T. Bunker. Now eighty-three-years-old and dying, Bunker wants to tell his side of the story, the story of his affair with Estela, Andrés's mother. As a child Andrés knew Bunker as the "Captain of the Sleepers"--so called because he transported back to Vieques those who had died on the mainland but wished to be buried at home. But what really happened between Bunker and Estela, and between Estela and her one true love, a leader of the Puerto Rican Nationalist Movement? What did Andrés witness, and what were the real circumstances of his mother's mysterious death?Beautifully translated by Edith Grossman, Captain of the Sleepers is a startling tale of remembrance and reality, and Mayra Montero's finest book yet.

    He has an operating theatre in the basement of his chateau and keeps his partner Eve imprisoned in her bedroom, a room he has equipped with an intercom and 300-watt speakers through which he bellows orders. Eve is only allowed out to be paraded at cocktail parties and on the last Sunday of each month, when the couple visit a young woman in a mental asylum. Following these outings, Lafargue humiliates Eve by forcing her to perform lewd sexual acts with strangers while he watches through a one-way mirror. In alternating chapters, Jonquet introduces seemingly unrelated characters - a criminal on the run after murdering a policeman, and an abducted young man who finds himself chained naked in a dark chamber, forced to endure all manner of physical torture at the hands of a mysterious stranger, whom he calls 'Mygale', after a type of tropical spider. All of these characters are caught in a deceitful web, doomed to meet their fate.

    Translated from the French by Eric Sutton.

    Random visitors, regulars, and, most notably, her colleagues—three gravediggers, three groundskeepers, and a priest—visit her as often as possible to warm themselves in her lodge, where laughter, companionship, and occasional tears mix with the coffee that she offers them. Her daily life is lived to the rhythms of their hilarious and touching confidences.Violette’s routine is disrupted one day by the arrival of a man—Julien Sole, local police chief—who insists on depositing the ashes of his recently departed mother on the gravesite of a complete stranger. It soon becomes clear that the grave Julien is looking for belongs to his mother’s one-time lover, and that his mother’s story of clandestine love is intertwined with Violette’s own secret past.With Fresh Water for Flowers, Valérie Perrin has given readers a funny, moving, intimately told story of a woman who believes obstinately in happiness. Perrin has the rare talent of illuminating what is exceptional and poetic in what seems ordinary. A #1 best-seller in France, Fresh Water for Flowers is a delightful, atmospheric, absorbing fairy tale full of poetry, generosity, and warmth.

    Childhood tells the story of a misfit child's single-minded determination to become a poet; Youth describes her early experiences of sex, work, and independence. Dependency picks up the story as the narrator embarks on the first of her four marriages and goes on to describe her horrible descent into drug addiction, enabled by her sinister, gaslighting doctor-husband.Throughout, the narrator grapples with the tension between her vocation as a writer and her competing roles as daughter, wife, mother, and drug addict, and she writes about female experience and identity in a way that feels very fresh and pertinent to today's discussions around feminism. Ditlevsen's trilogy is remarkable for its intensity and its immersive depiction of a world of complex female friendships, family and growing up--in this sense, it's Copenhagen's answer to Elena Ferrante's Neapolitan Novels. She can also be seen as a spiritual forerunner of confessional writers like Karl Ove Knausgaard, Annie Ernaux, Rachel Cusk and Deborah Levy. Her trilogy is drawn from her own experiences but reads like the most compelling kind of fiction.Born in a working-class neighborhood in Copenhagen in 1917, Ditlevsen became famous for her poetry while still a teenager, and went on to write novels, stories and memoirs before committing suicide in 1976. Having been dismissed by the critical establishment in her lifetime as a working-class, female writer, she is now being rediscovered and championed as one of Denmark's most important modern authors, with Tove fever gripping readers.

    The Early Years collects the lyrics—formative and classic—from the first ten albums of this true bard of hard living. A celebration of both his words and of the artist himself, this lyrical biography charts the course from Wait's emotional debut album, Closing Time (1977), to the experimental stirrings in Heartattack and Vine (1991) and One from the Heart (1992). Here the words achieve a new potency, adding further dimension to this singularly gifted artist.

    Alyssa Karr's beautiful words fill the reader with inspiration and hope to turn darkness into light.

    Here are attempts at human connection, both depraved and sublime, by people in all stages of life: one-night stands in communal apartments, poignantly awkward couplings, office trysts, schoolgirl crushes, elopements, tentative courtships, and rampant infidelity, shot through with lurid violence, romantic illusion, and surprising tenderness.A murky fate --The fall --The goddess parka --Like Penelope --Ali-baba --Two deities --Father and mother --The impulse --Hallelujah, family! --Give her to me --Milgrom --Clarissa's story --Tamara's baby --Young berries --The adventures of Vera --Eros's way --A happy ending

    When Death Takes Something from You Give It Back chronicles the few first years after receiving that devastating phone call. It is at once a sober account of life after losing a child and an exploration of the language of poetry, loss, and love.Intensely moving and quietly devastating, When Death Takes Something from You Give It Back explores what is it to be a family, what it is to love and lose, and what it is to treasure life in spite of death's indomitable resolve.

    Divided into four sections: love, loss, acceptance, and growth- the content serves the purpose of making you feel and finding the light at the end of the tunnel.

    The literary critic Roland Barthes dies—struck by a laundry van—after lunch with the presidential candidate François Mitterand. The world of letters mourns a tragic accident. But what if it wasn’t an accident at all? What if Barthes was . . . murdered?

    An introduction by Norma Millay, written expressly for this volume, focuses on examples of the poet's variations in sonnet structure. Here is the voice of Millay, whose prophetic vision, devotion to freedom, and intellectual daring combine with her mastery of the sonnet form to speak eloquently for the human spirit.

    They confide in each other. One tells of an unlikely meeting in this seemingly peaceful provincial town. The other recounts, to her sister's amazement, her wanderings around the Fausses-Reposes forest, the Corot Ponds, and the suburban train stations, and the lurking dangers she encountered there.In this arresting novel reminiscent of Simenon, Dominique Barb�ris explores the great depths of the human soul, troubled like the waters of the ponds.

    But for most readers it is the characters of the novel who loom the largest: Swann and Odette, Monsieur de Charlus, Morel, the Duchesse de Guermantes, Françoise, Saint-Loup and so many others — Giants, as the author calls them, immersed in Time."In Search of Lost Time" is a novel in seven volumes. The novel began to take shape in 1909. Proust continued to work on it until his final illness in the autumn of 1922 forced him to break off. Proust established the structure early on, but even after volumes were initially finished he kept adding new material, and edited one volume after another for publication. The last three of the seven volumes contain oversights and fragmentary or unpolished passages as they existed in draft form at the death of the author; the publication of these parts was overseen by his brother Robert.

    Every summer he visits his grandmother in a dusty village overlooking the vast steppes. Here, during the warm evenings, they sit on Charlotte's narrow, flower-covered bacony and listen to tales from another time, another place: Paris at the turn of the century. She who used to see Proust playing tennis in Neuilly captivates the children with stories of Tsar Nicholas's visit to Paris in 1896, of the great Paris flood of 1910, of the death of French president Felix Faure in the arms of his mistress. But from Charlotte the boy also learns of a Russia he has never known, of famine and misery, of brutal injustice, of the hopeless chaos of war. He follows her as she travels by foot from Moscow half the way to Siberia; suffers with her as she tells of her husband - his grandfather - a victim of Stalin's purges; shudders as she describes her own capture by bandits, who brutalize her and left her for dead. Could all this pain and suffering really have happened to his gentle, beloved Charlotte? Mesmerized, the boy weaves Charlotte's stories into his own secret universe of memory and dream. Yet, despite all the deprivations and injustices of the Soviet world, he like many Russians still feels a strong affinity with and "an indestructible love" for his homeland.