The family of three journeys across the country, squabbling, bonding, searching and reconnecting.But Loretta isn’t mother material. She’s broke, unreliable, lost. And there’s something else that’s not quite right with this reunion.They reach the west coast and take refuge in a beachside caravan park. Their neighbour, a surly old man, warns the kids to stay away. But when Loretta disappears again the boys have no choice but to ask the old man for help, and now they face new threats and new fears.This beautifully written and gripping debut is as moving as it is frightening, and as heartbreaking as it is tender.

    She tries to make sense of her mother's brooding, and her father's violent moods. She worships her big brother, Dunc, but when he goes missing, she's terrified it's her fault. The bush and the birds and the endless beach are her only salvation, apart from her teacher, Miss Taylor. Sylvie is a charming narrator with a big heart and a sharp eye for the comic moment. In the tradition of Anne Tyler, The Lost Child is a beautifully written story about family and identity and growing up. It's about what happens when the the world can never be the same again. 'An assured and bittersweet coming-of-age tale.' Books+Publishing

    Estranged from her parents, and living with her grandfather who is drowning in sadness, Oli faces the reality of life beyond university alone. When she wakes on a boat with no recollection of how she got there, she accepts the help of two strangers who change the course of her future forever. With Mac and Maggie, Oli learns to navigate a life upon open ocean and the world flowers into colours she's never seen before. Four years later, Oli, fluent in the language of the sea, is the only woman among men on a yacht delivery from Noumea to Auckland. In the darkness below deck, she learns that at sea, no one can hear you scream. Moving to London, Oli's life at sea is buried. When she meets Hugo, the wind changes, and her memories are dust blown into shapes. Reminding her of everything. Below Deck is about the moments that haunt us, the moments that fan out like ripples through the deep. So that everything else, becomes everything after.

    When Bridget Crack arrives in the colony, she is just grateful to be on dry land. But finding the life of an indentured domestic servant intolerable, she pushes back and is punished for her insubordination-sent from one place to another, each significantly worse than the last. Too late, she realises the place she has ended up is the worst of all: the 'Interior,' where the hard cases are sent-a brutally hard life with a cruel master, miles from civilisation.She runs from there and finds herself imprisoned by the impenetrable Tasmanian wilderness. What she finds there-what finds her-is Matt Sheedy, a man on the run, who saves her from certain death. Her precarious existence among volatile and murderous bushrangers is a different kind of hell and, surrounded by roaring rivers and towering columns of rock, hunted by soldiers and at the mercy of killers, Bridget finds herself in an impossible situation. In the face of terrible darkness, what will she have to do to survive?A gripping and moving story of a woman's struggle for survival in a beautiful and brutal landscape, Bridget Crack is a unique and deeply accomplished novel by a rare talent.

    . . veteran of the Iraq conflict who has suffered such extensive bodily trauma that he can only really survive by means of a mechanical skeleton.Marianna's has been ruined by men . . . A woman who has had to flee the country after her husband lied to the wrong people.John Philip's by too much money . . . Until he receives a surprise inheritance in the evening of his own life.Rodney Hall, two-times winner of the Miles Franklin Literary Award, presents the story of three people experiencing a period of life they never thought possible, and, perhaps, should never have been granted at all...PRAISE FOR RODNEY HALL"Reminiscent of both Joyce and Garcia Marquez" Washington Post"Magnificent. So good that you wish you had written it yourself" Salman Rushdie"A wondrous blend of the fabulous and the surreal" The Australian"Brilliant" David Mitchell

    A Few Days in the Country brings together for the first time her stories published in Australian journals in the 1960s and 1970s, along with those from her archives—including ‘Alice’, published for the first time earlier this year in the New Yorker.Essential reading for Harrower fans, these finely turned pieces show a broader range than the novels, ranging from caustic satires to gentler explorations of friendship.Elizabeth Harrower is the author of the novels Down in the City, The Long Prospect, The Catherine Wheel and The Watch Tower—all of which have been republished as Text Classics—and In Certain Circles, which was published in 2014 and in early 2015 was a BBC Radio 4 Book at Bedtime. Elizabeth lives in Sydney.‘Harrower has the disconcerting knack of looking at life and seeing it unadorned.’ Australian Financial Review, Best Books of 2015‘Vital, vivid stories by a master storyteller.’ Joan London, Age/Sydney Morning Herald, Best Books of 2015‘One has to think hard of a book in which so much pleasure has been wrenched from so much pain. While the skies are overcast here, what happens on the ground is brightly lit, hilariously cast by lashings of irony and overstatement...This is the work of an activist in disguise as an entertainer.’ John Freeman, Australian‘Enchanting...That Harrower has, up until recently, been denied a place in the Australian literary canon, is a tragedy—one that can only be remedied by reading her. A Few Days in the Country: And Other Stories is a fantastic place to start.’ Lip Mag‘Lyrical, insightful and finely tuned.’ Otago Daily Times‘The range of stories and styles demonstrates Harrower’s extraordinary literary skill…A Few Days in the Country and Other Stories offers no sure-fire formulas, but through its interrogation of characters’ psychological motivations it affords a deeper understanding of human behaviour.’ Australian Book Review‘[Harrower] reveals an astonishing facility to reveal a world in a few brush strokes.’ West Australian‘A Few Days in the Country continues [Harrower’s] remarkable literary rejuvenation.’ Australian, Best Books of 2015

    THE MAN FROM SNOWY RIVER is a box office hit and Paul Hogan is on the TV. In a seaside suburb, housewife Theresa takes up swimming. She wants to get fit; she also wants a few precious minutes to herself. So at sunrise each day she strikes out past the waves.From the same beach, the widowed Marie swims. With her husband gone, bathing is the one constant in her new life.After finding herself in a desperate situation, 25-year-old Leanne only has herself to rely on. She became a nurse to help others, even as she resists help herself.Elaine has recently moved from England. Far from home and without her adult sons, her closest friend is a gin bottle.In the waters of Shelly Bay, these four women find each other. They will survive bluebottle stings and heartbreak; they will laugh so hard they swallow water, and they will plunge their tears into the ocean's salt. They will find solace and companionship, and learn that love takes many forms. Most of all, they will cherish their friendship, each and every day. 'Reading this book was like snuggling beneath a warm beach towel after a bracing dip in the ocean.' - JOANNA NELLPraise for Sophie Green's THE INAUGURAL MEETING OF THE FAIRVALE LADIES BOOK CLUB'Tender, intimate, heartwarming, fulfilling and Australian as a lamb roast and full-bodied shiraz' The Australian Women's Weekly'An absolute gem of a novel, with the most evocative sense of place . . . A treat for any book club' BETTER READING

     When Jo Breen uses her divorce settlement to buy a neglected property in the Byron Bay hinterland, she is hoping for a tree change, and a blossoming connection to the land of her Aboriginal ancestors. What she discovers instead is sharp dissent from her teenage daughter, trouble brewing from unimpressed white neighbours and a looming Native Title war between the local Bundjalung families. When Jo unexpectedly finds love on one side of the Native Title divide she quickly learns that living on country is only part of the recipe for the Good Life. Told with humour and a sharp satirical eye, Mullumbimby is a modern novel set against an ancient land.

    She doesn’t mind, not really—not with Atticus, her African grey parrot, to keep her company—but after her house is broken into by a knife-wielding intruder, she decides it might be good to have some company after all.Andy’s father has lost his job, and his parents’ savings are barely enough to cover his tuition. If he wants to graduate, he’ll have to give up his student flat and find a homeshare. Living with an elderly Australian woman is harder than he’d expected, though, and soon he’s struggling with more than his studies.

    When the bridge collapses one October morning, killing 35 of his workmates, his world crashes down on him.In 2009, Jo and her best friend, Ashleigh, are on the verge of finishing high school and flush with the possibilities for their future. But one terrible mistake sets Jo’s life on a radically different course.Drawing on true events of Australia’s worst industrial accident — a tragedy that still scars the city — The Bridge is a profoundly moving novel that examines class, guilt, and moral culpability. Yet it shows that even the most harrowing of situations can give way to forgiveness and redemption. Ultimately, it is a testament to survival and the resilience of the human spirit.

    Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in.Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her, her own troubled past? And how far can Ruth trust herself?

    After everything she's been through, Georgia knows she deserves someone like him, to make her feel loved. Safe.The only problem is his ex-girlfriend. Luke says Cadence is having trouble accepting their break-up, but Georgia thinks there's more to the story. She also has the feeling someone is watching her.When everything starts to go wrong at work, at home, in her old friendships and her happy new relationship with Luke, Georgia starts to feel truly afraid.Cadence wants what she has. What would she do to get it?And can Georgia trust anyone at all? Praise for Nicola Moriarty 'I devoured it' Marian Keyes 'Accelerates in intensity and sheer originality with every page' Australian Women's Weekly 'Dramatic, mysterious and compelling' Vogue

    Her late husband was the lighthousekeeper on Bruny, and she'd raised a family on the wild windswept island, until terrible circumstances forced them back to civilization. The long-buried secret that has haunted her for decades now threatens to break free, and she hopes to banish it in the time she has left. Mary's youngest son Tom loves Bruny as much as she does, and understands her primal connection to the island. Years before he spent a winter working in Antarctica, and returned from that empty loneliness to find his marriage over and his life destroyed. Still wounded, Tom lives a simple life, unable and unwilling to make real connections with people in case he gets hurt again—but then he meets Emma, newly returned from Antarctica and as open and welcoming as Tom is not. As Mary's time winds down, both she and Tom must face their pasts in ways they cannot even begin to imagine, and Mary finds that the script she's written to the end of her life has taken on a few twists of its own.

    In telling lies, Laura learns both the astonishing allure of fiction and the social costs of stepping beyond the bounds of propriety, gender, class, and family ties.The novel is only in part a fictionalised account of Richardson's school years at the Presbyterian Ladies College, Melbourne, where (unlike her fictional counterpart) she was not only academically successful but also an outstanding student of music. Unusual for stories of school-life, The Getting of Wisdom was clearly aimed at a mature readership able to understand irony and a critique of the colonial educational provision of its day, including a determination to preserve sexual ignorance in young women.

    Surrounded by family and calm waters, seventeen-year-old Zoe Kennett has inexplicably vanished.Four storytellers share their version of what has led to this moment, weaving tales which span centuries and continents. But Tony needs facts, not fiction: how will such fables lead him to Zoe and to the truth?As Tony's investigation deepens, he is drawn into a world where myth and history blur, and where women who risk all for love must pay the price through every generation.