In Found, the star of "Paper Moon," TV's "Rescue Me," and the OWN (Oprah Winfrey Network) docuseries "Ryan and Tatum: The O'Neals" shares her hard-won insights on recovery, forgiveness, and the healing power of love.

    On its first publication, W. H. Auden found the book ‘as exciting as a detective story’ and, as Milner searches out clues, the reader quickly becomes involved in the chase. Using her own personal diaries, kept over many years, she analyses moments of everyday life and discovers ways of being, of looking, of moving, that bring surprising joy – ways which can be embraced by anyone.With a new introduction by Rachel Bowlby this classic remains a great adventure in thinking and living and will be essential reading for all those interested in reflecting on the nature of their own happiness – whether readers from a literary, an artistic, a historical, an educational or a psychoanalytic/psychotherapeutic background.

    In her 60s, Theroux (Giovanni's Light: The Story of a Town Where Time Stopped for Christmas, 2002, etc.) recorded her thoughts from 2000 to 2005. Here she presents them in a memoir of passing notions she considers worth savoring. She reflects on the pleasures of authorship and on the care of her mother, who seemed to posses psychic energy fields both before and after her death. The author chronicles her travels to Italy for writing seminars and the completion of a successful book while there, and she worries about her finances and the process of aging. With the thoughtful intimations of mortality come solipsistic paroxysms of passion and confusion. (The romance turns out well). Theroux writes of neighbors and nature, marks the passage of a pair of mallards and muses on the activities of an inchworm. In the elegiac tone of Our Town or E.B. White in full rustic mode, she pushes to make mundane matters large. She luxuriates in fanciful figures of speech-a friend is "like the net around a bag of onions"; living in small-town Ashland, Va., she sometimes feels "like a bulb in a teacup"-and she includes snippets from some of her favorite writers, including Thoreau, Emerson, Arthur Miller and Karen Armstrong. For current commentary and explanation, the author interrupts, in italics, the story by her former self. On the whole, Theroux offers pleasant reading and a few deep thoughts surrounded by stylish writing probably most appealing to female readers. A journal that may grace enough night tables to assuage the author's avowed concerns about her bank balance.

    This definitive anthology enables you to learn from some of the genre's biggest names as they share their wisdom on developing horror that will shock and excite readers and editors alike.