He has a flourishing bar in the heart of Soho and in six months he will be marrying Ashley. There's just one problem. Phil has been married before, 20 years ago. To a woman. In fact, technically Phil and Hazel are still married. And what Phil doesn't know yet is that Hazel has a son - a 19-year-old son.

    After a few sessions with his new friends Rose and Sherry at a romance book club, well, the more romances they read, the more they're convinced they can do better. And do they ever! They join their creative forces to become "Pamela Clarice," self-published romance novelist. When they look for a cover model for their first book, Dane sees the photos that will change his life. Paul Musegetes is the world's most popular romance cover model, and the most secretive. Dane soon finds himself obsessed with this supernaturally handsome man, and when he meets Paul at the Romance Writers' Ball on the Summer Solstice, he and Paul connect for one night of passion...After that night, Dane's a writing machine. He can't stop writing romances, and every story he touches turns to gold. But he also finds that he can't write anything but romances. And soon he's spending every waking moment of every day writing another after another...Then Dane finds out that this Midas touch has a heavy price. When the year is over, he'll never write again. Not a romance, not a serious novel. Nothing. Not even a grocery list. And that leaves him with only one option - find Paul, and get him to break the curse. But before he can do that, he'll have to track down Paul's equally mysterious photographer, Jackson da Vinci...

    Danny Black doesn’t exist. Danny Black is, in reality, anthropology professor Luke Littlefield. After moving to West Hollywood to teach, Luke realizes that no one takes pretty boys seriously. As Luke says, no one has ever asked him how many college degrees he has when he’s standing shirtless at a photo shoot. Luke puts on thick glasses and baggy clothing to appear more professional. Life seems routine and safe, that is until he meets British film star Ian Stoddard. Luke admits that he has no idea who Ian is, and Ian finds that fact appealing.When a decades old murder is uncovered at the college, Luke and his anthropology students take the opportunity to construct a case study. Can Luke maintain his two separate identities and solve a decades old murder, or will it all blow up in his face?

    He’s been with his partner, Lloyd, for seven years now, but when Lloyd announces that there’s no passion left between them, Jeff is sent into something of an existential frenzy. Desperate not to end up alone, Jeff haunts the dance floor and roadside rest stops, finding both the sordid and the sublime in anonymous encounters. But it’s love he’s after, so ultimately it’s his bittersweet romance in Provincetown with Eduardo, twenty-two and a vision of gorgeous, wide-eyed youth, that lingers in his mind and seems to hold the answers he seeks. This is a story of a man coming to terms with the accelerating ambiguity of his world, where men die young but old age is actively devalued. It is the story of gay life today, the life being led by thousands of men trying desperately to keep up, and to discover if anything really unites gay men other than desire. It is the story of how the truths of gay life are handed down from gay generation to gay generation. It is the story of what separates the men from the boys.

    He has just taken a prestigious university position in Los Angeles and has been appointed to oversee the collection of papers and works of a leading light of the gay literary salon known as the Purple Circle. Ross stumbles across a lost work by an unknown author and his quest to identify the mystery writer and achieve the glory of scholastic tenure unveils increasingly bizarre and unbalanced facts about a group of writers who in the 1970s and 1980s broke new ground in the creation of a gay literary sensibility. But the dark truth contained within The Book of Lies is even more startling. With biting wit and a lush sense of place and character, Felice Picano's daring novel is at once a stylish mystery, a comical roman A clef, and a wicked send-up of the new Ivory Tower. Leave it to Felice Picano to add a walloping dose of melodrama and intrigue to a tale already redrawing genre boundaries...What Picano does is take an academic mystery (subject matter that might have proved tedious or solipsistic in lesser hands) and morphs it into something new--a page-turning, often campy, occasionally serious critique of academia and historical truth, literary celebrity, and the imminent future of America.-Philadelphia Tribune Felice Picano is the author of 19 books including the best-selling novels Like People In History, Looking Glass Lives, The Lure and Eyes as well as the literary memoirs Ambidextrous, Men Who Loved Me, and A House On the Ocean, A House On the Bay. He is also the author with Dr. Charles Silverstein of The New Joy of Gay Sex. A native of New York, Felice Picano now lives in Los Angeles.

     Changing Trains is a fictionalised memoire that will transport you back to the glorious 1980s - that time just before mobile devices, the internet and social media changed the world - and one working class boy's journey of discovery and sexual self awareness.

    Hiding among the choir, he was content to be ignored at school. But in order to make his singing dreams come true and win the scholarship, he has to push aside that shyness and stand out. When new kid, Maverick Cole shows up, all of Ashton’s plans are thrown into chaos. Now he has to work with his new duet partner to perfect their song for the biggest choir competition in the country. The moment things start to look up, Ashton suddenly finds himself at the lowest point in his life. His new friend steps in to save him, proving their friendly rivalry might be more than friendship, on and off the stage. If only he could tell Maverick how he really feels. With his heart and his future on the line, will Maverick and Ashton be able to work together to make this work or will the pressure of winning tear them apart? The stakes are high, so Ashton will have to be ready to not only stand out, but come out. Especially if he wants to win both the competition and his Maverick’s heart. Besides, who needs therapy when you have harmony? *The Boy I Love The Most is a young adult gay romance*

    This bundle contains all three books in the series, along with new special bonus content.In His SightsMy intuition tells me Chris might not be as straight as he wants everyone to believe. It ain’t my job to get Chris out of the closet. But when he comes to me with one highly unusual request, it’s damn hard to remain professional. How can I turn down an offer to teach a “straight” guy a few gay tricks?Not His ManI don’t usually go for stuck-up nerdy guys, but Ford is full of surprises. He seems reserved at first, but that all changes once I have him on his knees. I don’t mind taking him home for another night or three, but anything more than that? No way. The problem is, the more I’m forced to see him, the more I realize he makes me feel alive in a way that nothing else does.Under His WatchI didn’t expect to run into Ryan at the gala.I didn’t expect he would try to hire me.And I definitely didn’t think I would say yes. But there’s no way I would let him go to one of the most dangerous places in South America without my protection. But now Ryan isn’t the only one who needs my help. We’ve found a little baby boy left alone in the jungle, and if we’re to get him out alive, Ryan and I are going to need to work together.

    Powerfully written, keenly felt, "The Trouble Boy" heralds an exciting new voice in fiction. "This is about fame and celebrity and the lengths to which people will go to have a taste of it. . ."At twenty-two, Toby Griffin wants it all--fame, fortune, an Oscar-winning screenplay and a good-looking boyfriend by his side. For now, what he's got is a freelance writing job at a tanking online magazine, a walk-up sublet in the East Village and "the boys," a young posse of preppy Upper East Siders with a taste for high fashion, top-shelf liquor and other men.But for Toby, downing vodka cranberries and falling in and out of lust with a series of guys he knows as Subway Boy, Loft Boy and Goth Boy is getting old. That all changes when Toby gets the chance of a lifetime--working as a personal assistant to hip, ruthless film mogul, Cameron Cole. In this decadent, drug-fueled world of VIP lounges, endless networking and relentless hype, Toby discovers that nothing is what is seems and that anything and anyone can be spun into PR gold. Though he's making friends with all the right people. Toby realizes that succeeding in Manhattan isn't as easy as he thought--until the one tragic night that changes his future forever and puts him in a position of power he never could have imagined.But with Toby's name suddenly becoming Page Six material, his life is coming unglued. And as his professional contacts betray him and his friends reveal troubling secrets, his choices become that much harder--and that much more important. Now, in his first year on his own, Toby Griffin is about to learn the price of getting everything he ever wanted."What really makes Toby's world so familiar--along with the author's lively, often-hilarious eye for even the most mundane social details--is the crisp prose and the snappy story."-- "The San Francisco Chronicle"

    Brite’s cheerfully chaotic series starring two chefs in New Orleans. The Value of X introduces G-man and Rickey, who grew up in New Orleans’ Lower Ninth Ward and who are slowly realizing there are only two important things in life: cooking and each other. Rickey’s parents aren’t quite so taken with the boy’s plans and get him an impossible-to-resist place at the Culinary Institute of America.In D*U*C*K, Rickey and G-man’s restaurant, Liquor, is doing well but there are the usual complications of running a kitchen: egos get bruised, people get fired . . . and then Rickey is jumped in an alley by one of their ex-waiters.On the mend, Rickey takes a side job to cater the annual Ducks Unlimited banquet, where every course must, of course, include the ducks the hunters have bagged. Rickey’s crew are ready to meet the challenge, but Rickey’s not sure he can do it all and deal with the guest of honor—his childhood hero, former New Orleans Saints quarterback Bobby Hebert."Fun foodie fiction, and readers will scarf it down as quickly as a plate of blackened crawfish."—Publishers WeeklyOriginally published in limited hardcover editions, these two novels are full of the pure joy of love, hard work, and great food and are a tremendous extension (or introduction) to Brite’s series.Praise fo the Rickey and G-man stories:“A high-end restaurant is...a gift that keeps on giving. The heat, the bickerings and intrigue, the pursuit of perfection, the dodgy money keeping it all afloate: the setting spawns plots...Can the [Liquor] franchise sustain itself? The answer is yes.”—New York Times“World-class satire and perfect New Orleans lit.”—Andrei Codrescu“Steeped in spicy dialogue and [New Orleans] flavor...a behind-the-swinging-door peek into the world of chefs.”—Entertainment WeeklyPoppy Z. Brite’s fiction set in the New Orleans restaurant world includes Prime, Liquor, and Soul Kitchen. She has also published five other novels and three short story collections. She lives with her husband Chris, a chef, in New Orleans.

    Over the course of a single evening, an extraordinary range of characters passes through the Rushes, creating an unforgettable mosaic of individuals and constructing an ephemeral community. The descent into the depths of a sexual world culminates with one of the most shattering experiences in recent fiction. Out of the lives he explores, Rechy distills a moving human experience that will leave few readers untouched" -- Page 4 of cover.

    Meanwhile, in 'Erlinda and Mr Coffin', Southern etiquette is unashamedly turned upside down in a tale of amateur theatricals reminiscent of Dickens and Victorian melodrama. Yet it is in 'Three Stratagems', 'The Zenner Trophy', 'Pages from an Abandoned Journal' and 'The Ladies in the Library' (with more than a hint of Thomas Mann's Death in Venice in the latter) that we see Vidal as we know him best: cynical and provocative in these subtle tales of what was known in those days as 'sexual inversion'.

    Based on her popular column, which ran in lesbian and gay periodicals across the country, this series of fictional comedy/adventures stars femme author Leslea Newman and her beloved butch, Flash.

    Reprint.

    One day he rides his bike home after school, finds his mother in the kitchen making dinner, and speaks aloud the secret he's been keeping for a year, "Jerry Houseman's been touching me." Robbie has been molested and the Young family will never be the same. From that moment on, the novel unfolds with inexorable power. The story is narrated in four parts: first by Robbie's mother, then by Jerry Houseman himself, then by Houseman's wife Linda, and concluded by Robbie himself fifteen years later, when he has returned to town for a high school reunion. Each voice is remarkably persuasive and utterly convincing, and the result is a novel that is impossible to put down as it is impossible to forget.