Closeted teenager Jeremy is sent to live with wealthy relatives after his mother enters rehab. Struggling to fit into the posh world of Ballena Beach, Jeremy joins the high school swim team, dates a popular girl, and begins to think he may have landed in paradise - until his great aunt Katharine starts to dictate his every move and a late-night phone call insinuates that his father's accidental death was not so accidental after all.As Jeremy grows accustomed to the veneer of a fabulous life, so grows his need for answers - as well as the danger of immeasurable harm. Weaving together a murder mystery, sexual ambiguity, and characters with hidden identities and agendas, Nick Nolan offers listeners a deliciously witty novel about the "puppet" who wishes only to be a real boy. Strings Attached is also a surprisingly heartfelt story about coming-of-age and coming out - not necessarily in that order.

    Instead, he’s surfing the real estate listings, searching for a sanctuary—a nice farmhouse in Kansas, perhaps. Although James lives in twenty-first-century Manhattan, he’s more at home in the faraway worlds of Eric Rohmer or Anthony Trollope—or his favorite writer, the obscure and tragic Denton Welch. James’s sense of dislocation is exacerbated by his willfully self-absorbed parents, a disdainful sister, his Teutonically cryptic shrink, and an increasingly vague, D-list celebrity grandmother. Compounding matters is James’s growing infatuation with a handsome male colleague at the art gallery his mother owns, where James supposedly works at his summer job but where he actually plots his escape to the prairie.

    One of those people being Jess, her best friend who she'd completely lost contact with. Though she never stopped thinking of her, she could never bring herself to reach out after the shame of what she'd done to her. Gina didn't even want to come back to her hometown in fear of running into Jess, but she had to take care of her mother who is ill with cancer.But fate and a kitten brings them together again, meeting for the first time in years. The connection is clearly still there between them, but will Jess be able to forgive Gina in her time of need? As the change in seasons brings color to the autumn leaves, will it also bring a drastic change in both of their lives? In this heartwarming, steamy novella Edie Bryant takes the reader on an emotional rollercoaster toward happily ever after.

     When Thomas comes to visit his dad for the summer and get away from a bad breakup, he is shocked to find out his dad has remarried. However, this will be the least shocking discovery he’s about to make this summer. He later meets his mysterious and sexy stepbrother, Tyler, who he is instantly attracted to, but knows is off-limits. Tyler is also drawn to Thomas like a moth to a flame, but can’t figure out what exactly makes him so unique and different from all the other men he’s been with. One thing is clear—he must claim Thomas for himself. The attraction between the pair only intensifies the more they try to resist their true feelings. Although that doesn’t stop Thomas from teasing Tyler every chance he gets or Tyler from flirting up a storm. Thomas suffers from body image issues and lacks confidence, but Tyler thinks Thomas is the most beautiful creature he’s ever seen and would love nothing more than for Thomas to accept himself and see how beautiful he truly is. Will Tyler finally discover true love with Thomas after so many years of hedonistic behavior and be able to come out to Thomas…. As a VAMPIRE. AUTHOR'S NOTE: 
This is part one of a series, but can also be read as a standalone novel as it includes a HEA. This book also contains graphic gay (M/M) love scenes, explicit language, and some action/ violence. This book is intended for 18+ readers only.

    She’s managed to become his best friend and constant companion, and gleefully uses her influence over him to poison every one of his budding romances—on the principle that when he’s run through all the men in town, it’ll finally be her turn. But when Peter finds true love in the unlikely arms of Lloyd Hood—a taciturn, gun-toting survivalist—none of Natalie’s usual plots and stratagems can separate them. She’s forced to throw caution to the wind and discretion out the door, and begin a campaign to win back her man that is actively, even dangerously, criminal. Brazenly irreverent, hilariously caustic, and grippingly suspenseful, Fag Hag is a novel you won’t easily forget."Absorbing and powerful...Larger-than-life...A one-two punch of outrageous humor and sobering pathos...Succeeds admirably both as satire and as flat-out entertainment." - New York Native

    It is the work of one of the most influential attorneys in America, who has dedicated his life to the protection of individuals' rights and our Constitution's commitment to equal justice under the law. Above all, it is a clear, straightforward book that brings into sharp focus the very human significance of the right to marry in America—not just for some couples, but for all. Why is the word marriage so important? Will marriage for same-sex couples hurt the "sanctity" of the institution? How can people of different faiths reconcile their beliefs with the idea of marriage for same-sex couples? How will allowing gay couples to marry affect children? In this quietly powerful volume, the most authoritative and fairly articulated book on the subject, Wolfson demonstrates why the right to marry is important—indeed necessary—for all couples and for America's promise of equality.

    Lost in the midst of a heat wave, he continuously listens to a song that works itself in to the very core of his heartache. Floridian nights, unsent messages, spiraling infatuation, and terrible, terrible weather. A breath of frustration escapes George’s lips. “I don’t do that.”“You do. It’s okay,” Dream says. He feels pinpricks of warmth building in his chest. The words rise up faster than he can temper, laced with soft honey, “you’re so cute.”The call falls silent.They heard it. The affection in the tone of his voice, different than usual, no trace of humor. The way it came from the hearth below his heart, glowing with secrecy and shame—for George, and George only. They had to have heard it.--inspired by the song "heat waves" by glass animals

    Set in downtown New York City, Whores of Lost Atlantis features Julian Young, a performer and playwright who tells the story of his acting troupe's hilarious struggle to assemble an Off-Broadway production of Julian's play, Whores of Lost Atlantis, in which Julian acts in drag. The novel's unforgettable cast of characters includes Joel, a perfect English gentleman from Indiana; Roxie, an actress/librarian with moxie; Buster, a voluptuous young alcoholic; Camille, the fiery wig designer Julian considers having an affair with; Perry, Julian's best friend, with a weakness for plastic surgery and peroxide; and Kiko, the wonderfully wicked performance artist who tries to sabotage Julian's career. Getting his play produced proves to be a picaresque adventure with plenty of surprises, leaving the reader feverishly turning pages to see if the show can go on.

    Betrayed once again by another woman’s marriage plans, she knew her romantic youth was over. So many of her female friends had married and settled. Anne cast around forlornly for the life-companion she had so long sought. She held melancholy spirits at bay by reading new geology and new gardening books in Shibden’s well-stocked library.
 Then a chance re-acquaintance with neighbouring heiress Ann Walker changed all that. Anne Lister is best known to us as a lesbian diarist. Nature’s Domain tracks her intense courtship of Ann Walker, vividly and candidly recorded in Anne’s daily journals - and partly written in her own secret code. This influential Anne Lister book also documents how she began redesigning the Shibden landscape and playing a powerful new role in the local political tumult after the passing of the great Reform Bill. This dramatic story, hitherto unknown and never before unpublished, unfolds to New Year’s Eve 1832. It records how Anne Lister’s indomitable will enabled her to mould nature to her own powerful desires. “Nature’s Domain gives a compelling overview of a key time in Anne Lister’s remarkable life. Jill Liddington guides us knowledgeably through the diaries of 1832, offering crucial insight into Anne’s private and candour observations about love, sex, money and politics.” Laura Johansen, Cultural Destinations Manager, Halifax. Jill Liddington is co-author of One Hand Tied Behind Us (1978) which became a suffrage classic. She is author of Presenting the Past: Anne Lister of Halifax 1791-1840 (1994) and of Female Fortune: the Anne Lister diaries 1833-36 (1998). She is an Honorary Research Fellow at the University of Leeds, and lives in Mytholmroyd near Halifax. Sally Wainwright’s BBC1 drama series, Gentleman Jack was inspired by Female Fortune and Nature’s Domain

    Losing loved ones made her an automated survivor living life with anger as her driving force until one day she finds herself leading an important taskforce formed to solve a series of gruesome murders. This case forces her to face a reality in her life she hasn't known before: loneliness. Separating herself from family and working relentlessly is not working for her anymore. Challenges she faces with this case are like no other: not much evidence, few clues, and no witnesses. She questions whether she has what it takes to solve these murders before the murderer can strike again. That's when her dreams begin to change everything; they may be able to help her find the clues if she can listen to them. When she goes in search for a woman who may well have seen the killer, she begins to have feelings she had long since locked behind her walls. These feelings are too strong to ignore and they threaten to topple those walls, leaving Kelsey without their protection. Can she cope without hiding from the REAL Kelsey MacGregor? Can she still solve this case, while shutting down emotions, that bubble up at every turn? OR will SSA MacGregor learn to accept who and what she is and stop a serial murderer from killing again? Follow FBI Senior Special Agent Kelsey MacGregor on her journey of self-discovery as she scrambles to stop the killing and finds the woman who will change her life forever.

    Trained in classical Greek and Latin, Phillips seems to excavate as he forms words into lines, breaking images into tiny parts of thought as he digs for meaning and accuracy. As part of this excavation, Pastoral explores what flesh, wanting, and belief are made of. A finalist for both the National Book Award and the National Book Critics Circle Award, Phillips has produced four collections of accomplished verse in the past few years. In each book, the influence of classical syntax and rhythm can be heard. And with each book, Phillips refines his poetic voice, combining the prayerlike and the erotic, and often elegantly swooping from a whisper to a scream in the space of a few stanzas.This time, the poems fall along a wide range of tones, from italicized commands like "Let me" and "Now" in the poem "Lay Me Down" to a hesitant question, or a deepening well of self-doubt. Phillips is always original, and he's always remembering, even when a poem is firmly written in present tense. He is hyperaware not only of the ancient poets, but also of history, especially the great destructions.In the ominously titled "The Kill," he remembers a familiar daily scene. The speaker analyzes his own love for another in clinical detail that suddenly veers into longing. The way these lines break adds to the sense of tragic fragment, of an ache:      The last time I gave my body up,      to you, I was minded       briefly what it is made of,       what yours is, that      I'd forgotten, the flesh      which always       I hold in plenty no       little sorrow for because -- oh, do      but think on its predicament,      and weep.In just four stanzas, Phillips moves from an image of both love and surrender to a consideration of temporality -- the bald fact that his lover is mortal. This thought of "its predicament" makes him weep, even though death is not a stated issue here.In "The Kill," the last poem in the volume, the speaker anticipates the need to remember. The second poem in the book referred to Pompeii, and the shadow of Pompeii is still resonant as the speaker describes his lover's body, still current and alive despite the title's warning.He remembers a body he has felt before, and probably will feel again -- judging by the present tense of "what yours is." And yet, the speaker here feels the need to freeze that body in time, to memorialize it. The next stanza explains this strong urge to hold on:      We cleave most entirely      to what most we fear      losing. We fear loss      because we understand       the fact of it, its largeness, its      utter indifference to whether      we do, or don't,       ignore it. The "largeness" of loss is what these poems are loath to accept, even as they seek to understand. Each poem tries to break loss down into questions, confessions, prayers, or simple expressions of doubt. While the poems fight against death and inevitable loss, they also seem to seek moral guidance to help with these losses.Nowhere is the search for answers and guidance more apparent than at the endings of these poems, which are frequently questions. Phillips is fond of abrupt, mysterious dashes as conclusions. In his quest for a moral compass, he also quotes from "Lamentations" and draws on familiar Biblical stories. The wanderings of Cain, for example, seem to appear in the backgrounds of poems where man seeks. What's more, the epigraph is from George Herbert, the great poet of faith and the war between faith and flesh. The sense of struggle between opposing ideas is something Phillips incorporates and modernizes into a contemporary parable of carnal love and constant questioning of that love. There's a frequent seesawing in the book, a back-and-forth on the big questions that permeates even the simplest narrative. For example, in "Favor," the second section of a five-part poem called "And Fitful Memories of Pan," Phillips sees a man in the distance:      Even from a distance, I can tell:       a man, clearly.       Gods cast no shadow. The struggle between man and God, between flesh and faith, is hinted at in the first stanza. Man, for Phillips, is an instrument of struggle, a tortured wanderer. The poem continues:      Also, that he tires,       stops to rest, looks like      sleeping, or could use some.       How long he has been,       coming, how long it takes, just      to cross it, the lush      measure that -- all summer -- has      been these well-groomed,       well-fed grounds, the lake      unswum and gleaming, the light      catching, losing      the useless extravagancePhillips basically forms the scene of a man walking into a discussion of man's temporality, the fact that man tires. While what God makes -- "the lake unswum and gleaming" -- needs to make no effort to be beautiful, man exhausts himself just surviving. By the last two stanzas, the speaker concludes that the body must make bets with itself:      Always, the body      wagering --      up, through itself --       Give. What he wants, he shall have.In Phillips's work, man -- though mortal -- still has great power. Man can demand, man can inspire love, and man can pray. In the struggle between man and God, in that constant "wagering," man sometimes wins.&3151;Aviya Kushner

    Fiction is, anyway. A pretense. Ersatz. . . . When you read a story you are pretending a lie. —Morgan  What begins as a game for Ditto—the refutation of his friend Morgan’s Charges Against Literature—quickly escalates into a multilevel challenge. After Ditto’s father suffers a heart attack in the middle of one of their fights, Ditto decides he has to get away for a few days to sort out his life. His chronicle of his experiences becomes his rebuttal to Morgan’s Charges. But is this thought-provoking examination of people and ideas all fact . . . or fiction? Aidan Chambers leaves it up to the reader to decide in this novel that Publishers Weekly calls “excruciatingly funny as well as touching.” Includes a new afterword from the author! Praise for Aidan ChambersMichael L. Printz Award winnerCarnegie Medal winnerHans Christian Andersen Award winner

    When he became leader of the Liberal Party in 1967 at the age of just thirty-seven, he seemed destined for truly great things. But as his star steadily rose so his nemesis drew ever nearer: a time-bomb in the form of Norman Scott, a homosexual wastrel and sometime male model with whom Jeremy had formed an ill-advised relationship in the early 1960s. Scott's incessant boasts about their 'affair' became increasingly embarrassing, and eventually led to a bizarre murder plot to shut him up for good. Jeremy was acquitted of involvement but his career was in ruins.Michael Bloch's magisterial biography is not just a brilliant retelling of this amazing story; ten years in the making, it is also the definitive character study of one of the most fascinating figures in post-war British politics.

    Whether she’s writing about unanticipated outcomes (“After the Midway Ride Collapsed”), her mother’s passing (“Somewhere, Over”), or absurd situations (“Preoccupation”), Gottlieb’s deeply personal insights into the complex areas where life and contemporary culture collide offer readers a unique, thought-provoking perspective."I Have Always Confused Desire with Apocalypse"We met over a smallearthquake. Now, my kneesshake wheneveryou come aroundand I’ve noticed your handhas a slight tremor.Daphne Gottlieb is the award-winning author of seven books including the critically acclaimed poetry collection Final Girl (Soft Skull Press) and the graphic novel Jokes and the Unconscious (Cleis Press), illustrated by Diane DiMassa. Gottlieb has performed and taught creative writing workshops throughout the United States. She received her MFA from Mills College, and currently resides in San Francisco.

    In a small town in the west of Ireland, a beautiful baby boy is born. He enjoys an idyllic country childhood: privileged, carefree, surrounded by love - and pet sheep.Eleven years later, the Pope visits Ireland, and things will never be the same again. At the Pontiff's mass in Knock, the little boy has an epiphany that will set him on the road to become the biggest, boldest, and most opinionated drag queen Ireland has ever known.This is the story of Rory O'Neill's journey from the fields to becoming Panti Bliss, the voice of a brave new nation embracing diversity, all the colours of the rainbow and, most of all, a glamorous attitude.It's also the story of a misfit who turned his difference into a triumphant art form; of coming to terms with HIV; of political activism; and of 'Pantigate', and the speech that touched a million lives.Welcome to the world of Panti - adored, fun drunk aunt to the world - and her creator Rory, in their own inimitable words.