In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.

    The daughter of Ulrich von Hassell, Hitler's Ambassador to Italy, her marriage to Italian aristocrat Detalmo Pirzio-Biroli brought with it a castle and an estate in the north of Italy. Beautiful and privileged, Fey and her two young sons lead a tranquil life undisturbed by the trauma and privations of war. But with Fascism approaching its zenith, Fey's peaceful existence is threatened when Ulrich and Detalmo take the brave and difficult decision to resist the Nazis.When German soldiers pour over the Italian border, Fey is suddenly marooned in the Nazi-occupied north and unable to communicate with her husband, who has joined the underground anti-Fascist movement in Rome. Before long, SS soldiers have taken up occupancy in the castle. As Fey struggles to maintain an air of warm welcome to her unwanted guests, the clandestine activities of both her father and husband become increasingly brazen and openly rebellious. Darkness descends when Ulrich's foiled plot to kill the Fuhrer brings the Gestapo to Fey's doorstep. It would be months before Detalmo learns that his wife had been arrested and his two young boys seized by the SS.Suffused with Catherine Bailey's signature atmospheric prose, A Castle in Wartime tells the unforgettable story of the extraordinary bravery and fortitude of one family who collectively and individually sacrificed everything to resist the Nazis from within. Bailey's unprecedented access to stunning first-hand family accounts, along with records from concentration camps and surviving SS files, make this a dazzling and compulsively readable book, opening a view on the cost and consequences of resistance.

    It is the story of huge talent and huger ambition, one that probes the sometimes blurred borders dividing art and beauty from truth and humanity. Two of Riefenstahl’s films, Olympia and Triumph of the Will, are universally regarded as the greatest and most innovative documentaries ever made, but they are also insidious glorifications of Adolf Hitler and the Third Reich. Now, in this masterful new biography, Steven Bach reveals the truths and lies behind this gifted woman’s lifelong self-vindication as an apolitical artist who claimed she knew nothing of the Holocaust and denied her complicity with the criminal regime she both used and sanctified. The facts and her actions, many unknown until now, bear chilling witness: her passionate enthusiasm for Hitler from her first reading of Mein Kampf; her involvements with Nazi leaders Joseph Goebbels, Martin Bormann, Albert Speer, and Julius Streicher, who advanced her career, and with Hitler, who personally helped finance it. We see her after the war trying to sell footage to Hollywood under an alias. Bach gives us an exceptional work of historical investigation that untangles the past and is also an appraisal of a woman of spectacular gifts.

    Combining the expertise of Eric A. Johnson, an American historian, and Karl-Heinz Reuband, a German sociologist, What We Knew is the most startling oral history yet of everyday life in theThird Reich.

    This book portrays the gradual awakening in the mind of a young Hitler Youth æeducatedÆ soldier of a Panzer Division, bogged down in the bitterest fighting on the Eastern Front, to the truth of the criminal character of what he is involved in.Having in mind that about 9 out of 10 German soldiers who died in WWII were killed in Russia, the book throws light on the largely unreported heroic sacrifices of Soviet soldiers and civilians often against seemingly hopeless odds, without which Europe might well have fallen to fascism. It deals less with grand strategies, tactics and military technicalities than with the human involvement of ordinary people, from both sides, who were caught up in that enormity of a tragedy, that epic struggle in Russia.It throws light on the chasm which existed between officers and men in the sharply class-divided Wehrmacht with most of the top rank officers having been drawn from the old imperial aristocracy.

    His rearing on the family estate in the Rhineland had instilled in him a strong Catholic faith, a reverence for the fatherland, and a love of horsemanship and the hunt. And so, like his brother Georg, he accepted a commission when the call came to restore the pride Germany had lost in the humiliating peace of Versailles.Soon, however, beyond the regimented and honor-bound world of the cavalry, von Boeselager would discover what shocking brutality the SS was perpetrating at the behest of the Third Reich s highest authorities. When, in the summer of 1942, he heard that five Roma had been killed in cold blood, von Boeselager s patriotism quickly turned to disgust. Under his commanding officer, Field Marshal von Kluge, Philipp and his brother joined a group of conspirators in a plot to kill Adolf Hitler and Heinrich Himmler.It was planned that Philipp would shoot both the Fuhrer and Himmler in the officers casino during a camp inspection visit, but when that attempt had to be aborted at the last moment, the plotters resolved to use a bomb to assassinate Hitler alone. Once von Boeselager had delivered the explosives to Claus von Stauffenberg, a leader of the plot, he and Georg led an unauthorized retreat of cavalry units from the eastern front, a surreal night maneuver indelibly described here. The mission: to take control of Berlin and effect the coup d etat.When the bomb failed to kill Hitler, the SS launched a terrifying purge of senior army officers. The von Boeselager brothers barely managed to return with their units to the eastern front in time to escape detection. One by one their fellow plotters were found out, tortured, and executed, but steadfast in their cause, they never gave up the von Boeselagers names. Georg would eventually fall in battle on the Russian front, but Philipp survived the war.In this elegant but unflinching testimony, Philipp von Boeselager, until his death in 2008 the last surviving member of the plot code-named Valkyrie, gives voice to the spirit of the small but determined band of men whose sense of justice and honor could not be dissolved by the diabolical glamour of the Third Reich. Here is an invaluable new perspective on one of the most fascinating near misses of twentieth-century history."

    Using new sources--ground-breaking research in the papers of the Nuremberg prison psychiatrist and commandant, the letters and journals of the prisoners, and accounts of the judges and prosecutors as they struggled through each day making compromises and steeling their convictions--Joseph Persico retells the story of Nuremberg, combining sweeping history with psychological insight. Here are brilliant, chilling portraits of the Nazi warlords and riveting descriptions of the tensions between law and vengeance, between East and West, and of the friction already present in the early stages of the Cold War.

    They penned the Jews into a ghetto and eventually sent whoever had not been shot or starved to death on a forced march across the Ukraine to a labor camp. As men, women, and children fall away around them, Aharon and his father miraculously survive, and Aharon, even more miraculously, escapes from the camp shortly after he arrives there.The next few years of Aharon’s life are both harrowing and heartrending: he hides, alone, in the Ukrainian forests from peasants who are only too happy to turn Jewish children over to the Nazis; he has the presence of mind to pass himself off as an orphaned gentile when he emerges from the forest to seek work; and, at war’s end, he joins the stream of refugees as they cross Europe on their way to displaced persons’ camps that have been set up for the survivors. Aharon eventually makes his way to Palestine; once there, he attempts to build a new life while struggling to retain the barely remembered fragments of his old life, and he takes his first, tentative steps as a writer. As he begins to receive national attention, Aharon realizes his life’s calling: to bear witness to the unfathomable. In this unforgettable work of memory, Aharon Appelfeld offers personal glimpses into the experiences that resonate throughout his fiction.

    But when they did arrive, their orders were to put the “Final Solution” into effect with deliberate speed. Soros, a Jewish lawyer in Budapest, secured fake Christian identities for himself, his wife, and his two sons following the German invasion of Hungary on March 19, 1944. In a narrative reminiscent of the great Primo Levi, Soros recounts his experiences with a beguiling humor, deep humanity, and a wisdom that is humbling. Superbly translated by Humphrey Tonkin, Masquerade is a unique account of how one man managed not only to survive but to retain his integrity, compassion, family unity, and humor by “dancing around death.” Like Klemperer’s Diary of the Nazi Years, this very personal, low-key testament of the Holocaust is a gripping depiction of “normal” daily life under the Nazis—told by a man who triumphed by leading an ordinary life under extraordinary and terrifying circumstances.

    This revised and expanded edition of Hilberg's classic work extends the scope of his study and includes 80,000 words of new material, particularly from recently opened archives in eastern Europe, added over a lifetime of research.

    Alan Riding introduces a pageant of twentieth-century artists who lived and worked under the Nazis and explores the decisions each made about whether to stay or flee, collaborate or resist.We see Maurice Chevalier and Edith Piaf singing before French and German audiences; Picasso painting and occasionally selling his work from his Left Bank apartment; and Marcel Carne and Henri-Georges Clouzot, among others, directing movies in Paris studios (more than two hundred were produced during this time). We see that pro-Fascist writers such as Louis-Ferdinand Celine and Robert Brasillach flourished, but also that Camus's The Stranger was published and Sartre's play No Exit was first performed-ten days before the Normandy landings.Based on exhaustive research and extensive interviews, And the Show Went On sheds a clarifying light on a protean and problematic era in twentieth-century European cultural history.

    Before Hitler was finally defeated, he had murdered six million Jews and nearly as many other Europeans. At war’s end, both the German and the Soviet killing sites fell behind the iron curtain, leaving the history of mass killing in darkness.Bloodlands is a new kind of European history, presenting the mass murders committed by the Nazi and Stalinist regimes as two aspects of a single history, in the time and place where they occurred: between Germany and Russia, when Hitler and Stalin both held power. Assiduously researched, deeply humane, and utterly definitive, Bloodlands will be required reading for anyone seeking to understand the central tragedy of modern history.From BooklistIf there is an explanation for the political killing perpetrated in eastern Europe in the 1930s and 1940s, historian Snyder roots it in agriculture. Stalin wanted to collectivize farmers; Hitler wanted to eliminate them so Germans could colonize the land. The dictators wielded frightening power to advance such fantasies toward reality, and the despots toted up about 14 million corpses between them, so stupefying a figure that Snyder sets himself three goals here: to break down the number into the various actions of murder that comprise it, from liquidation of the kulaks to the final solution; to restore humanity to the victims via surviving testimony to their fates; and to deny Hitler and Stalin any historical justification for their policies, which at the time had legions of supporters and have some even today. Such scope may render Snyder’s project too imposing to casual readers, but it would engage those exposed to the period’s chronology and major interpretive issues, such as the extent to which the Nazi and Soviet systems may be compared. Solid and judicious scholarship for large WWII collections.

    While her parents and two older sisters were taken to the gas chambers, she and her twin, Miriam, were herded into the care of the man known as the Angel of Death, Dr. Josef Mengele and subjected to sadistic medical experiments and forced to fight daily for their own survival. Through this book, readers will learn of a child's endurance and survival in the face of truly extraordinary evil. The book also includes an epilogue on Eva's recovery from this experience and her remarkable decision to publicly forgive the Nazis. Through her museum and her lectures, she has dedicated her life to giving testimony on the Holocaust, providing a message of hope for people who have suffered, and working toward goals of forgiveness, peace, and the elimination of hatred and prejudice in the world.

    Among them was a little boy named Wolfgang Samuel, who left his home with his mother and sister and ended up in war-torn Strasbourg before being forced farther west into a disease-ridden refugee camp. German Boy is the vivid, true story of their fight for survival as the tables of power turned and, for reasons Wolfgang was too young to understand, his broken family suffered arbitrary arrest, rape, hunger, and constant fear. Because his father was off fighting the war as a Luftwaffe officer, young Wolfgang was forced to become the head of his household, scavenging for provisions and scraps with which to feed his family. Despite his best efforts, his mother still found herself forced to do the unthinkable to survive, and her sacrifices became Wolfgang's worst nightmares. Somehow, with the resilience only children can muster, he maintained his youth and innocence in little ways–making friends with other young refugees, playing games with shrapnel, delighting in the planes flown by the Americans and the candies the GIs brought. In the end, the Samuels begin life anew in America, and Wolfgang eventually goes on to a thirty-year career in the U.S. Air Force.Bringing fresh insight to the dark history of Nazi Germany and the horror left in its wake, German Boy records the valuable recollections of an innocent's incredible journey."I think German Boy has all the qualities of greatness. I love the book." -- from the Foreword by Stephen Ambrose

    The whole is moving, and strange beyond belief." --The Times (London)International acclaim for Solomon Perel's Europa Europa"The wrenching memoir of a young man who survived the Holocaust by concealing his Jewish identity and finding unexpected refuge as a member of the Hitler Youth."It is a Holocaust memoir that is moving, straightforward, and quite completely bizarre, unsettling in all kinds of assumptions about identity, responsibility, and guilt." --Glasgow Herald"Perel bares his soul to readers in this fascinating, unusual personal narrative of the Holocaust." --Book Report"Many of the experiences of Holocaust survivors are incredible. None is more incredible than the story of a Jewish boy, Solomon Perel, who escaped from Germany to Russia, served with the Wehrmacht in Russia, was adopted by his commanding officer, and transferred to an elite Hitler Youth school." --London Jewish News"A most remarkable story . . . extraordinary." --The Australian"This book will move human hearts." --Berliner Morgenpost