You’ll be laughing out loud.” — Sarah Andersen, creator of Sarah's Scribbles"One of the most exciting and funniest webcomics in the world," — Bored Panda From the creators of the hugely popular Instagram comic War and Peas, this offbeat four-panel comic features a dark, fairy-tale aesthetic and a twist ending each time. War and Peas: Comics To Die For combines twisted humor with a beloved cast of characters including the grim reaper (seen here as an unintentionally lethal man of leisure), a robot in hopelessly in love with his scientist creator, and a promiscuous yet self-assured witch. Unlike most webcomic collections, this one tells a story using dozens of never-before-seen comics to chronicle the lives of several different characters and their follies during life, death, and their glorious reunions in the the afterlife (and the after-afterlife).

    When do you know you're too old to trick-or-treat? What's the best way to effectively dispose of those teenage ode-filled journals? Where do cherished cereal box prizes go when you grow up? JNCO Jeans, mostly told through one-pagers, holds observations, reflections, and breakthroughs from one of the most prolific and inspirational cartoonists of his generation.

    This is the graphic novel that old-school wrestling fans have been waiting for: a no-holds-barred representation of the moments that wrestling insiders couldn't talk about for years!Behind the Curtain - Real Pro Wrestling Stories presents three chapters of tales, personally curated by Jim Cornette and adapted by Brandon Easton and Denis Medri, the team behind the critically acclaimed Andre the Giant: Closer to Heaven.Featuring stories about Ric Flair, Jerry Lawler, Andy Kaufman, Sputnik Monroe, The Sheik, Junkyard Dog, the Fabulous Freebirds, the Midnight Express, Bret Hart, Shawn Michaels, and more. Also includes Jim's colorful Glossary of Pro Wrestling Terms, as well as photos and newspaper clippings from his personal archives!

    Won't you be his neighbor?

    With the War for Independence playing out across the colonies, young Seth and Mercy Abbott find their new marriage tested at every turn as the demands of the frontlines and the home front collide. Not merely rehashing the tales of the most famous men of the time, Rebels details the epic story of the colonists, explorers and traders, wives and daughters, farmers and volunteer soldiers who, in a few short, turbulent years, created the brand-new nation of America. With the American Revolution in the national zeitgeist, creators Brian Wood ("The Massive, DMZ, Northlanders") and Andrea Mutti ("The Girl with the Dragon Tattoo, Avengers") deliver a gripping piece of historical fiction with Rebels. Praise for the series: Thrilling . A comic with heart. --"COMIC BEAT" Rebels is a great & beautiful book! Read issue 1 & can't wait for the next one! "Matt Kindt, MIND MGMT" A fresh take on a familiar historical era. -- "LOS ANGELES TIMES/ HERO COMPLEX" The New World comes to life in a way you ve never see in it before. A comic. --"MAN CAVE DAILY" Like nothing you read in your school textbooks. --"NEWSARAMA" Rebels is a rare treat in the world of comic books today . The book offers a great start to a more intimate story of our country s founding, and is something that speaks a lot of truths about the state of our nation then and now. --"THE NERDIST" In Rebels, Wood focuses on the politics behind the war and the roiling discontent of the British colonists that eventually boiled over into eight years of bloody conflict . [Wood and c-creator Mutti] have produced a historical drama that s straightforward and easy to follow, but that doesn t shy away from exploring stickier issues like class divides, the role of women in the colonies, and the complex distinction between friend and foe. -"-VULTURE" Poignant and so incredibly powerful. --"POPMATTERS" One of Wood's biggest strengths is creating rich, believable characters with clear voices and "Rebels" is no different . Andrea Mutti delivers fast-paced action and panels full of emoting, active characters with spot-on design work Though it's set against the backdrop of the American Revolution, Wood and Mutti's "Rebels" is about basic human rights and the freedom to grow into a person or a country on one's own time. --"COMIC BOOK RESOURCES" An epic historical fiction that embodies the spirit of the American revolution like no other comic, has before. Wood has a proven track record for telling pulse pounding emotional stories. --"BLOODY DISGUSTING" You'll definitely want to check out [Wood s] latest creator-owned series. Rebels focuses on the many sides of the Revolutionary War conflict. [and] given Wood's track record with historical and politically-charged comics, we're expecting another winner. --"IGN" The art really steals the show in Rebels. Andrea Mutti s attention to detail and character design perfectly captured the 1770 s and the colonies. He was able to display his diverse talent by drawing serene forests of New Hampshire to the intense scenes of violence in the courthouse. Jordie Bellaire s colors are, naturally, beautiful and push the art to a different level. -"COMICOSITY" Fascinating. -"COMICVINE" Rebels #1 is a historical comic telling a story much different than what most publishers are producing. It is an exciting look back at a different time and an overlooked chapter in the American Revolution. History buffs will enjoy the story with its references to the overall big picture of the revolution. But the humanity of Seth Abbott and his family and friends give the story significance in how it affects everyday life. --"EXAMINER" The detailed and historically accurate artwork of Andrea Mutti (with the reliably rich coloring work from Jordie Bellaire) that really brings this to life. --"MENTAL FLOSS" Captivating. --"UNLEASH THE FANBOY" Excellent. -"FLICKERING MYTH" Andrea Mutti does a fantastic job of showcasing how bristly, dirty and violent fighting for freedom can be. -"BLOODY DISGUSTING " Very highly recommended. -"Si Spurrier" Brian Wood may be the best history teacher you never had. --"PASTE MAGAZINE" Absolutely entertaining, and thought-provoking. In today s world where we're still debating liberty and tyranny, Rebels is yet another timely relevant comic, much like . Demo, Channel Zero, Mara, The New York Four, DMZ, and more. --"GRAPHIC POLICY " "A welcome breath of fresh air. Rebels #1 is that rare comic book that makes historical fiction come alive. --"FREAK SUGAR" Engrossing, enlightening and entertaining. --TECH TIMES I m looking forward to it. --FANBOY COMICS A masterful recreation of America in the 18th century. Mutti has beautifully constructed historical Vermont with verdant forests, large farms, and serene towns that capture the ruralness of American culture at the time. His careful attention to clothing and weaponry shows an understanding of the era while Jordie Bellaire s (Everything) coloring brings the rustic feel of the century to life. . Even without Wood s dialogue the art is able to take readers back in time and give them a sense of the political tensions of the period. --GEEK CHIC LITE An action packed and dynamic first issue that sucks you in and doesn t let go. If this issue is any indicator then Rebels is going to be a very special and memorable series. --GEEKED OUT NATION"

    Presented as a series of comic novellas that together comprise a thoughtful, sometimes dark and often hilarious memoir about childhood, family, death, mental illness, sex and drug use, the entire book is told through cleverly inviting conceits like cat histories and card games. The graphic novel is told in five parts: In "Thirteen Cats" (featured in The Best American Comics), Reklaw discovers coping mechanisms that mimic his family pets; "Toys I Love" relates the author's pre-pubescent brushes with deviant sexual activity, and the way innocence converges with real sexual trauma; "The Fred Robinson Story" tells the story of Reklaw's period stalking perfect strangers; "The Stacked Deck," in which hereditary influences towards criminal behavior, drug use and depression are explored via card games the author played with his family; and "Lessoned," a family history of mental illness.

    There are more than 130 illustrators represented and 190 literary works over three volumes—many newly commissioned, some hard to find—reinterpreted here for readers and collectors of all ages.Volume 1 takes us on a visual tour from the earliest literature through the end of the 1700s. Along the way, we're treated to eye-popping renditions of the human race's greatest epics: Gilgamesh, The Iliad, The Odyssey (in watercolors by Gareth Hinds), The Aeneid, Beowulf, and The Arabian Nights, plus later epics The Divine Comedy and The Canterbury Tales (both by legendary illustrator and graphic designer Seymour Chwast), Paradise Lost, and Le Morte D'Arthur. Two of ancient Greece's greatest plays are adapted—the tragedy Medea by Euripides and Tania Schrag’s uninhibited rendering of the very bawdy comedy Lysistrata by Aristophanes (the text of which is still censored in many textbooks). Also included is Robert Crumb’s rarely-seen adaptation of James Boswell’s London Journal, filled with philosophical debate and lowbrow debauchery.Religious literature is well-covered and well-illustrated, with the Books of Daniel and Esther from the Old Testament, Rick Geary’s awe-inspiring new rendition of the Book of Revelation from the New Testament, the Tao te Ching, Rumi’s Sufi poetry, Hinduism’s Mahabharata, and the Mayan holy book Popol Vuh, illustrated by Roberta Gregory. The Eastern canon gets its due, with The Tale of Genji (the world’s first novel, done in full-page illustrations reminiscent of Aubrey Beardsley), three poems from China’s golden age of literature lovingly drawn by pioneering underground comics artist Sharon Rudahl, the Tibetan Book of the Dead, a Japanese Noh play, and other works from Asia.Two of Shakespeare’s greatest plays (King Lear and A Midsummer Night’s Dream) and two of his sonnets are here, as are Plato’s Symposium, Gulliver’s Travels, Candide, A Vindication of the Rights of Woman, Renaissance poetry of love and desire, and Don Quixote visualized by the legendary Will Eisner.Some unexpected twists in this volume include a Native American folktale, an Incan play, Sappho’s poetic fragments, bawdy essays by Benjamin Franklin, the love letters of Abelard and Heloise, and the decadent French classic Dangerous Liaisons, as illustrated by MollyCrabapple.   Edited by Russ Kick, The Graphic Canon is an extraordinary collection that will continue with Volume 2: "Kubla Khan" to the Bronte Sisters to The Picture of Dorian Gray in Summer 2012, and Volume 3: From Heart of Darkness to Hemingway to Infinite Jest in Fall 2012. A boxed set of all three volumes will also be published in Fall 2012.

    Vastly different sequentially (eschewing Trenches' splintered narrative, Goddamn is split into six chronological chapters, one for each year of the war), graphically (Tardi deploys his more recent pen-ink-and-watercolor technique, with the bold colors of the early chapters fading into a grimy near-monochrome in the later ones as the war drags on), and narratively (all of Goddamn is told, with insight, dark wit and despair, as a first-person reminiscence/narration by an unnamed soldier), Goddamn This War! shares with Trenches its sustained sense of outrage, pitch-black gallows humor, and impeccably scrupulous historical exactitude. In fact, Goddamn This War! includes an extensive year-by-year historical text section written by Tardi's frequent World War I research helpmate, the historian and collector Jean-Pierre Verney, including dozens of stunning rare photographs and visual documents from his personal collection.

    Passmore masterfully tackles comics about race, gentrification, the prison system, online dating, gross punks, bad street art, kung fu movie references, beating up God, and lots of other grown-up stuff with refreshing doses of humor and lived relatability. The comics in this 112-page collection include works previously published by The Nib, VICE, and the As You Were anthology, along with brand new and unreleased material. These comics are essential, humorous, and accessible, told through Passmore's surreal lens in the vibrant full-color hues of New Orleans.

    Women. Money. Fame. As one of the premiere chefs in the galaxy, Johnny's culinary skills could have made him a star. So with everything he ever dreamed of his for the taking, why would Johnny leave it all behind to become a space trucker? Not even Citrus Watts, the girl he left behind, knows for sure. With the sizzle of life in the kitchen behind him, things were going okay for Johnny. Now after years out of the catering scene, Johnny and his pal Deacon are about to find themselves in water hotter than anything they've ever seen before! Johnny will once again have to pick up the whisk and skillet, but will his eroded skills be enough to get them out of the craziest cook-off in the Universe? And what good is a spatula against space ninjas?

    Kochalka and Thompson draw together, trading the pages back and forth, adding to each others drawings as the conversation turns in unexpected directions. A wild energy forms as their two drawing styles merge together. It's like a comics version of My Dinner with Andre, but with a giant killer octopus.

    In the tradition of graphic memoirs such as Marjane Satrapi’s Persepolis, comes the story of a young Iranian woman’s struggles with growing up under Shiite Law, her journey into adulthood, and the daughter whom she had to leave behind when she left Iran.

    Toland’s story is both deeply personal and epic in scope, as his search for identity plays out against the brutal fight over segregation, an unplanned pregnancy and small-town bigotry, aided by an unforgettable supporting cast.

    The flooded metropolis of London has adapted to the rising sea levels: the elite gaze out over the Thames from their ivory towers, while the inhabitants of submerged pubs peer into the streets like specimens in an aquarium. Hired by a notorious underworld figure, Leo Noiret uncovers a terrifying conspiracy that stretches from the depths of Drowntown to the highest echelons of power. Meanwhile, aqua-courier Gina Cassel learns that young love can be a dangerous game when she becomes romantically involved with the heir to the Drakenberg Corporation. There’s a storm brewing in Drowntown, with Gina and Noiret at its heart…

    Find out how coming together and learning about recovery helped them on their journey. Using a combination of illustration, storytelling and research data The courage to be me has been written to send a message of hope to the millions of people who are living with the impact of rape or sexual abuse.