These creatures live alongside humans in near-inconspicuousness—save their greenish skin, serrated earlobes, and strange birthmarks. Aided by her elusive former professor and his enigmatic assistant, our narrator sets off to document each beast, and is slowly drawn deeper into a mystery that threatens her very sense of self. Part detective story, part metaphysical enquiry, Strange Beasts of China engages existential questions of identity, humanity, love and morality with whimsy and stylistic verve.

    In the 17th century, a young Italian scholar sailing from Venice to Naples is taken prisoner and delivered to Constantinople. There he falls into the custody of a scholar known as Hoja--"master"--a man who is his exact double. In the years that follow, the slave instructs his master in Western science and technology, from medicine to pyrotechnics. But Hoja wants to know more: why he and his captive are the persons they are and whether, given knowledge of each other's most intimate secrets, they could actually exchange identities. Set in a world of magnificent scholarship and terrifying savagery, The White Castle is a colorful and intricately patterned triumph of the imagination.

    Today it is thought of mainly as a children's story, and Kaguya-hime, the heroine, looks in the illustrations as lovable as Snow-White or Cinderella; there is no suggestions of the heartlessness that is perhaps her most memorable feature. Elements in the narrative recall similar tales from other parts of the world. The tests to which the suitors are subjected resemble the riddles asked by the icy Princess Turandot, or we may recall the three caskets among which the suitors had to choose in The Merchant of Venice. Perhaps the most interesting aspect of the tests Kaguya-hime imposes is the humor with which they are related. The second suitor's lyrical description of the magical island of Horai, where he allegedly found the jeweled branch, is interrupted by the mundane demands of the artisans who actually made it. Again, the fourth suitor, at the end of his unsuccessful quest, urges his men to stay away from the vicinity of the house of "that thief of a Kaguya-hime." Such a characterization of the heroine takes us from the realm of the children's story.About thirty-five years ago I first published a translation of The Tales of the Bamboo Cutter in the journal Monumenta Nipponica. A few years later-in the summer of 1965-a Japanese publisher conceived the plan of a book that would incorporate my translation, the translation into modern Japanese by the great novelist Yasunari Kawabata, and illustrations by one of the outstanding contemporary Japanese painters. I decided to take advantage of the opportunity to revise my translation.About this time, I visited an exhibition of kirie (paper-cut pictures) by Masayuki Miyata, and discovered that he had actually completed series of works illustrating The Tale if the Bamboo Cutter. I was delighted that at last it would be possible to realize the project first conceived so many years before. There were still further delays, but at last the book has materialized. [This work] combines the work of unknown Japanese writer of over a thousand years ago, the translation by a master of modern Japanese, illustrations by an outstanding artist, and a translation by an American who has devoted his life to the study of Japanese literature.

    Every genre and style, from the celebrated No plays to the poetry and novels of the seventeenth century, find a place in this book. An introduction by Donald Keene places the selections in their proper historical context, allowing the readers to enjoy the book both as literature and as a guide to the cultural history of Japan. Selections include “Man’yoshu” or “Collection of Ten Thousand Leaves” from the ancient period; “Kokinshu” or “Collection of Ancient and Modern Poetry,” “The Tosa Diary” of Ki No Tsurayuki, “Yugao” from “Tales of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shonagon from the Heian Period; “The Tale of the Heike” from the Kamakura Period; Plan of the No Stage, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi Period; and Sections from Basho, including “The Narrow Road of Oku,” “The Love Suicides at Sonezaki” by Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa Period.

    When Yoon receives a distressing phone call from her ex-boyfriend after eight years of separation, memories of a tumultuous youth begin to resurface, forcing her to re-live the most intense period of her life. With profound intellectual and emotional insight, she revisits the death of her beloved mother, the strong bond with her now-dying former college professor, the excitement of her first love, and the friendships forged out of a shared sense of isolation and grief.   Yoon’s formative experiences, which highlight both the fragility and force of personal connection in an era of absolute uncertainty, become immediately palpable. Shin makes the foreign and esoteric utterly familiar: her use of European literature as an interpreter of emotion and experience bridges any gaps between East and West. Love, friendship, and solitude are the same everywhere, as this book makes poignantly clear.

    So when her thirteenth birthday arrives, she's eager to follow a witch's tradition: choose a new town to call home for one year.Brimming with confidence, Kiki flies to the seaside village of Koriko and expects that her powers will easily bring happiness to the townspeople. But gaining the trust of the locals is trickier than she expected. With her faithful, wise-cracking black cat, Jiji, by her side, Kiki forges new friendships and builds her inner strength, ultimately realizing that magic can be found in even the most ordinary places.Blending fantasy with the charm of everyday life, this enchanting new translation will inspire both new readers and dedicated fans.

    Faceless creatures haunt an unwary traveler. A beautiful woman — the personification of winter at its cruelest — ruthlessly kills unsuspecting mortals. These and 17 other chilling supernatural tales — based on legends, myths, and beliefs of ancient Japan — represent the very best of Lafcadio Hearn's literary style. They are also a culmination of his lifelong interest in the endlessly fascinating customs and tales of the country where he spent the last fourteen years of his life, translating into English the atmospheric stories he so avidly collected.Teeming with undead samurais, man-eating goblins, and other terrifying demons, these 20 classic ghost stories inspired the Oscar®-nominated 1964 film of the same name.

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    Ma’s talent for probing the country’s darkest corners and exposing what he regards as the Communist Party’s moral failings” (Mike Ives, The New York Times).Called “Red Guards meet Kurt Vonnegut . . . powerful!" by Margaret Atwood on Twitter, China Dream is an unflinching satire of totalitarianism. Ma Daode, a corrupt and lecherous party official, is feeling pleased with himself. He has an impressive office, three properties, and multiple mistresses who text him day and night. After decades of loyal service, he has been appointed director of the China Dream Bureau, charged with replacing people's private dreams with President Xi Jinping's great China Dream of national rejuvenation. But just as he is about to present his plan for a mass golden wedding anniversary celebration, his sanity begins to unravel. Suddenly plagued by flashbacks of the Cultural Revolution, Ma Daode's nightmare visions from the past threaten to destroy his dream of a glorious future.Exposing the damage inflicted on a nation's soul when authoritarian regimes, driven by an insatiable hunger for power, seek to erase memory, rewrite history, and falsify the truth, China Dream is a dystopian vision of repression, violence, and state-imposed amnesia that is set not in the future, but in China today.

    The central character, Bimala, is torn between the duties owed to her husband, Nikhil, and the demands made on her by the radical leader, Sandip. Her attempts to resolve the irreconciliable pressures of the home and world reflect the conflict in India itself, and the tragic outcome foreshadows the unrest that accompanied Partition in 1947. This edition includes an introduction by Anita Desai.

    A runaway bestseller, the novel hit the top five lists of all the major bookstores and went into nine printings. Both award-winning for its unique literary voice and perspective, and particularly resonant with young readers, it has been a phenomenon in Korea and is poised to capture a worldwide readership.Love in the Big City is an energetic, joyful, and moving novel that depicts both the glittering nighttime world of Seoul and the bleary-eyed morning-after. Young is a cynical yet fun-loving Korean student who pinballs from home to class to the beds of recent Tinder matches. He and Jaehee, his female best friend and roommate, frequent nearby bars where they push away their anxieties about their love lives, families, and money with rounds of soju and ice-cold Marlboro Reds that they keep in their freezer. Yet over time, even Jaehee leaves Young to settle down, leaving him alone to care for his ailing mother and to find companionship in his relationships with a series of men, including one whose handsomeness is matched by his coldness, and another who might end up being the great love of his life.A brilliantly written novel filled with powerful sensory descriptions and both humor and emotion, Love in the Big City is an exploration of millennial loneliness as well as the joys of queer life, that should appeal to readers of Sayaka Murata, Han Kang, and Cho Nam-Joo.

    This is the story of Lin Kong, a man living in two worlds, struggling with the conflicting claims of two utterly different women as he moves through the political minefields of a society designed to regulate his every move and stifle the promptings of his innermost heart.For more than seventeen years, this devoted and ambitious doctor has been in love with an educated, clever, modern woman, Manna Wu. But back in the traditional world of his home village lives the wife his family chose for him when he was young--a humble and touchingly loyal woman, whom he visits in order to ask, again and again, for a divorce. In a culture in which the ancient ties of tradition and family still hold sway and where adultery discovered by the Party can ruin lives forever, Lin's passionate love is stretched ever more taut by the passing years. Every summer, his compliant wife agrees to a divorce but then backs out. This time, Lin promises, will be different.Tracing these lives through their summer of decision and beyond, Ha Jin vividly conjures the texture of daily life in a place where the demands of human longing must contend with the weight of centuries of custom. Waiting charms and startles us with its depiction of a China that remains hidden to Western eyes even as it moves us with its piercing vision of the universalcomplications of love.

    But six weeks later, a second examination revealed there was no cancer -- he had won "a reprieve from death." Faced with a repressive cultural environment and the threat of a spell in a prison farm, Gao fled Beijing and began a journey of 15,000 kilometers into the remote mountains and ancient forests of Sichuan in southwest China. The result of this epic voyage of discovery is Soul Mountain.Bold, lyrical, and prodigious, Soul Mountain probes the human soul with an uncommon directness and candor and delights in the freedom of the imagination to expand the notion of the individual self.

    Or so he believes.Food begins to go missing. Perturbed by this threat to his orderly life, Shimura sets up a webcam to monitor his home. But though eager to identify his intruder, is Shimura really prepared for what the camera will reveal?Based on real-life events, this prize‐winning novel is a moving tale of alienation in the modern world.

    For her, time and identity blur, and all action is reaction. She can’t quite understand what motivates others to take life seriously enough to focus on anything—for her existence is a loosely woven tapestry of fleeting concepts. From losing her virginity to mindless jobs and a splintered, unsupportive family, the lessons learned have less to do with the reality we all share and more to do with the truth of the imagination, which is where the narrator focuses to discover herself.