When he catches a flock of sparrows, the king sparrow promises to reward him richly if he sets the birds free. Bhola agrees and is rewarded with a cow whose dung is pure gold!A wandering sanyasi comes to a village. The richest man refuses him alms but his brother who is poor gives him food and shelter. The sanyasi gives the poor man a magic flute. But his jealous brother cannot bear to see his good fortune.In these witty folk tales from Madhya Pradesh and Karnataka, kindness and wisdom are always rewarded.

    But when he tricks the King himself, Sahasramalla realises that there is no longer anyone left to rob and wonders what to do next. Near by, a monk named Vasudda is speaking. Vasudda's words make Sahasramalla realise how many people he has cheated and betrayed. Taken from the Vardhamana-desana, a Jain classic, the story of Sahasramalla is told with compassion. Even a thief is given the option to repent and make up for his crimes.

    Levine to Sheldon. Letters exchanged on most significant holidays are ploys for generating laughter.

    The wise, like Nigrodha Kumar, cherish their companions. Pottik's selfless loyalty is rewarded by unexpected riches. On the other hand, for the selfish ingrate Shakha there awaits only a shameful loneliness. Rich or poor, ugly or handsome, powerful or helpless, a friend is one whom you can trust and for this luxury, you should repay your friend with respect and honor.

    Dilip Kumar (born as Yousuf Khan), who began as a diffident novice in Hindi cinema in the early 1940s, went on to attain the pinnacle of stardom within a short time. He came up with spellbinding performances in one hit film after another – in his almost six-decade-long career – on the basis of his innovative capability, determination, hard work and never-say-die attitude. In this unique volume, Dilip Kumar traces his journey right from his birth to the present. In the process, he candidly recounts his interactions and relationships with a wide variety of people not only from his family and the film fraternity but also from other walks of life, including politicians. While seeking to set the record straight, as he feels that a lot of what has been written about him so far is ‘full of distortions and misinformation’, he narrates, in graphic detail, how he got married to Saira Banu, which reads like a fairy tale! Dilip Kumar relates, matter-of-factly, the event that changed his life: his meeting with Devika Rani, the boss of Bombay Talkies, when she offered him an acting job. His first film was Jwar Bhata (1944). He details how he had to learn everything from scratch and how he had to develop his own distinct histrionics and style, which would set him apart from his contemporaries. After that, he soon soared to great heights with movies such as Jugnu, Shaheed, Mela, Andaz, Deedar, Daag and Devdas. In these movies he played the tragedian with such intensity that his psyche was adversely affected. He consulted a British psychiatrist, who advised him to switch over to comedy. The result was spectacular performances in laugh riots such as Azaad and Kohinoor, apart from a scintillating portrayal as a gritty tonga driver in Naya Daur. After a five-year break he started his ‘second innings’ with Kranti (1981), after which he appeared in a series of hits such as Vidhaata, Shakti, Mashaal, Karma, Saudagar and Qila.

    Along with its vintage charm, timeless sentiments, and non-denominational perspective, this heartwarming book is filled with historical discoveries that will delight everyone who loves this holiday ritual. Dear Santa is a celebration of one of Christmas's most enduring traditions, and a tribute to the millions of households that keep it alive.

    The Nawab's Diwan

    Later, the memory of the hills and forests which are his home call him back. Kacha goes back to his people and is made the Kaka or village chief. However, the Hegade or feudal lord authorised to collect tribute on behalf of the king, exploits the villagers by demanding in excess and keeping more than half for himself. Kacha is determined to fight this tyranny. The Elusive Kaka is adapted from the Kannada play, Kakana Kote, written by Masti Venkatesha Iyengar. It speaks of the bond that the Kurubas have with the forest and how they must fight to preserve it, if they must preserve themselves.

    But the gentle and generous nature of the daughter brings good fortune. Six queens plot against the seventh, jealous that she is bearing the King's heir, and accuse her of witchcraft. A thoughtless queen decrees that anyone who cries in her kingdom will be thrown out, not foreseeing that one day she too might feel sorrow. India has a rich heritage of folktales, most of which are never written down, present only in a rapidly vanishing oral culture. Each region and language has its own particular set of stories – though many tales recur across different traditions. The stories here are taken from Bengal.

    Titillating text messages. It's-not-you-it's-me relationship-enders. In Other People’s Love Letters, Bill Shapiro has searched America’s attics, closets, and cigar boxes and found actual letters–unflinchingly honest missives full of lust, provocation, guilt, and vulnerability–written only for a lover’s eyes. Modern love, of course, is not all bliss, and in these pages you’ll find the full range of a relationship, with its whispered promises as well as its heartache. But what at first appears to be a deliciously voyeuristic peek into other people’s most passionate moments, will ultimately reawaken your own desires and tenderness…because when you read these letters, you’ll find the heart you’re looking into is actually your own.• "i think UR great. wanna have wine & Tequila again sometime?"• "I can't believe you're real, and I think about you constantly in some way or the other all day. I haven't given the finger to anyone driving since I met you."• "With you I learned how to fight cleaner, how to talk things out better, and how to make a strong loving family out of nothing. These are priceless gifts that I will carry with me the rest of my life. One more thing you did for me: you left, and I had to get through it."• "P.S. I look forward to your letters too much to call. Also, where do you stand on chains?"

    Some of it, naturally, is in the genes; but much of it is in the environment, in the circumstances in which we grow up, in the people who come into our lives, even in the air we breathe.Had I grown up in London or Timbuktu, I would have been a different sort of person, I'm sure. My parents (and those before them) made me. But India made me too. The soil, the air, the wind, the rain, the trees, the grass, the proximity of people-all these things made me . . .Different things at different times helped to make the individual that is me, just as different things at different times helped to make you, just as they went into making your brothers and sisters, who are very different from you.'Do I contradict myself? Very well, then, I contradict myself,' said Walt Whitman.Each chapter of this memoir is a remembrance of times past, an attempt to resurrect a person or a period or an episode, a reflection on the unpredictability of life. Some paths lead nowhere; others lead to a spring of pure water. Take any path and hope for the best. At least it will lead you out of the shadows.

    In letters to Anjali, Meredith puzzles through how to cope with the ongoing challenges of school and regular life—without Anjali by her side. Complicating matters is the new friendship Meredith develops with Noah, the object of a crush she and Anjali once shared. Meredith’s connection with Noah leads first to guilt as the two grow closer…and ultimately to revelations that could shatter every memory Meredith holds dear regarding her lost friend.

    Chandragupta Vikramaditya has a special place in history because he proved that the love of power is not all that is needed to create an empire. Also needed are the love of a wise w

    Instead, she found a city full of people who knew where they were going and what they were doing and didn't have time for a girl still trying to figure it all out. Lonely and depressed, she noticed a woman who looked like she felt the same way on the subway. Hannah did something strange--she wrote the woman a letter. She folded it, scribbled If you find this letter, it's for you on the front and left it behind. When she realized that it made her feel better, she started writing and leaving love notes all over the city--in doctor's offices, in coat pockets, in library books, in bathroom stalls. Feeling crushed within a culture that only felt like connecting on a screen, she poured her heart out to complete strangers. She found solace in the idea that her words might brighten someone's day.Hannah's project took on a life of its own when she made an offer on her blog: She would handwrite a note and mail it to anyone who wanted one. Overnight, her inbox exploded with requests from people all over the world. Nearly 400 handwritten letters later, she started the website, The World Needs More Love Letters, which quickly grew. There is something about receiving a handwritten note that is so powerful in today's digital era. If You Find This Letter chronicles Hannah's attempts to bring more love into the world,and shows how she rediscovered her faith through the movement she started.

    ‘Question 1. What would you say to your ex, without judgement?’Seeking closure after a tough break-up, Will Darbyshire was driven to strike up an intimate conversation with his online audience. Posting a series of questions via his YouTube, Twitter and Instagram channels, Will asked his followers to share their innermost thoughts about their relationship experiences, in the form of hand-written letters, poems, photographs, and emails.After 6 months and over 15,000 heartfelt submissions later, from over 100 countries, This Modern Love collects these letters together to form a compendium of 21st century love, structured into the beginning, middle and end of a relationship.Tender, funny and cathartic, This Modern Love is a compelling portrait of individual desires, resentments and fears that reminds us that, whether we're in or out of love, we're not alone.