In modern-day Calcutta.A beautiful model. He cuts her open. His DRAUPADIHe hammers surgical needles into his SAHADEVA. The head of NAKULA he severs.Will Detectives Ruksana Ahmed and Siddhanth Singh be able to keep him from his ARJUN, BHEEMA and YUDHISTHIRA?Or will Duryodhana finally win?

     The Mahabharata belongs in the annals of world literature, and every educated person should be familiar with it. Its message is timeless (without it being a "message" book), and especially relevant in these turbulent times. Western readers in particular should be reading the Mahabharata, including non-resident Indians who may have lost touch with their roots.SONS OF GODS -- MAHABHARATA is kaleidoscopic in its beauty and intricacy. The hurdle of the tale's massive scope has always daunted translators, and the difficulty of prising the right tone from an ancient grand epic to suit a modern and Western audience has relegated it to largely academic obscurity.

What's saved it for us is that Sharon Maas knows full well that love, betrayal, lust, envy, pride, devotion, and heroism never go out of style. SONS OF GODS is a literary soap opera with a soul that spans the full horizon."The highest literature transcends regionalism, and through it, when we are properly attuned, we realise the essential oneness of the human family."The Mahabharata is of this class. It belongs to the world and not only to India. To the people of India, indeed, this epic has been an unfailing and perennial source of spiritual strength. Learnt at the mother’s knee with reverence and love, it has inspired great men to heroic deeds as well as enabled the humble to face their trials with fortitude and faith."From: Preface to the Second Edition of The Mahabharata, by C. Rajagopalachari; Madras 1952

    For endless miles he walks through a landscape as desolate as his heart. Until two ancient women who have waited for rain for four hundred years lead him to the Village of Weavers where a prophecy will be fulfilled. A single drop of rain will impregnate the tiger-widow and her son will slay the spirit-tiger. The traveller will help the woman bring up the boy. He will witness miracles and tragedy and come close to finding a home again. And he will learn that love and life are eternal.In her new novel, Easterine Kire, winner of the Hindu Prize, combines lyrical storytelling with the magic and wisdom of Naga legends to produce an unforgettable, life-affirming fable.

    Written with Sanjeev's trademark flair, the stories crackle with irreverence and wit. In 'The Troll', a presumptuous blogger faces his undoing when he sets out to expose an Internet phenomenon. In the title story, a young man loses his job in the financial crisis and tries to reset his life over two beers. In 'The Intellectuals', a foreign researcher spends some memorable hours with Kolkata's ageing intellectuals. From the vicious politics of a Mumbai housing society to the snobberies of Delhi's cocktail circuit, the stories in Life over Two Beers get under the skin of a rapidly changing India-and leave you chuckling.

    The judge’s cook watches over her distractedly, for his thoughts are often on his son, Biju, who is hopscotching from one gritty New York restaurant to another. Kiran Desai’s brilliant novel, published to huge acclaim, is a story of joy and despair. Her characters face numerous choices that majestically illuminate the consequences of colonialism as it collides with the modern world.

    The money is quickly distributed to members of a minority community using a network of 100 Chartered accountants. The bulk of the money finds its way back into fake firms, shell corporations and charities with the sole aim of destabilizing the country. A DIABOLICAL PLAN BY THE FREEDOM PARTY TO WEAKEN INDIA Greedy politicians of the Freedom Party want to ensure that the opposition can never come to power. Pander to the largest minority, enrich them beyond their expectations and ensure they will be with the party. To this end, a plan is hatched to print high denomination money and try and increase the velocity of money, thereby creating the illusion of growth. A compromised Finance Minister is forced to buy paper from the same sources as India’s rival Pakistan. Their intelligence wing gets hold of the security threads being used in Indian notes through honey trapping and comes up with notes that are almost as good as the real ones. The fake money brought in slowly starts moving around the country, driving up inflation and real estate prices, mixing with good notes. Because of a series of scams, the government gets voted out and a single party (People’s Voice) gets absolute majority. The new party responds to a terrorist attack with a surgical strike deep in the enemy territory. Pakistan decides to retaliate by flooding India with fake currency, by tripling its fake currency production. India responds by demonetizing the 500- and 1000-rupee notes and printing new notes of a different size. But despite the best attempts, a porous border with Nepal and Bangladesh results in a significant amount of the fake currency entering Indian banks. When the notes were tallied, instead of 87% of printed notes coming back to the Reserve Bank, 113% comes! The counterfeit money is used to spawn different types of nefarious activities including a plot to assassinate the newly elected Prime Minister. Will the Intelligence Bureau track the assassin and protect the PM? Read this to find out.

    And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories.Now, in Pandora’s Jar, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Greek creation myths as her starting point and then retelling the four great mythic sagas: the Trojan War, the Royal House of Thebes, Jason and the Argonauts, Heracles, she puts the female characters on equal footing with their menfolk. The result is a vivid and powerful account of the deeds – and misdeeds - of Hera, Aphrodite, Athene and Circe. And away from the goddesses of Mount Olympus it is Helen, Clytemnestra, Jocasta, Antigone and Medea who sing from these pages, not Paris, Agamemnon, Orestes or Jason.

    The Stories, set in Calcutta, bring to the fore the darkness lurking in the human psyche and bare the baser instincts. The stories, compactly written and marked by insightly dialogues that raise contemporary issues like man-woman relationships and its strains, moral and ethics, environmental degradation, class inequality, rapid and mass-scale unmindful urbanisation, are devoid of sentimentalisation. The result is they remained focused and move around the central character who is named Rahul in all the stories. We encounter the events that shape, mar, guide Rahul's life and also the lives of those around him, making us question the very essence of existence. Rahul symbolises modern man; he is not just one character, but all of us rolled into one. The story cycle stands out for two reasons - its brilliant narrative and the dispassionate style with which betrayal in personal relationships and resultant loneliness has been handled. The poems weave a maze of dreams, images, reflections and stories. They are written in a reflective and many a time in a narrative tenor within a poetic idiom. The poems are inseparable in a hidden way and are magically sequenced like various kinds of flowers in a garland or chapters of differing shades in a novel. Calcutta features in some of the poems like the looming backdrop of Gotham City in a Batman movie.

    Debt-ridden and marked by the mafia, this is the only way he can secure his family's future and atone for all the rotten choices he has made in his life. This extraordinary situation comes by way of his grandfather Fali's last Will that states Rustom shall inherit the family fortune if he kills himself in a public place with the former's eponymous gun.Before he has a chance to shoot himself his best friend Mani convinces him to meet an unlikely saviour in the Himalayan town of Almora - a drugged-out godman belting out strange visions through cryptic stories of love, power and loyalty. Will the last storyteller give Rustom a reason to live, or will his tales push Rustom further into an abyss of unimaginable loss?By turns, dark and humorous, quirky and dead serious, Rustom and the Last Storyteller of Almora is a scintillating debut about a man ready to embrace death to redeem his life.

    That left my final hope, the new wordkeeper."Anya’s carefree teenage life is thrown into turmoil when her mother is abducted, passing on the mantle of wordkeeper to her. Her only ally for this task is a cursed immortal warrior.In another part of the country, village boy Bilal dismisses tales about a prophecy claiming he is a messiah … until the day his dearest friend is killed in a case of mistaken identity.Anya and Bilal need to find each other so they can fufil the old prophecy and destroy their common enemy, the vengeful god who pursues them.The first of a trilogy, this book takes you on a breathtaking journey of fantasy and adventure, through modern cities, ancient cremation grounds, mythical planets and mystical mountains.

    I knew not that the most horrific battles are fought off the battlefield. Arjun: The idealist in a non-ideal world; the warrior whose deadliest opponent was his conscience. History forgot his voice, but misquoted his silence. My self-esteem originates from me and ends in me. Why does your honor depend on me? Find your own.Draupadi: The untamed tigress, the fragrant flame, the unbridled spirit. Power does not justify sin. Power is not virtue. Virtue is that which lasts in spite of power. Krishn : The enigma whose unique ideology churned the battlefield into a quest for Truth. The Missile …The Trajectory … The Vision. The trio that makes for the core of The Mahabharata. This is their saga. Insightful, visceral and candid . Find ‘other’ famous Arjuns; compare Arjun vis-a-vis Achilles and Alexander; Explore Myths of Mahabharata.All this and much more in ‘Arjun: Without A Doubt’.

    Balram Halwai is a complicated man. Servant. Philosopher. Entrepreneur. Murderer. Over the course of seven nights, by the scattered light of a preposterous chandelier, Balram tells us the terrible and transfixing story of how he came to be a success in life—having nothing but his own wits to help him along. Born in the dark heart of India, Balram gets a break when he is hired as a driver for his village's wealthiest man, two house Pomeranians (Puddles and Cuddles), and the rich man's (very unlucky) son. From behind the wheel of their Honda City car, Balram's new world is a revelation. While his peers flip through the pages of Murder Weekly ("Love -- Rape -- Revenge!"), barter for girls, drink liquor (Thunderbolt), and perpetuate the Great Rooster Coop of Indian society, Balram watches his employers bribe foreign ministers for tax breaks, barter for girls, drink liquor (single-malt whiskey), and play their own role in the Rooster Coop. Balram learns how to siphon gas, deal with corrupt mechanics, and refill and resell Johnnie Walker Black Label bottles (all but one). He also finds a way out of the Coop that no one else inside it can perceive. Balram's eyes penetrate India as few outsiders can: the cockroaches and the call centers; the prostitutes and the worshippers; the ancient and Internet cultures; the water buffalo and, trapped in so many kinds of cages that escape is (almost) impossible, the white tiger. And with a charisma as undeniable as it is unexpected, Balram teaches us that religion doesn't create virtue, and money doesn't solve every problem -- but decency can still be found in a corrupt world, and you can get what you want out of life if you eavesdrop on the right conversations. The White Tiger recalls The Death of Vishnu and Bangkok 8 in ambition, scope, and narrative genius, with a mischief and personality all its own. Amoral, irreverent, deeply endearing, and utterly contemporary, this novel is an international publishing sensation —and a startling, provocative debut.

    She extracted a promise from him that he would forgive Shishupala a hundred offences. As he grew up Shishupala had enough reasons to be angry with Krishna. Especially after he was jilted by Princess Rukmini, in favour of the merry-eyed cowherd. He provoked Krishna repeatedly and was forgiven a hundred times. And then one day Shishupala committed his hundred and first offence.

    Except Alison knows better… The woman is Mary Seymour, the daughter of Katherine Parr who was taken to Wolf Hall in 1557 as an unwanted orphan and presumed dead after going missing as a child.The painting is more than just a beautiful object from Alison’s past – it holds the key to her future, unlocking the mystery surrounding Mary’s disappearance, and the enigma of Alison’s son.But Alison’s quest soon takes a dark and foreboding turn, as a meeting place called the Phantom Tree harbours secrets in its shadows…

    He is also a compulsive storyteller and an exile. As he travels a route that takes him from India to Spain, he leaves behind a labyrinthine tale of mad passions and volcanic family hatreds, of titanic matriarchs and their mesmerised offspring, of premature deaths and curses that strike beyond the grave. The Moor's Last Sigh is a spectacularly ambitious, funny, satirical and compassionate novel. It is a love song to a vanishing world, but also its last hurrah.~from the back cover