His real-life adventures inspired Sir H. Rider Haggard to create the fictional Allan Quatermain character. Selous was also a friend of Theodore Roosevelt, Cecil Rhodes and Frederick Russell Burnham. He was pre-eminent within a select group of big game hunters that included Abel Chapman and Arthur Henry Neumann. Going to South Africa when he was 19, he travelled from the Cape of Good Hope to Matabeleland, which he reached early in 1872, and where (according to his own account) he was granted permission by Lobengula, King of the Ndebele, to shoot game anywhere in his dominions.From then until 1890, with a few brief intervals spent in England, Selous hunted and explored over the then little-known regions north of the Transvaal and south of the Congo Basin, shooting elephants and collecting specimens of all kinds for museums and private collections. His travels added greatly to the knowledge of the country now known as Zimbabwe. He made valuable ethnological investigations, and throughout his wanderings—often among people who had never previously seen a white man—he maintained cordial relations with the chiefs and tribes, winning their confidence and esteem, notably so in the case of Lobengula. In 1890, Selous entered the service of the British South Africa Company, at the request of magnate Cecil Rhodes, acting as guide to the pioneer expedition to Mashonaland. Over 400 miles of road were constructed through a country of forest, mountain and swamp, and in two and a half months Selous took the column safely to its destination. He then went east to Manica, concluding arrangements which brought the country there under British control. Coming to England in December 1892, he was awarded the Founder's Medal of the Royal Geographical Society in recognition of his extensive explorations and surveys. Chapter I. - Land at Algoa Bay - Diamond Fields - Trading Trip through Griqualand - The Chief Manchuran - Batlapin Village - Bushman's Lair - Klas Lucas, the Koranna Chief - Bechuanas at Lange Chapter II. - Seventy-eight Elephants shot - Chief, Montsua - Secheli - Bamangwato First Giraffe-hunt - Lost in the Veldt - Tati Gold Fields - Mashuna Diggings Chapter III. - Massacre of a Tribe Lobengula, King of the Matabele - Umziligazi - Slaughter of the "Headmen" - Battle of Zwang Indaba - Terrible Adventure with a Lion - Mashunas Chapter IV. - Eland shot - Abundance of Game - Rain - Hardship - "Bill" and the Crocodile Chapter V. -"Inxwāla" Dance - Matabele War Dress - Black Rhinoceros - Bull Elephants - Linquāsi Valley - Hunting in the "Fly - Varieties of Fauna - Sable Antelope - A "Skerm" - A Grand Elephant-hunt - Narrow Escape of a Kafir ... continues with... Chapter VI - Chapter XXIX This book published in 1881 has been reformatted for the Kindle and may contain an occasional defect from the original publication or from the reformatting. .

    Seriously injured, Hannes is evacuated to hospital and nursed back to health by Sister Rika, to whom he haltingly tells the story of his life: of his mother’s mysterious death, of his wild young wife, Aletta, and of the desolate island inhabited only by the lighthouse keepers and guano workers – two communities confined together, yet rigidly separated in one of the bleakest places on earth. With the arrival of a figure from Aletta’s past, her own secrets erupt into the present, just as the simmering tensions and injustices endured for so long by the guano workers erupt into a single, shocking act of violence.Written in the exquisite, haunting prose for which Marguerite Poland is renowned, The Keeper is the story of two generations of lighthouse keepers – men obsessed by their duty to the light – and the wives who accompany them into a life of frightening isolation.The Keeper is a novel about the power of secrets, the power of love, and the power of stories.

    The Swarts are gathering for Ma's funeral. The younger generation, Anton and Amor, detest everything the family stand for -- not least the failed promise to the Black woman who has worked for them her whole life. After years of service, Salome was promised her own house, her own land... yet somehow, as each decade passes, that promise remains unfulfilled.The narrator's eye shifts and blinks: moving fluidly between characters, flying into their dreams; deliciously lethal in its observation. And as the country moves from old deep divisions to its new so-called fairer society, the lost promise of more than just one family hovers behind the novel's title.In this story of a diminished family, sharp and tender emotional truths hit home. Confident, deft and quietly powerful, The Promise is literary fiction at its finest.

    One is black, one white. Both are successful women with impressive careers. Both have recently been widowed. And both are sworn enemies, sharing hedge and hostility which they prune with a zeal that belies the fact that they are both over eighty.But one day an unforeseen event forces the women together. And gradually the bickering and sniping softens into lively debate, and from there into memories shared. But could these sparks of connection ever transform into friendship? Or is it too late to expect these two to change?

    "Ubu and the Truth Commission" is the full play text of a multi-dimensional theatre piece which tries to make sense of the madness which overtook South Africa during apartheid.

    She documents her early days in the Democratic Party and the Democratic Alliance, at a time when the party was locked in a no-holds-barred factional conflict. And she chronicles the intense political battles to become mayor of Cape Town, leader of the DA and premier of the Western Cape, in the face of dirty tricks from the ANC and infighting within her own party.This is a story about political intrigue and treachery, floor-crossing and unlikely coalitions, phone tapping and intimidation, false criminal charges and judicial commissions. It documents Zille’s courageous fight against corruption and state capture and her efforts to realign politics and entrench accountability. And it describes a mother’s battle to raise children in the pressured world of South African politics.This book is as frank, honest and unflinching as Helen Zille herself, and will appeal to anyone interested in the story of South African politics over the past fifty years.

    Apartheid is crumbling. Nelson Mandela has just been released from prison. And Spud Milton?thirteen-year-old, prepubescent choirboy extraordinaire?is about to start his first year at an elite boys-only boarding school in South Africa. Cursed with embarrassingly dysfunctional parents, a senile granny named Wombat, and a wild obsession for Julia Roberts, Spud has his hands full trying to adapt to his new home. Armed with only his wits and his diary, Spud takes readers of all ages on a rowdy boarding school romp full of illegal midnight swims, raging hormones, and catastrophic holidays that will leave the entire family in total hysterics and thirsty for more.Winner of South Africa's Booksellers? Choice Award 2006

    However, her early adult life is marred by childlessness in a society that places a great premium on children and motherhood as the ultimate mark of womanhood. Worldreader presents this e-book in a new series showcasing fiction from Sub-Saharan Africa. Are you a worldreader? Read more about this not-for-profit social enterprise at worldreader.org.

    As she struggles to communicate with her maidservant turned caretaker, Agaat, the complicated history of their relationship is revealed.Life for white farmers in 1950s South Africa was full of promise. Young and newly married, Milla carved her own farm out of a swathe of Cape mountainside. She earned the respect of the male farmers in her community and raised a son. But forty years later all she has left are memories and the proud, contrary Agaat. With punishing precision, yet infinite tenderness, Agaat performs her duties, balancing anger with loyalty. As Milla’s white world and its certainties recede and Agaat faces the prospect of freedom, the shift of power between them mirrors the historic changes happening around them. Marlene van Niekerk’s epic masterpiece portrays how two women—and, perhaps, a nation—can forge a path toward understanding and reconciliation.

    Over a decade later, when Bouch finally retired with a plethora of records under his belt and to huge acclaim from the public, he took grim satisfaction in relating this piece of history. Through my Eyes is the story of a man with remarkable sporting prowess. Born into a sports-mad family in East London, he excelled in squash, tennis and rugby before choosing cricket as his preferred sport. His extraordinary achievements on the field are well known – he was voted SA player of the year in 1998, 2000 and 2006. What is not so well known, and makes up much of this book, are the behind-the-scenes stories and anecdotes. Stories of staring down the barrel of defeat and of celebrating victory; of developing strong bonds with teammates Graeme Smith, Jacques Kallis and others that go way beyond mere friendship. What emerges is the image of a man who always fought for the underdog, whose never-say-die attitude inspires those around him. Bouch’s career was brought to a dramatic end on a cricket pitch in England when the bail of a stump punctured his left eye. But, in his own words, ‘I lost sight but gained vision.’ True to his character of gritty determination, Bouch has rededicated his life to a new cause, that of the environment and particularly the critically endangered rhino.

    Petersburg by the sudden death of his stepson, Pavel. Half crazed with grief, stricken by epileptic seizures, and erotically obsessed with his stepson's landlady, Dostoevsky is nevertheless intent on unraveling the enigma of Pavel's life. Was the boy a suicide or a murder victim? Did he love his stepfather or despise him? Was he a disciple of the revolutionary Nechaev, who even now is somewhere in St. Petersburg pursuing a dream of apocalyptic violence? As he follows his stepson's ghost—and becomes enmeshed in the same demonic conspiracies that claimed the boy—Dostoevsky emerges as a figure of unfathomable contradictions: naive and calculating, compassionate and cruel, pious and unspeakably perverse.

    As more bodies are discovered, Clare is forced to re-visit memories of the brutal rape of her twin sister and the gang ties that bind Cape Town's crime rings. Is her investigation into human trafficking linked to the murders or is the killer just playing a sick game with her?About Margie OrfordMargie Orford Crime novelist, award-winning journalist, film director and author, Margie Orford was born in London, and grew up in Namibia and South Africa. Like Clockwork is her first novel. She lives in Cape Town.

    Calm in the face of the horde gathering below, they know it's a good day for dying... but a better one for killing. At the centre of their formation a tall, broad-shouldered man surveys his troops. Only at his command will they rise and engage the enemy. He is Shaka, his men are Zulu – the best trained foot soldiers in Africa – and the blood spilled in the coming battle will write the opening chapter of their legend.Following in Shaka's footsteps, AmaZulu sweeps across the burned hills of south east Africa's interior, charting the dawn of the Zulu nation through the eyes of the Induna, a battle-scarred captain, and his eleven-year-old apprentice. Aflame with conflict and intrigue, nobility and treachery, it tells the story of an unquenchable thirst for revenge and a genius for warfare that forged an empire as powerful and revered as Napoleon's France or Caesar's Rome.

    But deep down, there is an undisclosed unhappiness. Why is Akin unhappy? Who, among his friends and associates, can he trust in his search for true happiness?

    Sometimes wacky, sometimes profound, the title is always entertaining, with the odd bit of sleaze.