Plus the scars on his chest and a prescription for testosterone. Because Ren is transgender: assigned female at birth, living now as male. He films his transition and shares it bravely with the world; his fans love his honesty and positivity.But Ren has been living a double life.Off-camera, he’s Cane, the muscle-bound enforcer for social justice vigilante group Black Iris. As Cane, he lets his dark side loose. Hurts those who prey on the disempowered. Indulges in the ugly side of masculinity. And his new partner, Tamsin Baylor, is a girl as rough and relentless as him. Together, they terrorize the trolls into silence.But when a routine Black Iris job goes south, Ren is put in the crosshairs. Someone is out to ruin his life. He’s a bad boy, they say, guilty of what he punishes others for.Just like every other guy: at heart, he’s a monster, too.Now Ren’s got everything to prove. He has to clear his name, and show the world he’s a good man. But that requires facing demons he’s locked away for years. And it might mean discovering he’s not such a good guy after all.

    Peter’s own journey is obstructed by playground bullies, masochistic lovers, Christian ex-gays, and the ever-present shadow of his Chinese father.At birth, Peter had been given the Chinese name Juan Chaun, powerful king. The exalted only son in the middle of three daughters, Peter was the one who would finally embody his immigrant father's ideal of power and masculinity. But Peter has different dreams: he is certain he is a girl.Sensitive, witty, and stunningly assured, Kim Fu’s debut novel lays bare the costs of forsaking one’s own path in deference to one laid out by others. For Today I Am a Boy is a coming-of-age tale like no other, and marks the emergence of an astonishing new literary voice.

    His teenage sister teases him mercilessly, his autistic brother lashes out at him, and he has a crush on his best friend, Andy. But after the tragic night when his father commits suicide, none of that matters. Diane, his mother, seeks solace in therapy. Colin is awash in guilt, and casts about for someone to confide in: first his estranged grandfather, then a predatory science teacher. But nothing helps as much as the strange writing his father kept in a series of notebooks locked in his study. Colin looks for answers there—in fragments about disaster scenarios, the violence of snow, mustangs running wild in the West—but instead finds the writing infecting his worldview. Diane, meanwhile, has a miserable fling with a coworker, and leans more heavily on Colin for support as things go from bad to worse. But spring is unfolding, and a road trip to Los Angeles gives them a tantalizing glimpse of what the future might hold. In Some Hell, a debut novel of devastating intensity and aching, pointillistic detail, Patrick Nathan shows how unspeakable tragedy shapes a life, and how imagination saves us from ourselves.

    What she doesn’t know is he’s in love with her. And like Ruby, he craves success, but in hopes that it’ll make him worthy of her.In New York, they journey through the treacherous music industry. As Ruby rises to fame, they find themselves surrounded by scandals and shady icons. And when she has to battle her demons under the spotlight, what began as a dream-come-true becomes a dangerous trial to their friendship that raises the questions: how far is one willing to go to protect a friend? What if such friend commits an act that can end up with her incarceration? Finally, how do you find the power to tell someone you feel undeserving of that you love her?

    Snarky. Rebellious. And gender fluid. Some days Riley identifies as a boy, and others as a girl. The thing is…Riley isn’t exactly out yet. And between starting a new school and having a congressman father running for reelection in uber-conservative Orange County, the pressure—media and otherwise—is building up in Riley’s so-called “normal” life.On the advice of a therapist, Riley starts an anonymous blog to vent those pent-up feelings and tell the truth of what it’s REALLY like to be a gender fluid teenager. But just as Riley’s starting to settle in at school—even developing feelings for a mysterious outcast—the blog goes viral, and an unnamed commenter discovers Riley’s real identity, threatening exposure. Riley must make a choice: walk away from what the blog has created—a lifeline, new friends, a cause to believe in—or stand up, come out, and risk everything.

    But despite their talent, emotional scars from an incident with a homophobic classmate and their grandmother's spiraling dementia make it harder and harder for Carey to find their voice.Then Carey meets Cris, a singer/guitarist who makes Carey feel seen for the first time in their life. With the rush of a promising new romantic relationship, Carey finds the confidence to audition for the role of Elphaba, the Wicked Witch of the West, in the school musical, setting off a chain reaction of prejudice by Carey's tormentor and others in the school. It's up to Carey, Cris, and their friends to defend their rights--and they refuse to be silenced.Told in alternating chapters with identifying pronouns, debut author Steven Salvatore's Can't Take That Away is both a romance, and an affirmation of self-identity.

    He’s used to moving every few years, and thanks to social media, he can stay in touch with the friends he leaves behind. But shortly after he leaves Okinawa, his best friend, Brad Gray, cuts off contact and disappears. Four years and two bases later, Brad resurfaces—and announces his family is coming to Trevor’s base in Spain. But a lot’s changed in four years, and Trevor is stunned to find out Brad is now Shannon. Their reunion isn’t quite what either of them had hoped for, but they quickly find their footing, both relieved to have each other back. Except nothing is ever all sunshine and roses. The military is a small world, and there’s no keeping Shannon’s transition a secret. Parents warn their kids away from her. She can’t attend school on-base for fear of harassment or worse. And although her parents try to hide it, being ostracized by their only social circle while they’re thousands of miles from home is taking a toll on them too. More and more, Shannon leans on Trevor. But she’s also drawn to him, and he’s drawn right back to her, feeling things he’s never felt for anyone before. Trevor’s scared, though. Not of dating a trans girl. Not of damaging his chaplain father’s career or reputation. After finally getting his friend back, does he dare take things further and risk losing Shannon a second time?

    While his German parents don’t know what to make of a South pining for the past, shy Max thrives in the thick heat. Taken in by the football team, he learns how to catch a spiraling ball, how to point a gun, and how to hide his innermost secrets.Max already expects some of the raucous behavior of his new, American friends—like their insatiable hunger for the fried and cheesy, and their locker room talk about girls. But he doesn’t expect the comradery—or how quickly he would be welcomed into their world of basement beer drinking. In his new canvas pants and thickening muscles, Max feels like he’s “playing dress-up.” That is until he meets Pan, the school “witch,” in Physics class: “Pan in his all black. Pan with his goth choker and the gel that made his hair go straight up.” Suddenly, Max feels seen, and the pair embarks on a consuming relationship: Max tells Pan about his supernatural powers, and Pan tells Max about the snake poison initiations of the local church. The boys, however, aren’t sure whose past is darker, and what is more frightening—their true selves, or staying true in Alabama.Writing in verdant and visceral prose that builds to a shocking conclusion, Genevieve Hudson “brilliantly reinvents the Southern Gothic, mapping queer love in a land where God, guns, and football are king” (Leni Zumas, author of Red Clocks). Boys of Alabama becomes a nuanced portrait of masculinity, religion, immigration, and the adolescent pressures that require total conformity.

    She’s gotten so good at pretending that they’re letting her leave inpatient therapy. Now she just has to fake it long enough for her parents and teachers to let their guard down. This time, when she's ready to end her life, there won’t be anyone around to stop her.Then Brooke meets Derek. Derek is the only person who really gets what Brooke is going through, because he’s going through it too. As they start spending more time together, Brooke suddenly finds herself having something to look forward to every day and maybe even happiness.But when Derek’s feelings for her intensify, Brooke is forced to accept that the same relationship that is bringing out the best in her might be bringing out the worst in Derek—and that Derek at his worst could be capable of real darkness.

    It’s the late eighties in Long Island, New York, and eighteen-year-old Harlan Kessler plays in a band, parties with friends, and struggles with a family that offers anything but a Kodak moment. The one ray of hope in Harlan’s life is Sarah DeRosa. With her by his side, Harlan just might make the right choices between love and aggression, intimacy and absence, finding himself and losing his mind. . . .

    But Sander has a rare medical condition that affects one in a hundred thousand people. It means his growth is stunted, and it seems the biggest, strongest and loudest guys get all the attention. But Sander notices the little things other people miss, and he’s about to make a big impact...

    I guess they forgot to mention the crazy girl who thinks you're after her boyfriend or the wolf that attacks you in the woods during the senior class camping trip. Between strange dreams that border on nightmares and Kodi Barrett, a fellow senior that I've been inexplicably drawn to for years at the center of it all, i was positive that life at Mountain Falls High School was about to get much more complicated. I didn't need my senior year to be perfect; I just needed to survive it!

    He's suffering from post-traumatic stress disorder ever since a hurricane hit his house, with him alone in it. He's suffering from indecision in his relationships with girls. He's suffering because he's got a new friend, Charlie Bickle, who seems to like to see him suffer. It's all a part of life, Charlie says. Henry wants to believe it's true. He wants to think that life can be kept at arm's distance. He wants to be convinced that life is bullshit. His curse is that he knows better. And that curse will also be his salvation.

    It's 1500+ pages full of intrigue, adventure, bad guys, fun gadgets, and romance. Teen genius Kelly James is in a lot of hot water. A whiz with computers, she agrees to help her college RA, David, uncover some top-secret information. After all, she doesn't have many friends and David has always been nice to her. It doesn't hurt that he's super cute and irresistible, too. All she has to do is hack into the government's main computer system. But a few hours later, her whole life changes. She is caught and taken in for questioning, only this isn't your run-of-the-mill arrest. Rather than serve a juvenile detention sentence, she accepts the option to change her name and enlist in a secret government spy agency that trains teen agents to go undercover. As if that wasn't overwhelming enough, she discovers that David works for this agency as well! And before she even begins to understand what is going on, she's sent on her first mission as an undercover model. And who better to partner with than David himself!

    She didn’t want to hear his story; she’d had enough of them." Tess is on the run when she’s picked up from the side of the road by lonely middle-aged father Lewis Rose. With reluctance, she’s drawn into his family troubles and comes to know a life she never had. Set in Masterton at the turn of the millennium, Tess is a gothic love story about the ties that bind and tear a family apart.Cover by Keely O'Shannessy