Now Bill and Evelyn Wright, parents to 13 children and grandparents to many more, find themselves struggling to hang on to the majestic landscape where they’ve been running cattle for 150 years as the West is transformed by urbanization, battered by drought, and rearranged by public-land disputes. Could rodeo, of all things, be the answer?In a powerful follow-up to his prize-winning, best-selling first book, New York Times reporter John Branch delivers an epic and intimate family story deep in the American grain. Written with great lyricism and filled with vivid scenes of ranch life and the high drama of saddle-bronc competition, The Last Cowboys chronicles three years in the life of the Wrights, each culminating in rodeo’s National Finals in Las Vegas. Will Bill and Evelyn be able to hold the family together as rodeo injuries pile up and one of their sons goes off on a religious mission? Will their son Cody, a two-time world champion, make it to the finals one last time—and compete with his own son? And will the younger generation—Rusty, Ryder, Stetson, and the rest—be able to continue the family’s ways in the future?This is a grand and compelling work of reporting that, like Buzz Bissinger’s Friday Night Lights, offers deep insight into American ritual and tradition. And in telling the Wright family’s story, from branding days to rodeo nights to annual Christmas gatherings, Branch captures something vital of the grit, determination, and integrity that fuel the American Dream.An unforgettable book by one of the finest reporters of our time, The Last Cowboys is a moving tribute to an American way of life.

    The Wild West has been tamed and its fierce, independent and often violent larger-than-life figures--gun-toting wanderers, trappers, prospectors, Indian fighters, cowboys, and lawmen--are now victims of their own success. But then gold is discovered in Alaska and the adjacent Canadian Klondike and a new frontier suddenly looms: an immense unexplored territory filled with frozen waterways, dark spruce forests, and towering mountains capped by glistening layers of snow and ice.In a true-life tale that rivets from the first page, we meet Charlie Siringo, a top-hand sharp-shooting cowboy who becomes one of the Pinkerton Detective Agency's shrewdest; George Carmack, a California-born American Marine who's adopted by an Indian tribe, raises a family with a Taglish squaw, and makes the discovery that starts off the Yukon Gold Rush; and Jefferson "Soapy" Smith, a sly and inventive conman who rules a vast criminal empire. As we follow this trio's lives, we're led inexorably into a perplexing mystery: a fortune in gold bars has somehow been stolen from the fortress-like Treadwell Mine in Juneau, Alaska. Charlie Siringo discovers that to run the thieves to ground, he must embark on a rugged cross-territory odyssey that will lead him across frigid waters and through a frozen wilderness to face down "Soapy" Smith and his gang of 300 cutthroats. Hanging in the balance: George Carmack's fortune in gold.At once a compelling true-life mystery and an unforgettable portrait of a time in America's history, The Floor of Heaven is also an exhilarating tribute to the courage and undaunted spirit of the men and women who helped shape America.

    But as a new century approached, appetites broadened, and David Fairchild, a young botanist with an insatiable lust to explore and experience the world, set out in search of foods that would enrich the American farmer and enchant the American eater.Kale from Croatia, mangoes from India, and hops from Bavaria. Peaches from China, avocados from Chile, and pomegranates from Malta. Fairchild's finds weren't just limited to food: From Egypt he sent back a variety of cotton that revolutionized an industry, and via Japan he introduced the cherry blossom tree, forever brightening America's capital. Along the way, he was arrested, caught diseases, and bargained with island tribes. But his culinary ambition came during a formative era, and through him, America transformed into the most diverse food system ever created.

    Officially, the French-born officer was on a two-year leave of absence from the U. S. Army, but he carried orders to collect information on the geography, geology, and topography "of the Country within the limits of the Territories belonging to the United States, between our frontier, and the Pacific." No one heard from him for five years, and he was assumed he was dead, or AWOL. But Bonneville had befriended a mountain man named Joseph Rutherford Walker in 1833, and the two men became the first white men to see Yosemite. They returned by a more southern route, discovering Walker Pass, the southern route across the Sierras (the salt flats in Utah are named in Bonneville's honor). Upon Bonneville's return, Washington Irving, by then an internationally famous writer, met him in the home of John Jacob Astor, the fur baron. Washington was fascinated by Bonneville's tales of exploration, finding them full of interesting details of life among the mountains, and of mountain men and Native Americans that he had met. It bore, too, throughout, "the impress of his character, his bonhommie, his kindliness of spirit, and his susceptibility to the grand and beautiful," according to Irving. Bonneville's journals formed the backbone of Irving's work, which was widely lauded upon its publication in 1837. It has remained a classic ever since, capturing a long lost era of rugged mountain men and the thrill of being the first to view the expansive landscapes of the American West.

    McNelly. South Texas was overrun by thieves and outlaws, and over three thousand Mexican guerrillas raided settlers on both sides of the border. McNelly’s Rangers became famous for their often violent and murderous campaigns. Maintaining strict law in the anarchic area was not easy and they quickly gained a reputation as "fire-eating, quarrelsome daredevils”. During this period they made over eleven hundred arrests and killed many more. McNelly ordered them “to have fun, and to carry out a set policy of terrorizing the Mexicans at every opportunity," Jenning’s memoir includes many accounts of these clashes with Mexican guerrillas and records well-known incidents involving McNelly — his battles with the US government and the fight at Las Cuevas with Cortuna and his raiders. Jennings also provides first-hand accounts of scrapes with King Fisher’s outlaw band, John Wesley Hardin, and the families involved in the Taylor-Sutton feud. In an era of cattle thieving and terror, A Texas Ranger follows Jennings through the southern border of Texas and finds a vivid first-hand portrayal of life in the late 19th century in one of the most lawless and violent places in the United States. “If any time of the past was ever vivid and vital enough to live on through mere reporting… it was the time when McNelly’s rangers rode the bloody border of Texas. Hence it is exceedingly fortunate that a man who was to become a skilled reported rode with them and later saw reason for putting down some of the things he had been part of.” — J. Frank Dobie Napoleon Augustus Jennings was born in Philadelphia, the son of a wealthy merchant, on January 11, 1856, and graduated from St. Paul's School in Concord, New Hampshire. He moved to Texas in 1874 and became a ranger, that years chronicled in this book. When his father died in 1878 he returned to Philadelphia and attempted to run the family business, but was smothered by city life. He returned to the West in 1881 as a prospector, miner, stagecoach driver, and sign painter in Colorado. Jennings died in New York on December 15, 1919.

     When the marines -- or "jarheads," as they call themselves -- were sent in 1990 to Saudi Arabia to fight the Iraqis, Swofford was there, with a hundred-pound pack on his shoulders and a sniper's rifle in his hands. It was one misery upon another. He lived in sand for six months, his girlfriend back home betrayed him for a scrawny hotel clerk, he was punished by boredom and fear, he considered suicide, he pulled a gun on one of his fellow marines, and he was shot at by both Iraqis and Americans. At the end of the war, Swofford hiked for miles through a landscape of incinerated Iraqi soldiers and later was nearly killed in a booby-trapped Iraqi bunker. Swofford weaves this experience of war with vivid accounts of boot camp (which included physical abuse by his drill instructor), reflections on the mythos of the marines, and remembrances of battles with lovers and family. As engagement with the Iraqis draws closer, he is forced to consider what it is to be an American, a soldier, a son of a soldier, and a man. Unlike the real-time print and television coverage of the Gulf War, which was highly scripted by the Pentagon, Swofford's account subverts the conventional wisdom that U.S. military interventions are now merely surgical insertions of superior forces that result in few American casualties. Jarhead insists we remember the Americans who are in fact wounded or killed, the fields of smoking enemy corpses left behind, and the continuing difficulty that American soldiers have reentering civilian life. A harrowing yet inspiring portrait of a tormented consciousness struggling for inner peace, Jarhead will elbow for room on that short shelf of American war classics that includes Philip Caputo's A Rumor of War and Tim O'Brien's The Things They Carried, and be admired not only for the raw beauty of its prose but also for the depth of its pained heart.

    It is a tour through a now unrecognizable city of abysmal poverty and habitual violence cobbled, as Luc Sante has written, "from legend, memory, police records, the self-aggrandizements of aging crooks, popular journalism, and solid historical research." Asbury presents the definitive work on this subject, an illumination of the gangs of old New York that ultimately gave rise to the modern Mafia and its depiction in films like The Godfather.