O V Vijayan remembers the days he wrote his masterpiece Khasakkinte Ithihasam.

    With the notes in his soul, he feels the rhythm in his rhymes and the beat of the instruments even when he closes his eyes. When he meets Saatvika Lakhiani, her voice and her form inspire that music and shine through every interaction they have. There is something about her that pulls him and calls to him… an underlying feeling that maybe she is the one who will complete him and be the partner he need. However, sorority princess Abhilasha walks and talks as if Arjun is already hers, a fact that seems surer by the day. While Saatvika is not exactly looking for a relationship, there is something about Arjun that makes her catch her breath – and ensures that a confrontation with Abhilasha is inevitable.

    Source: Wikipedia. Pages: 22. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Gods, Demons and Others is a collection of short stories by R. K. Narayan adapted from Indian history and mythology, including epics like The Ramayana and The Mahabharatha. In this book, Narayan provides both vitality and an original viewpoint to ancient legends. Gods, Demons and Others is a collection of ancient tales from India's complex history and mythology presented in their traditional setting, albeit with Narayan's urbane and affectionate, satirical style, bereft of any didactic interludes. The selection of stories includes only those that center on outstanding personalities who transcend the boundaries of time and age. The book consists of 15 stories. LavanaThe story of Lavana, an asura from the Ramayana. ChudalaThe story of a king trying to attain self realisation. YayatiThe story of Yayati, an asura king. DeviThe story of the Goddess Devi, responsible for all, in Hindu mythology. ViswamitraStory of Viswamitra, one of the most revered rishis of ancient India, who attains enormous power but stays unsatisfied until he realizes that the power should not be used for self-gratification. ManmataStory of Manmata, the cupid of Indian mythology. RavanaStory of the asura king Ravana, Rama's nemesis in the Ramayana. ValmikiStory of Adi Kavi Valmiki, the author of the Ramayana who is said to have discovered the first loka that set the base for Sanskrit poetry. DraupadiStory of Draupadi, the wife of the Pandavas in the Mahabharatha. NalaThe story of how Nala a pure and righteous king is corrupted by a demon and thereby s...More: http: //booksllc.net/?id=2352047

    Narayan has few rivals when it comes to bringing alive people and places. Most of his timeless novels are set in the fictional town of Malgudi, located somewhere in South India, a town as real to his readers as any they will find on the map. This volume contains three quintessential Malgudi novels — Swami and Friends, The Bachelor of Arts and The Vendor of Sweets. Swami and Friends, published in 1935, was the first novel Narayan wrote. Described by Graham Greene as a novel in ten thousand, it recounts the adventures of ten-year-old Swaminathan and his friends Rajam and Mani. The Bachelor of Arts, the second novel in the collection, is a brilliantly realized account of the workings of a young man’s mind. It is the story of Chandran, in his final year at college, who falls hopelessly in love and is forced to exile himself from the familiar surroundings of Malgudi until he is able to arrive at a satisfactory resolution to his problems. The Vendor of Sweets showcases a classic cross-generational battle, between Jagan, a widower of firm Ghandian principles, and his ‘modern’ son Mali, who returns to Malgudi with a half-American wife and a grand plan for selling story-writing machines.The third in the series of Penguin India’s collectors’ editions of the Malgudi novels, The Magic of Malgudi, with an introduction by S. Krishnan, will delight first-time readers as well as devoted Narayan fans.

    But MT Vasudevan Nair (popularly known as “MT”) turned him into a three-dimensional figure, more sensitive and thoughtful than he is usually given credit for. “He took familiar building blocks and created an entirely new, incredibly compelling construct from them,” says Prem Panicker, senior journalist, Rediff.com co-founder and a long-time admirer of MT’s work.

    This is his second time in Mayong, in rural Assam, since 1998, when he had come for a few days to attend his father's best friend's funeral. As the wedding preparations gather pace, Pablo is amused as well as disturbed by squabbling aunts, dying grandmothers, cousins planning to elope for love and hysterical gossips. And on this heady theatre of tradition and modernity hovers the sinister shadow of insurgency and the army's brutal measures to quell militancy. In the days leading up to the wedding, which ends in an unspeakable tragedy, Pablo finds first love, discovers family intrigues and goes through an extraordinary rite of passage. Written with clinical precision, this gripping first novel announces the arrival of one of the most original voices from India's North-East.

    Could the answer to his problems lie in the chestnut orchard at the bottom of the garden?Only Ellie can help Daniel unlock the delicious secret that will bring them the fresh starts they need. And as autumn approaches, romance will blossom amid the glowing embers of the chestnut fire...*Contains an exclusive extract from Jo's brand-new novel, THE OLIVE BRANCH, out February 2015*

    Kesavadev, one of the prolific writers of 20th century Kerala. In the “introduction” to this book, the author contemplates on the social progress to which Kerala was slowly waking up in the beginning of twentieth century. His analyses of these developments often give birth to his literary works, as what happened in this book too, the author says. Dev, as the writer has been popularly known in Kerala, recalls that there were three main aspects for the social progress witnessed by Kerala in the first half of twentieth century (the introduction written in 1963 takes into account half a century preceding it to make this inference). The destruction of matrilineal system (marumakkathayam), which had a tint of feudal character in it, the social mobility of Ezahvas, who had witnessed backwardness in a caste-ridden society, and the progress of Christian community in the economic and education front were the three aspects.

    It takes a horrific incident like 26/11 to make each of them realize the shortcomings of the parties they swear by and to look at the larger picture.

    Raped at age ten, raped again as a young collegiate, she is abandoned twice: first by her father and later by Christy who loved her, but takes her through a wedding ceremony only to leave her later the same day. When Christy returns sixteen years later, shattered and unstable, the burnt and withered roots of love bloom again. Trauma, betrayal, and loneliness are the colours that paint this picture of physical and emotional violence that Radhika endures.

    It is here that Laxman's sense of parodyand satire find some of their finest expressions. A selection of these rare and masterly cartoons which comment caustically on our social and political character were togethter in the first volume of "laugh with Laxman", and proved to be immensly popular. This is the second volume in the series replete with timeless gems that continue to amuse.

    * New Edition. * Includes a new translation of 'Fotikchand'.

    What seems like a good deed however has a cruel payback andin a single moment, Kamran loses everything dear to him. This is whenMirza, in gratitude, takes Kamran under his wing and the young man getsdrawn into the mafia boss’s dangerous world of cops and rival gangsters,eventually taking over from him.Kamran also inherits Mirza’s philosophy that all of life’s problems can besolved through Ghalib¹s poetry.Soon, the innocent taxi driver has cops, criminals and even cabinetministers at his beck and call.And he has a new name—Ghalib Danger.

    Disheartened by his stressful existence in the city, he decided to give it all up and take up organic farming in a small village near Mumbai. But it wasn't easy. With no experience in agriculture, his journey was fraught with uncertainty. He soon went from negotiating tough clients, strict deadlines and traffic to looking forward to his first bumper crop of moong. As he battled erratic weather conditions and stubborn farm animals, he discovered a world with fresh air and organic food, one where he could lead a more wholesome existence. At times hilarious, and other times profound, this book follows his extraordinary story.

    They headed for the city's iconic landmarks and the mayhem they unleashed lasted nearly 60 hours. The audacious terror attacks jolted Mumbai like never before. Even as they mourned, the residents of Maximum City demanded answers. But the information they got in return???accounts of the investigation, government rhetoric, newspaper reports, television features, books and even a film???was sketchy at best. Meanwhile, the courts continued with their prosecution of Mohammed Ajmal Amir Kasab, the lone surviving 26/11 gunman. The broad picture available to the public is of the Pakistan-based terrorist organization Lashkar-e-Taiba and its ringleaders such as Hafiz Muhammad Saeed and Zaki-ur-Rehman Lakhvi training, arming and dispatching ten young men in a boat to attack India???s commercial capital. All we have been told about Kasab is that he was just another recruit brainwashed into carrying out the plot against Mumbai. Kasab: The Face of 26/11 breaks new ground by painstakingly piecing together Kasab???s terror trail. The narrative follows Kasab through the bylanes of Pakistani villages and cities as he made his way towards PoK; the dense forests where the terrorist-training camps are situated; the trains, buses and jeeps he boarded; the Indian vessel he and the others hijacked en route to Mumbai???s shores; Kasab???s capture and incarceration. Rommel Rodrigues??? path-breaking investigative journalism fleshes out for the first time the well thought-out planning and organization that lay behind the attacks of 26/11.