into the most influential people, subjects, and cultures from history. From horror-fiction legends like H. P. Lovecraft and Edgar Allen Poe, to historical heavyweights like Houdini and JFK, to the supernatural world of vampires, werewolves, and ghosts—Oxford People encompasses it all. Other titles in this series include: Angels, Che, Creating Sherlock Holmes, Extreme Science, Gettysburg, Ghosts, Gunfighters, Houdini, HP Lovecraft, John F. Kennedy, Myths and Legends, Privates and Privateers, Roosevelt and Churchill, Royal Weddings, Skies of WWII, Tesla, Tesla vs. Edison, Vampires, Vikings, Werewolves, Women of Invention, Zombies.

    The chafing restrictions of a typical upbringing in upper-class, small town Alabama simply did not apply to Zelda, who was described as an unusual child and permitted to roam the streets with little supervision. Zelda refused to blossom into a typical 'Southern belle' on anyone's terms but her own and while still in high school enjoyed the status of a local celebrity for her shocking behavior. Everybody in town knew the name Zelda Sayre. Queen of the Montgomery social scene, Zelda had a different beau ready and willing to show her a good time for every day of the week. Before meeting F. Scott Fitzgerald, Zelda's life was a constant pursuit of pleasure. With little thought for the future and no responsibilities to speak of, Zelda committed herself fully to the mantra that accompanied her photo in her high school graduation book: "Why should all life be work, when we all can borrow. Let's think only of today, and not worry about tomorrow." But for now Zelda was still in rehearsal for her real life to begin, a life she was sure would be absolutely extraordinary. Zelda Sayre married F. Scott Fitzgerald on the 3rd of April 1920 and left sleepy Montgomery behind in order to dive headfirst into the shimmering, glamourous life of a New York socialite. With the publication of Scott's first novel, This Side of Paradise, Zelda found herself thrust into the limelight as the very epitome of the Flapper lifestyle. Concerned chiefly with fashion, wild parties and flouting social expectations, Zelda and Scott became icons of the Jazz Age, the personification of beauty and success. What Zelda and Scott shared was a romantic sense of self-importance that assured them that their life of carefree leisure and excess was the only life really worth living. Deeply in love, the Fitzgeralds were like to sides of the same coin, each reflecting the very best and worst of each other. While the world fell in love with the image of the Fitzgeralds they saw on the cover of magazines, behind the scenes the Fitzgerald's marriage could not withstand the tension of their creative arrangement. Zelda was Scott's muse and he mercilessly mined the events of their life for material for his books. Scott claimed Zelda's memories, things she said, experiences she had and even passages from her diary as his possessions and used them to form the basis of his fictional works. Zelda had a child but the domestic sphere offered no comfort or purpose for her. The Flapper lifestyle was not simply a phase she lived through, it formed the very basis of her character and once the parties grew dull, the Fitzgeralds' drinking became destructive and Zelda's beauty began to fade, the world held little allure for her. Zelda sought reprieve in work and tried to build a career as a ballet dancer. When that didn't work out she turned to writing but was forbidden by Scott from using her own life as material. Convinced that she would never leave her mark on the world as deeply or expressively as Scott had, Zelda retreated into herself and withdrew from the people she knew in happier times. The later years of Zelda's life were marred by her detachment from reality as, diagnosed with schizophrenia, Zelda spent the last eighteen years of her life living in and out of psychiatric hospitals. As Scott's life unraveled due to alcohol abuse, Zelda looked back on the years they had spent together, young and wild and beautiful, as the best of her life. She may have been right but she was wrong about one thing, Zelda did leave her mark on the world and it was a deep and expressive mark that no one could have left but her. Zelda Fitzgerald: The Biography

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Includes interviews with fifty-nine waitresses in forty-three towns and cities.

    Her son's biographers have, for the most part, painted her as self-centered and crude, a trial and an obstacle to her oldest child. But the records tell a very different story. Mary Ball, the daughter of a wealthy planter and a formerly indentured servant, was orphaned young and grew up working hard, practicing frugality and piety. Stepping into Virginia's upper class, she married an older man, the planter Augustine Washington, with whom she had five children before his death eleven years later. As a widow deprived of most of her late husband's properties, Mary struggled to raise her children, but managed to secure them places among Virginia's elite. In her later years, she and her wealthy son George had a contentious relationship, often disagreeing over money, with George dismissing as imaginary her fears of poverty and helplessness.Yet Mary Ball Washington had a greater impact on George than mothers of that time and place usually had on their sons. George did not have the wealth or freedom to enjoy the indulged adolescence typical of young men among the planter class. Mary's demanding mothering imbued him with many of the moral and religious principles by which he lived. The two were strikingly similar, though the commanding demeanor, persistence, athleticism, penny-pinching, and irascibility that they shared have served the memory of the country's father immeasurably better than that of his mother. Martha Saxton's The Widow Washington is a necessary and deeply insightful corrective, telling the story of Mary's long, arduous life on its own terms, and not treating her as her son's satellite.

    Had it failed—as many at the time feared it would—it’s possible that the United States as we know it would not exist today.The Constitution was a broad set of principles. It was left to the members of the First Congress and President George Washington to create the machinery that would make the government work. Fortunately, James Madison, John Adams, Alexander Hamilton, and others less well known today, rose to the occasion. During two years of often fierce political struggle, they passed the first ten amendments to the Constitution; they resolved bitter regional rivalries to choose the site of the new national capital; they set in place the procedure for admitting new states to the union; and much more. But the First Congress also confronted some issues that remain to this day: the conflict between states’ rights and the powers of national government; the proper balance between legislative and executive power; the respective roles of the federal and state judiciaries; and funding the central government. Other issues, such as slavery, would fester for decades before being resolved.The First Congress tells the dramatic story of the two remarkable years when Washington, Madison, and their dedicated colleagues struggled to successfully create our government, an achievement that has lasted to the present day.

    In George Washington, Entrepreneur, John Berlau gives us a tour of Mount Vernon, explaining how our founding father is at the heart of American innovation.Some of Washington's contributions to business and invention:-Every American mule can be traced to Mount Vernon; Washington was instrumental in breeding horses with donkeys to create a superior farm animal.-Unlike most Virginia farmers, Washington grew vast fields of wheat. His state-of-the-art mill exported flour throughout the US and Europe. By stamping his initials on each package, he created GW Flour, one of the very first branded food products.-On the advice of a Scottish worker, Washington built a distillery, grew all of the necessary crops, and became one of the largest American whiskey distributors of his time.Showing an unfamiliar side of our Founding Father, lovers of business and history will find this book informative and enchanting.

    One was a self-taught, middle-aged Virginia planter in charge of a ragtag army of revolutionaries, the other a rich, glory-seeking teenage French aristocrat. But the childless Washington and the orphaned Lafayette forged a bond between them as strong as any between father and son. It was an unbreakable trust that saw them through betrayals, shifting political alliances, and the trials of war.Lafayette came to America a rebellious youth whose defiance of his king made him a celebrity in France. His money and connections attracted the favor of the Continental Congress, which advised Washington to keep the exuberant Marquis from getting himself killed. But when the boy-general was wounded in his first battle, he became a hero of two countries. As the war ground on, Washington found in his young charge the makings of a courageous and talented commander whose loyalty, generosity, and eagerness to please his Commander in Chief made him one of the war’s most effective and inspired generals. Lafayette’s hounding of Cornwallis’s army was the perfect demonstration of Washington’s unconventional “bush-fighting” tactics, and led to the British surrender at Yorktown.Their friendship continued throughout their lives. Lafayette inspired widespread French support for a struggling young America and personally influenced Washington’s antislavery views. Washington’s enduring example as general and statesman guided Lafayette during France’s own revolution years later.Using personal letters and other key historical documents, Adopted Son offers a rare glimpse of the American Revolution through the friendship between Washington and Lafayette. It offers dramatic accounts of battles and intimate portraits of such major figures as Alexander Hamilton, Benedict Arnold, and Benjamin Franklin. The result is a remarkable, little-known epic of friendship, revolution, and the birth of a nation.From the Hardcover edition.

    In Jefferson's Daughters, Catherine Kerrison, a scholar of early American and women's history, recounts the remarkable journey of these three women - and how their struggle to define themselves reflects both the possibilities and the limitations that resulted from the American Revolution. Although the three women shared a father, the similarities end there. Martha and Maria received a fine convent school education while they lived with their father during his diplomatic posting in Paris - a hothouse of intellectual ferment whose celebrated salonnières are vividly brought to life in Kerrison's narrative. Once they returned home, however, the sisters found their options limited by the laws and customs of early America. Harriet Hemings followed a different path. She escaped slavery - apparently with the assistance of Jefferson himself. Leaving Monticello behind, she boarded a coach and set off for a decidedly uncertain future. For this groundbreaking triple biography, Kerrison has uncovered never-before-published documents written by the Jefferson sisters when they were in their teens, as well as letters written by members of the Jefferson and Hemings families. She has interviewed Hemings family descendants (and, with their cooperation, initiating DNA testing) and searched for possible descendants of Harriet Hemings.The eventful lives of Thomas Jefferson's daughters provide a unique vantage point from which to examine the complicated patrimony of the American Revolution itself. The richly interwoven story of these three strong women and their fight to shape their own destinies sheds new light on the ongoing movement toward human rights in America - and on the personal and political legacy of one of our most controversial Founding Fathers.

    Against all military odds, he liberated the thirteen colonies from the superior forces of the British Empire and presided over the process to produce and ratify a Constitution that (suitably amended) has lasted for more than two hundred years. In two terms as president, he set that Constitution to work with such success that, by the time he finally retired, America was well on its way to becoming the richest and most powerful nation on earth.Despite his importance, Washington remains today a distant figure to many Americans. Previous books about him are immensely long, multivolume, and complicated. Paul Johnson has now produced a brief life that presents a vivid portrait of the great man as young warrior, masterly commander-in-chief, patient Constitution maker, and exceptionally wise president. He also shows Washington as a farmer of unusual skill and an entrepreneur of foresight, patriarch of an extended family, and proprietor of one of the most beautiful homes in America, which he largely built and adorned.Trenchant and original as ever, Johnson has given us a brilliant, sharply etched portrait of this iconic figure—both as a hero and as a man.

    Now Under Secretary for Art, History, and Culture Richard Kurin, aided by a team of top Smithsonian curators and scholars, has assembled a literary exhibition of 101 objects from across the Smithsonian's museums that together offer a marvelous new perspective on the history of the United States.Ranging from the earliest years of the pre-Columbian continent to the digital age, and from the American Revolution to Vietnam, each entry pairs the fascinating history surrounding each object with the story of its creation or discovery and the place it has come to occupy in our national memory. Kurin sheds remarkable new light on objects we think we know well, from Lincoln's hat to Dorothy's ruby slippers and Julia Child's kitchen, including the often astonishing tales of how each made its way into the collections of the Smithsonian. Other objects will be eye-opening new discoveries for many, but no less evocative of the most poignant and important moments of the American experience. Some objects, such as Harriet Tubman's hymnal, Sitting Bull's ledger, Cesar Chavez's union jacket, and the Enola Gay bomber, tell difficult stories from the nation's history, and inspire controversies when exhibited at the Smithsonian. Others, from George Washington's sword to the space shuttle Discovery, celebrate the richness and vitality of the American spirit. In Kurin's hands, each object comes to vivid life, providing a tactile connection to American history.Beautifully designed and illustrated with color photographs throughout, The Smithsonian's History of America in 101 Objects is a rich and fascinating journey through America's collective memory, and a beautiful object in its own right.