Starved and beaten, the little boy's world was a darkened room that measured just eight feet by ten with a single makeshift bed, bare light bulb, and a solitary table. Steve would spend his days conjuring up an imaginary world full of monsters he would draw to try and block out the physical and mental torture inflicted on him by his brutal father. Apart from a few admissions to hospital as a result of his 'imprisonment', Steve remained in the coal cellar of the family home where he was deprived of daylight, his childhood, school, and human contact until he'd reached his teenage years. Eventually, he escaped only to fall prey to the instigators of two of the worst cases of institutional abuse in the UK at Aston Hall hospital and St. William's Catholic School. The Boy in the Cellar is a horrifying true story of torture and cruelty, that reveals a human's full capacity to fight for survival and search out happiness and hope.

    Margaret Laurence’s first novel, This Side Jordan, recreates that colour-drenched world: a place where men and women struggle with self-betrayal, self-discovery, and the dawning of political pride.This Side Jordan transcends the traditional limits of the first novel. Its powerful and compassionate characterizations and its themes of exile and community anticipate the five later novels that make up Laurence’s acclaimed Manawaka series. A major work of lasting significance, This Side Jordan creates echoes in the mind of the reader as resonant as the drums of Ghana.

    An indictment of a misogynistic system that silences survivors.For over a decade Julie Lalonde kept a secret. As an award-winning advocate for women’s rights, she criss-crossed the country, denouncing violence against women and giving hundreds of media interviews along the way. Her work made national headlines for challenging universities and taking on Canada’s top military brass. But while appearing fearless on the surface, Julie met every interview and event with the same fear in her gut: was he here?Fleeing intimate partner violence at age twenty, Julie was stalked by her ex-partner for over ten years, rarely mentioning it to friends, let alone addressing it publicly. The contrast between her public career as a brave champion for women with her own private life of violence and fear meant a shaky and exhausting balancing act.Resilience Is Futile is a story of survival, courage, and ultimately, hope. But it is also a challenge to the ways we understand trauma and resilience. It is the story of one survivor who won’t give up and refuses to shut up.

    A decorated air force colonel, Williams was, for years, living a double life as a sado-sexual home invader, burglar, pedophile and, ultimately, murderer. A model officer and elite pilot, he was trusted with flying international dignitaries including Queen Elizabeth, as well as commanding Canada's most important military airbase. Yet his dark and violent secret life included breaking into 82 homes of girls and women; thefts of vast amounts of lingerie (which he dressed in); two bizarre sexual assaults that left an uncomprehending Ontario village on a knife's-edge; and eventually, two rape-murders. When police raided Williams's home - a home he shared with his wife, a respected professional in her own right who was apparently completely unaware of her husband's unconscionable double life - they found hundreds of pairs of women's underwear, meticulously organized and catalogued. In this book, veteran Globe and Mail crime reporter Tim Appleby chronicles a true story that could have been lifted from the darkest pages of pulp fiction, one that offers fascinating - and troubling - insights on human psychopathology.

    St. Anne’s, in north­ern Ontario, is an institution now notorious for the range of punishments that staff and teachers inflicted on students. Even as Metatawabin built the trappings of a successful life—wife, kids, career—he was tormented by horrific memories. Fuelled by alcohol, the trauma from his past caught up with him, and his family and work lives imploded. In seeking healing, Metatawabin travelled to southern Alberta. There he learned from elders, par­ticipated in native cultural training workshops that emphasize the holistic approach to personhood at the heart of Cree culture, and finally faced his alcoholism and PTSD. Metatawabin has since worked tirelessly to expose the wrongdoings of St. Anne’s, culminating in a recent court case demanding that the school records be released to the Truth and Reconciliation Commission. Now Metatawabin’s mission is to help the next generation of residential school survivors. His story is part of the indigenous resurgence that is happening across Canada and worldwide: after years of oppression, he and others are healing themselves by rediscovering their culture and sharing their knowledge.  Coming full circle, Metatawabin’s haunting and brave narrative offers profound lessons on the impor­tance of bearing witness, and the ability to become whole once again.

    His memories cluster around the houses they lived in, the schools he went to, the uncles and aunts and cousins he knew as a boy. This is an extremely funny book and the account of how Ted O'Malley repaired the plumbing is likely to become a classic of its kind. It is also a warm and touching book. As a picture of its time, it is clear, true and absolutely unforgettable

    The Horrors is presented abecedarian-style, despoiling a beloved children's book tradition in order to explore personal hangups that range from the slightly awkward to the down-right terrible.Beginning with ‘A’ for ‘Adolescence,’ Demers recalls his sexless teenage years spent in a Trotskyist sect, and ‘B’ for‘Bombing’ offers a first-person account of the agonies of stand- up comedy gone wrong. ‘E’ for ‘End of the World’ exploresthe wacky world of Preppers (YouTube how-to-prepare-for- the-apocalypse experts), while ‘F’ for ‘Fat’ explains what life is like for those with both testicles and breasts. Other essays creep toward the pain side of the hilarity/agony line: ‘D’ for‘Depression’ and ‘M’ for ‘Motherlessness’ traverse topics that more balanced minds might hesitate to make light of.Fortunately, Demers does not let tact or sensibility deter him from pushing humour to its hysterical limit in orderto examine our deepest fears. With artful insight, he never minimizes the very real pain inherent in some topics and uses comedy as a catharsis rather than a numbing agent. Dark, smart and funny, in the sunny world of The Book of Awesome and The Happiness Project, The Horrors will be a shadow...or at least a shadow puppet.

    He talks about the team at every opportunity, wears their gear proudly in interviews and on the street, appeared in a series of videos promoting the team, and was once named honorary captain by owner Geoff Molson and Habs tough guy Chris Nilan. As he has said publicly, “I was raised both Catholic and Jewish, but really more than anything just a Habs fan.”In Born Into It, Baruchel’s lifelong memories as a Canadiens’ fan explode on the page in a collection of hilarious, heartfelt and nostalgic stories that draw on his childhood experiences as a homer living in Montreal and the enemy living in the Maple Leaf stronghold of Oshawa, Ontario. Knuckles drawn, and with the rouge, bleu et blanc emblazoned on just about every piece of clothing he owns, Baruchel shares all in the same spirit with which he laid his soul bare in his hugely popular Goon movies. Born Into It is a memoir unlike any other, and a book not to be missed.

    When a freak accident saw his father burn to death in front of him, Joe was left at the mercy of his mother. Without the love of his friend and brother, he wouldn't have survived. With them, he went on to spend his life fighting child abuse. Joe was just five years old and the horrific scene literally struck him dumb. He didn't speak for four and a half years, which meant he was unable to ask anyone for help as his life turned into a living hell. His schizophrenic mother and two of his older brothers spent the following years beating him, raping him and locking him in the cellar at the family home. Fed on scraps that he was forced to lick from the floor, he was sometimes left naked in the dark for three days without human contact. Unable to read or write, all Joe could do to communicate his suffering was draw pictures. The violence and sexual abuse grew in severity as more people, including his stepfather, were invited to use him in any way they chose. The only thing that saved Joe was the kindness of his elder brother and his only school friend, both of whom showed him that love was possible even in the darkest of situations. At fourteen he finally found the courage to run away, hiding in a hut by a railway line, fed on scraps by some local children who found him. Joe's is the ultimate insider's story, casting light into the darkest of hidden worlds, and a truly inspirational account of how one small boy found the strength to overcome almost impossible odds and become a remarkable man. Now that he has found his voice again, Joe speaks out against child abuse and helps support and protect other children whose lives have been blighted by it.

    In 1775, at the young age of twenty, she fled her English country house and boarded a ship to Jamaica with her lover, the family’s black butler. Soon after reaching shore, Charlotte’s lover died of yellow fever, leaving her alone and pregnant in Jamaica. In the sixty-six years that followed, she would find refuge with the Mi’kmaq of what is present-day New Brunswick, have three husbands, nine more children and a lifelong relationship with an aboriginal man. Using a seamless blend of fact and fiction, Charlotte Taylor's great-great-great-granddaughter, Sally Armstrong, reclaims the life of a dauntless and unusual woman and delivers living history with all the drama and sweep of a novel.

    The Skin We're In will spark a national conversation, influence policy, and inspire activists.In his 2015 cover story for Toronto Life magazine, Desmond Cole exposed the racist actions of the Toronto police force, detailing the dozens of times he had been stopped and interrogated under the controversial practice of carding. The story quickly came to national prominence, shaking the country to its core and catapulting its author into the public sphere. Cole used his newfound profile to draw insistent, unyielding attention to the injustices faced by Black Canadians on a daily basis.Both Cole’s activism and journalism find vibrant expression in his first book, The Skin We’re In. Puncturing the bubble of Canadian smugness and naive assumptions of a post-racial nation, Cole chronicles just one year—2017—in the struggle against racism in this country. It was a year that saw calls for tighter borders when Black refugees braved frigid temperatures to cross into Manitoba from the States, Indigenous land and water protectors resisting the celebration of Canada’s 150th birthday, police across the country rallying around an officer accused of murder, and more.The year also witnessed the profound personal and professional ramifications of Desmond Cole’s unwavering determination to combat injustice. In April, Cole disrupted a Toronto police board meeting by calling for the destruction of all data collected through carding. Following the protest, Cole, a columnist with the Toronto Star, was summoned to a meeting with the paper’s opinions editor and informed that his activism violated company policy. Rather than limit his efforts defending Black lives, Cole chose to sever his relationship with the publication. Then in July, at another police board meeting, Cole challenged the board to respond to accusations of a police cover-up in the brutal beating of Dafonte Miller by an off-duty police officer and his brother. When Cole refused to leave the meeting until the question was publicly addressed, he was arrested. The image of Cole walking out of the meeting, handcuffed and flanked by officers, fortified the distrust between the city’s Black community and its police force.Month-by-month, Cole creates a comprehensive picture of entrenched, systemic inequality. Urgent, controversial, and unsparingly honest, The Skin We’re In is destined to become a vital text for anti-racist and social justice movements in Canada, as well as a potent antidote to the all-too-present complacency of many white Canadians.

    Arrested at Denpasar airport after marijuana was found in her luggage, she became the victim of every traveller's darkest fear. Over four kilograms of drugs had been planted in her bag after she'd checked it in and she was forced to face the consequences of someone else's crime in a country where the penalties for drug smuggling are among the harshest in the world.Her trial and conviction became one of the biggest news stories of the decade and her family watched in horror as she was sentenced to 20 years in jail. Yet despite the huge media coverage, the one voice the public never properly heard was Schapelle's. Now, in this compelling book, she tells her own story: of being wrenched from a carefree holiday and incarcerated in a stinking police cell and of learning to survive - in the squalor, discomfort and violence of an Indonesian jail. It is an account like no other and will be one of the most unforgettable books you'll ever read.

    Here is Mowat's memoirs of his service in World War II, his letters to and from his father, and his bizarre tale of steering German war materials back home to Canada. Photographs.

    "When that Donnelly glares at you, you hear the sound of shovels digging your grave." -- Donnellys first victim How could one family -- mom, dad, and seven sons -- terrorize an entire Canadian community for 33 years? The Black Donnellys is the classic account of how James, Johannah and their sons used brute force to brawl, steal, burn, and murder their way into the dark side of Canadian history.A popular bestseller since 1954, this gripping book covers the family's horrific crimes in unflinching detail through to their decimation at the hands of a murderous vigilante mob.

    Police arrive on the doorstep of your house, 25 Cromwell Street, with a warrant to search the garden for the remains of your older sister you didn't know was dead. Bones are found and they are from more than one body. And so the nightmare begins. You are the daughter of Fred and Rose West.'Mae, I mean this ... I'm not a good person and I let all you children down ...' Rose West, HM PRISON DURHAMIt has taken over 20 years for Mae West to find the perspective and strength to tell her remarkable story: one of an abusive, violent childhood, of her serial killer parents and how she has rebuilt her life in the shadow of their terrible crimes.Through her own memories, research and the letters her mother wrote to her from prison, Mae shares her emotionally powerful account of her life as a West. From a toddler locked in the deathly basement to a teen fighting off the sexual advances of her father, Mae's story is one of survival. It also answers the questions: how do you come to terms with knowing your childhood bedroom was a graveyard? How do you accept the fact your parents sexually tortured, murdered and dismembered young women? How do you become a mother yourself when you're haunted by the knowledge that your own mother was a monster? Why were you spared and how do you escape the nightmare?