Chapters on each element of poetry offer a wide-ranging general account and end by looking at different poems, to build up sustained analytical readings.The second edition--fully revised, expanded, updated, and supported by a new companion website--confirm The Poetry Handbook as the best guide to poetry available in English.

    Long celebrated as a pathbreaking achievement in the social history of the ancient world, M.I. Finley's brilliant study remains, as classicist Bernard Knox notes in his introduction to this new edition, "as indispensable to the professional as it is accessible to the general reader"--a fundamental companion for students of Homer and Homeric Greece.

    Derek Attridge argues that such resistance represents not a dead end, but a crucial starting point from which to explore anew the power and practices of Western art.In this lively, original volume, the author:considers the implications of regarding the literary work as an innovative cultural event, both in its time and for later generations; provides a rich new vocabulary for discussions of literature, rethinking such terms as invention, singularity, otherness, alterity, performance and form; returns literature to the realm of ethics, and argues the ethical importance of the literary institution to a culture; demonstrates how a new understanding of the literary might be put to work in a 'responsible, ' creative mode of reading.The Singularity of Literature is not only a major contribution to the theory of literature, but also a celebration of the extraordinary pleasure of the literary, for reader, writer, student or critic.

    Writing with an incomparable knowledge of his subject but without a hint of pedantry, Van Doren elucidates both the astonishing boldness and myriad subtleties of Shakespeare's protean art. His Shakespeare is a book to be treasured by both new and longtime students of the Bard.

    Marshall Boswell examines the four major works of fiction David Foster Wallace has produced thus far: the novels The Broom of the System and Infinite Jest and the story collections Girl with Curious Hair and Brief Interviews with Hideous Men.

    Includes: background on Stoker's classic, and the literary history of the vampire novel; commentary by leading contemporary writers; a selected filmography of major vampire films; and dozens of illustrations.

    Colorful sidebars and numerous photographs highlight key information and provide extra training tips that every owner will appreciate.

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    Over the weeks leading up to this upheaval, she talks often with her psychiatrist Dr Grene, and their relationship intensifies and complicates.Told through their respective journals, the story that emerges is at once shocking and deeply beautiful. Refracted through the haze of memory and retelling, Roseanne's story becomes an alternative, secret history of Ireland's changing character and the story of a life blighted by terrible mistreatment and ignorance, and yet marked still by love and passion and hope.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    George Kennedy of Yale, who called it “a small mass of confusion". The old theory as to the nature of the Chinese written character (which Pound & Fenollosa followed) is that the written character is ideogrammic—a stylized picture of the thing or concept it represents. The opposing theory (which prevails today among scholars) is that the character may have had pictorial origins in prehistoric times but that these origins have been obscured in all but a few very simple cases, & that in any case native writers don’t have the original pictorial meaning in mind as they write. Whether Pound proceeded on false premises remains an academic question. Let the pedants rave. An important extension of imagist technique in poetry was gained by Pound’s perception of the essentially poetic nature of the Chinese character as it's still written.

    This lens is the secret of narration, and it is ground anew in every story, ground between the temporal and the timeless . . . . In our brief mortal lives, we are grinders of these lenses."This brooding, provocative, and almost unbearably lovely book displays one of the great writers of our time at his freest and most direct, addressing the themes that run beneath the surface of all his work, from Ways of Seeing to his Into Their Labours trilogy.In an extraordinary distillation of his gifts as a novelist, poet, art critic, and social historian, John Berger reveals the ties between love and absence, the ways poetry endows language with the assurance of prayer, and the tensions between the forward movement of sexuality and the steady backward tug of time. He re-creates the mysterious forces at work in a Rembrandt painting, transcribes the sensorial experience of viewing lilacs at dusk, and explores the meaning of home to early man and to the hundreds of thousands of displaced people in our cities today.A work of unclassifiable innovation and consummate beauty, And Our Faces, My Heart, Brief as Photos reminds us of Nabokov and Auden, Brecht and Lawrence, in its seamless fusion of the political and the personal.

    He lives a life in hiding, conducting guerrilla warfare, outsmarting the authorities, a figure of mystery and intrigue. Very few know even what he looks like. He occasionally finds rest and comfort with the family of Kitty Kiernan, his best friend’s sweetheart. Then Michael finds himself falling in love with the complex and enigmatic Kitty.Lady Hazel Lavery, wife of famous artist Sir John Lavery, is considered the most beautiful and charming society hostess in London. An American of Irish descent, haunted by a tragic past, she sets out to use her friendships with men like Winston Churchill to bring peace to Ireland.When Michael, recently engaged to Kitty, arrives in London as part of the Irish peace delegation, he finds himself the centre of intense public fascination. Hazel Lavery takes Michael under her wing and navigates him through London high society. They form a close bond and soon are engulfed in rumours of an affair and accusations that Michael has been seduced by the glamour of London and by Hazel. Kitty all but despairs at the situation but is determined to fight for him.After the infamous Anglo-Irish Treaty, Ireland veers towards civil war. As Michael, Hazel and Kitty arrive in Dublin that fateful week in August 1922,the war is at its zenith – and this love triangle is about to implode with devastating results.An epic story of war, love, suspense, betrayal and murder – the Michael Collins story

    . . Reacher is like a fully detached version of Travis McGee' LEE CHILD Travis McGee isn't your typical knight in shining armour. He only works when his cash runs out, and his rule is simple: He'll help you find whatever was taken from you, as long as he can keep half. Discover Travis McGee with this special collection. Features books four, five and six of John D. MacDonald's classic series. The Quick Red Fox Hollywood's leading lady Lysa Dean isn't in the business of making mistakes. But a night involving a debauched party and some naked photos turns out to be one mistake too many. Travis McGee soon finds himself led on a wild chase across the country, trying to track down everyone associated with the fateful evening. But just when Travis thinks he knows exactly where things are headed, one big twist shakes his very core . . . A Deadly Shade of Gold When Travis McGee picks up the phone and hears a voice from his past, he can't help it, he has to meddle. Especially when he has the chance to reunite Sam, his reckless, restless old friend, with the woman who's been waiting for him. But the case takes a sinister turn when Sam shows up brutally cut and lying in a pool of his own blood. Travis is left to uncover the truth in a violent chase that takes him to dark but beautiful Mexico. But when the truth is as terrifying as this, does he really want answers at all? Bright Orange for the Shroud When an old friend, conned out of his life savings by his ex-wife, unexpectedly turns up at Travis McGee's door, he finds himself pursuing a violently twisted hustler to get it back. What starts out as a simple job soon turns into a dangerous mission when he comes face-to-face with a quick-thinking and quicker-fisted enemy. To beat him, Travis is going to have to play him at his own game . . . Features an introduction by Lee Child JOHN D. MACDONALD: A GRAND MASTER CRIME WRITER 'The great entertainer of our age, and a mesmerizing storyteller' - Stephen King '. . . my favorite novelist of all time' - Dean Koontz 'What a joy that these timeless and treasured novels are available again' - Ed McBain 'There's only one thing as good as reading a John D. MacDonald novel: reading it again . . . He is the all-time master of the American mystery novel' - John Saul

    Illuminations includes Benjamin's views on Kafka, with whom he felt the closest personal affinity, his studies on Baudelaire and Proust (both of whom he translated), his essays on Leskov and on Brecht's Epic Theater. Also included are his penetrating study on "The Work of Art in the Age of Mechanical Reproduction," an illuminating discussion of translation as a literary mode, and his thesis on the philosophy of history. Hannah Arendt selected the essays for this volume and prefaces them with a substantial, admirably informed introduction that presents Benjamin's personality and intellectual development, as well as his work and his life in dark times. Reflections the companion volume to this book, is also available as a Schocken paperback.Unpacking My Library, 1931The Task of the Translator, 1913The Storyteller, 1936Franz Kafka, 1934Some Reflections on Kafka, 1938What Is Epic Theater?, 1939On Some Motifs in Baudelaire, 1939The Image of Proust, 1929The Work of Art in the Age of Mechanical Reproduction, 1936Theses on the Philosophy of History, written 1940, pub. 1950