Left behind is brother Don Alejo, who tries to rally the remaining troupe of eight stragglers and a pig. Together they stumble upon an abandoned town, where the demoralized performers seize the opportunity to start over and christen it Santa María del Circo. What ensues is an absurd and tragic look at the misfits' struggle to create new lives for themselves. Through these desperate characters, Toscana skillfully reveals the many defects of humanity and the individual's desire for self-realization, and, in so doing, creates a touching metaphor for the human condition.

    In this novel, Juan Goytisolo, one of Spain's most celebrated novelists, speaks for a generation of Spaniards who were only small children during the Spanish Civil War, grew up under a stifling dictatorship, and, in many cases, emigrated in desperation from their dying country. Upon his return, the narrator confronts the most controversial political, religious, social, and sexual issues of our time with ferocious energy and elegant prose. Torn between the Islamic and European worlds around him, he finds both ultimately unsatisfactory. In the end, only displacement survives.

    Mao, at least, is still on view for the masses to see, some two decades after his demise. But no corpse engendered as much intrigue as that of Eva Peron. Elevated to near sainthood in Argentina after her death in 1952, her perfectly preserved corpse was seized by the Argentine Army following the ouster of her husband in 1955. By then, her corpse was the equivalent of a sacred relic, and while army officials wanted to keep it out of the hands of Peronists, they were loath to destroy the corpse for fear of the wrath that might follow. Tomas Eloy Martinez has reassembled the story of the corpse of Eve Peron in Santa Evita, and in the process, produced a riveting, rich book that not only tells the tale of one of the more bizarre sagas in the history of South American politics, but that also gets to the heart of the age-old human impulse to create myths and tell stories.

    from Cuba. Filled with puns, wordplay, lists upon lists, and Sternean typography--such as the section entitled "Some Revelations," which consists of several blank pages--this novel has been praised as a more modern, sexier, funnier, Cuban Ulysses. Centering on the recollections of a man separated from both his country and his youth, Cabrera Infante creates an enchanting vision of life and the many colorful characters found in steamy Havana's pre-Castro cabaret society.

    Its acknowledged place in Latin American fiction and its appeal to a fresh generation of readers have warranted this new translation by Alfred Mac Adam, translator (with the author) of Fuentes's Christopher Unborn.As in all his fiction, but perhaps most powerfully in this book, Fuentes is a passionate guide to the ironies of Mexican history, the burden of its past, and the anguish of its present.

    An inland expedition ends in disaster when the group is attacked by Indians.The Witness explores the relationship between existence and description, foreignness and cultural identity.Juan Jose Saer was born in Argentina in 1937 and is considered one of Argentina's leading writers of the post-Borges generation. He died in 2005.

    Gerardo Escobar has just been chosen to head the commission that will investigate the crimes of the old regime when his car breaks down and he is picked up by the humane doctor Roberto Miranda. But in the voice of this good Samaritan, Gerardo's wife, Paulina Salas, thinks she recognizes another man—the one who raped and tortured her as she lay blindfolded in a military detention center years before.

    Indeed, it is a book that changed the direction of poetry in both Spain and the Americas, a pathbreaking and defining work of modern literature.In honor of the poet's centenary, the celebrated Lorca scholar Christopher Maurer has revised this strange, timeless, and vital book of verse, using much previously unavailable or untranslated material: Lorca's own manuscript of the entire book; witty and insightful letters from the poet to his family describing his feelings about America and his temporary home there (a dorm room in Columbia's John Jay Hall); the annotated photographs which accompany those letters; and a prose poem missing from previous editions. Complementing these new addtions are extensive notes and letters, revised versions of all the poems, and an interpretive lectures by Lorca himself.An excellent introduction to the work of one of the key figures of modern poetry, this bilingual edition of Poet in New York is also a thrilling exposition of the American city in the 20th century.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    From the exasperated metaphor of human relationships that is "La autopista del sur" through the masterpiece that is "El otro cielo," Cortazar once again paves the way to stories that are a must-read for lovers of the story genre in general. "La salud de los enfermos," "Reunión," "La señorita Cora," "La isla a mediodía," "Instrucciones para John Howell," and "Todos los fuegos el fuego" are a celebration of intelligence, passion, and genius.

    Suddenly left abandoned and penniless in Morocco by her lover, Sira Quiroga forges a new identity. Against all odds she becomes the most sought-after couture designer for the socialite wives of German Nazi officers. But she is soon embroiled in a dangerous political conspiracy as she passes information to the British Secret Service through a code stitched into the hems of her dresses.

    Contenders Elias Tarsis and Marc Amary take their places at the board. The judges' implacable clock begins to tick, and a hush falls over the capacity crowd in Paris's Beaubourg Center Theater.But before the players can make their first moves, they are distracted by news of the kidnapping of a high-ranking Soviet diplomat. Tarsis—an artist and an intuitive genius—is convinced that his despised opponent—a world-renowned physicist—is behind the kidnapping. So begins the game, and so begins this darkly comic, metaphysical mystery novel—a European best-seller—by renowned avant-garde playwright Fernando Arrabal.As the players make their moves (diagrams of which are provided), and we learn how their lives have led them to this climactic moment, the chess match becomes a fierce, seriocomic contest of egos and ideologies. It is a struggle between a man of God and an anarchist, between art and science, between sex and spirit, between two powerful men and two brilliant chess players. It is also an opportunity for the irrepressible Arrabal to lead us on a hundred hilarious riffs—on leftist politics, Freudian psychology, religious philosophy, modern European history, and, of course, the game of chess. In the end, the players' lives, the hostage crisis, and the World Chess Championship climax in a series of twists and surprises that challenge our sympathies and our intellects.

    He alone can penetrate appearances and grasp the iron laws determining the lives of all those who live in this place—this valley where nature is miserly and leaves little room for poetic contemplation or an excess of feelings. He alone remembers his protégé, Ramón, a shepherd, who, no more than a child, fell in love with Alba, the only daughter of the region’s most powerful and influential landowner. The rich and powerful conspire to thwart the love between Ramón and Alba, and in doing so they incite a feud that will extend beyond all reason. Thus begins a vigorous, dramatic story of rebellion and a heroic quest for freedom.

    In 1918, when Pla was in Barcelona studying law, the Spanish flu broke out, the university shut down, and he went home to his parents in coastal Palafrugell. Aspiring to be a writer, not a lawyer, he resolved to hone his style by keeping a journal. In it he wrote about his family, local characters, visits to cafés; the quips, quarrels, ambitions, and amours of his friends; writers he liked and writers he didn’t; and the long contemplative walks he would take in the countryside under magnificent skies. Returning to Barcelona to complete his studies, Pla kept up his diary, scrutinizing life in the big city with the same unflagging zest and humor.Pla, one of the great Catalan writers, held on to this youthful journal for close to fifty years, reworking and adding to it, until he finally published The Gray Notebook as both the first volume and the capstone of his collected works. It is a beautiful, entrancing, delightful book—at once a distillation of the spirit of youth and the work of a lifetime.

    Fine translations"--Handbook of Latin American Studies, v. 58.