Raoule's suitor, a cigar-smoking former hussar officer, becomes an accomplice in the complications that ensue.

    That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.

    Sébastien is fifteen years old and already versed in the medicinal properties of plants and herbs when he meets the young nobleman Balthazar de Créon, whose life he saves after the latter is thrown from a horse. De Créon, struck by the boy’s beauty as much by his talents as a healer, orders Sébastien to his manor some months later so he can instruct him in the ways of the court, hoping thus to install him as Louis XV’s surgeon. His motives, however, are clouded by his lust for Sébastien, and after a brief period of restraint Balthazar and Sébastien abandon themselves to their passions and imaginations. But it is 1749 and their affair scandalizes the French court, bringing the king’s wrath down upon them. Balthazar is eventually presented with an ultimatum: repudiate Sébastien and live, or do not, and die. Daniel Arsand’s slim, sublime Lovers is many things: a song of love and an ode to sensual abandon; a richly imagined, atmospheric evocation of the French court; a fable about freedom and the heart’s indifference to social and class barriers; a heartfelt cry against those who, poor of soul, refute the legitimacy of unconventional love. Above all, with its delectable prose, Lovers is itself a delight for the senses.

    Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions.The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel. It has influenced how love between women is understood, for the twentieth century and beyond.

    But a chance meeting by the river soon becomes an intense, exhilarating, and all-consuming affair. After their camp duties are fulfilled, the pair spend a dreamlike few weeks camping in the countryside, bonding over an illicit copy of James Baldwin’s Giovanni’s Room. Inhabiting a beautiful natural world removed from society and its constraints, Ludwik and Janusz fall deeply in love. But in their repressive communist and Catholic society, the passion they share is utterly unthinkable.Once they return to Warsaw, the charismatic Janusz quickly rises in the political ranks of the party and is rewarded with a highly-coveted position in the ministry. Ludwik is drawn toward impulsive acts of protest, unable to ignore rising food prices and the stark economic disparity around them. Their secret love and personal and political differences slowly begin to tear them apart as both men struggle to survive in a regime on the brink of collapse.Shifting from the intoxication of first love to the quiet melancholy of growing up and growing apart, Swimming in the Dark is a potent blend of romance, post-war politics, intrigue, and history. Lyrical and sensual, immersive and intense, Tomasz Jedrowski has crafted an indelible and thought-provoking literary debut that explores freedom and love in all its incarnations.

    Powerful and artful, and ten years in the writing, it is a masterwork from Jamie O’Neill.Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the distant beacon of Muglins Rock and claim that island for themselves. All the while Mr. Mack, who has grand plans for a corner shop empire, remains unaware of the depth of the boys’ burgeoning friendship and of the changing landscape of a nation.

    Lois Lenz was like any other wholesome former cheerleader with a knack for office skills--until she took a job at Sather & Sterling in bustling Bay City. Spending her days in the cut-throat typing pool and her nights at the all-women's residence of Magdalena Arms, Lois had no idea she was entering a world of working girls whose passionate desires--and fabulous fashion sense--could lead any innocent lamb astray. . .Netta--serious and smart, she's unlike any woman Lois has known. . .Maxie--The height of society fashion, and girls are so very in style. . .Pamela--Lois's old high school Pep Squad pal certainly has changed. . .Miss Gill--the office manager has secrets and plenty of file cabinets to keep them in. . .Dolly--an actress whose martini shaker is as busy as her love life. . .Mrs. Pierson--"The hyena," Lois's boss, her office is a place of hard work and private dictation. . .And many more!Lois Lenz--she was a good girl a long way from home about to discover that not everything is what it seems, navy is a bad suit choice, and love can bloom in the strangest of places. . .

    In despair, Melville takes his family for a vacation to his cousin’s farm in the Berkshires, where he meets Nathaniel Hawthorne at a picnic—and his life turns upside down.  The Whale chronicles the fervent love affair that grows out of that serendipitous afternoon. Already in debt, Melville recklessly borrows money to purchase a local farm in order to remain near Hawthorne, his newfound muse. The two develop a deep connection marked by tensions and estrangements, and feelings both shared and suppressed.   Melville dedicated Moby-Dick to Hawthorne, and Mark Beauregard’s novel fills in the story behind that dedication with historical accuracy and exquisite emotional precision, reflecting his nuanced reading of the real letters and journals of Melville, Hawthorne, Oliver Wendell Holmes, and others. An exuberant tale of longing and passion, The Whale captures not only a transformative relationship—long the subject of speculation—between two of our most enduring authors, but also their exhilarating moment in history, when a community of high-spirited and ambitious writers was creating truly American literature for the first time.

    When she finds out her girlfriend has lied to her, the world she thought she'd carefully built for herself begins to unravel, and Maria sets out on a journey that will most certainly change her forever.

    . . . It’s not hyperbole to suggest that We Disappear is the eeriest Kansas-set story since Truman Capote’s In Cold Blood." — Chicago Sun-TimesA dark and compelling novel of addiction, obsession, love, and family from the acclaimed author of  Mysterious Skin The body of a teenage boy is discovered in a Kansas field. The murder haunts Donna—a recent widow battling cancer—calling forth troubling details from long-suppressed memories of her past. Hoping to discover more about "disappeared" people, she turns to her son, Scott, who is fighting demons of his own. Addicted to methamphetamines and sleeping pills, Scott is barely holding on—though the chance to help his mother in her strange and desperate search holds out a slim promise of some small salvation.But what he finds is a boy named Otis handcuffed in a secret basement room, and the questions that arise seem too disturbing even to contemplate. With his mother's health rapidly deteriorating, Scott must surrender to his own obsession, and unravel Otis's unsettling connections to other missing teens . . . and, ultimately, to himself.

    Will the privileged Boston feminist Olive Chancellor succeed in turning her beloved ward into a celebrated activist and lifetime companion? Or will Basil Ransom, a conservative southern lawyer, steal Verena’s heart and remove her from the limelight? “The Bostonians has a vigor and blithe wit found nowhere else in James,” writes A. S. Byatt in her Introduction. “It is about idealism in a democracy that is still recovering from a civil war bitterly fought for social ideals . . . [written] with a ferocious, precise, detailed—and wildly comic—realism.”

    She knows her destiny-it lies at Oxford, where she will begin a great career of public service. But this view of herself is at odds with reality; it springs from ideas she has of her idolized English father and of her blessed Italian mother, Constanza. Only when she is caught up in an intrigue that is to determine the fate of those she most loves does she begins to discover her own true nature-even as she loses the bearings of her moral compass.

    Uniting fact and fiction into an original romantic vision, The Danish Girl eloquently portrays the unique intimacy that defines every marriage and the remarkable story of Lili Elbe, a pioneer in transgender history, and the woman torn between loyalty to her marriage and her own ambitions and desires.The Danish Girl is an evocative and deeply moving novel about one of the most passionate and unusual love stories of the 20th century.

    Scott Faraday is 16, gregarious, talented, never been in a relationship, and is out to only a select few. Ryan St. Charles is 17, hot-tempered, has already has been in a long relationship, yet is barely out to himself. Behind Ryan's carefully fashioned façade is emotional scarring from a past he's never been able to reconcile. When he comes to live with his uncle in Yucca Valley, CA, he meets Scott. An unlikely pair, the boys form a tentative friendship. When Scott starts to suspect that Ryan might be gay, he plans his coming out to him. The result is that he transforms their friendship into his first real relationship. Then, Ryan's hidden past comes into view. Scott is not at all prepared for what he discovers: suicide attempts, past abuse, and loads of denial. Tightly focused on their new relationship, Desert Sons follows these two teenagers as they plunge headlong through a summer that will forever change them both.

    It also dares to introduce an asthmatic middle-aged Proust into its masterfully manipulated plot and invents a series of deeply felt letters written by him to the novel's young protagonist, Vincent de l'Etoile. In the summer of 1916, the emotionally precocious Vincent, who is the same age as the century, awakens to the possibilities of both erotic and platonic love. In the course of one week-at literary salons, at the Ritz, in cork-lined rooms-Vincent launches an intense friendship with the celebrated Proust, while at his parents' house in Paris he embarks on a sensual journey with Arthur Vales, the soldier son of a family servant, on leave from the front. Unknowingly, Vincent is also beginning a passage into a manhood that will be haunted by the secret he uncovers behind the love he bears for a doomed French infantryman and a famous middle-aged Jewish writer.