Even within their large, disorderly family—all descendants of a famous actress—their intensity and passion for theater sets them apart. It makes them a little dangerous. When they are cast in their school’s production of Twelfth Night, they are forced to face their separate talents and futures, and their future together.This stunning short novel, winner of the World Fantasy Award, is the perfect introduction to Elizabeth Hand’s singular voice. Her many novels offer a window into what it means to create art, to experience it, to feel passionately about the world. Illyria throws her talent into high relief—it is magic on paper.

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    Celebrated law professor and author Kenji Yoshino delves into ten of the most important works of the Immortal Bard of Avon, offering prescient and thought-provoking discussions of lawyers, property rights, vengeance (legal and otherwise), and restitution that have tremendous significance to the defining events of our times—from the O.J. Simpson trial to Abu Ghraib. Anyone fascinated by important legal and social issues—as well as fans of Shakespeare-centered bestsellers like Will in the World—will find A Thousand Times More Fair an exceptionally rewarding reading experience.

    New ideas were transforming Western thought, the medieval was giving way to the modern, and the work of a few key figures hinted at the brave new world to come: the methodical and rational Galileo, the skeptical Montaigne, and—as Falk convincingly argues—Shakespeare, who observed human nature just as intently as the astronomers who studied the night sky.In The Science of Shakespeare, we meet a colorful cast of Renaissance thinkers, including Thomas Digges, who published the first English account of the "new astronomy" and lived in the same neighborhood as Shakespeare; Thomas Harriot—"England's Galileo"—who aimed a telescope at the night sky months ahead of his Italian counterpart; and Danish astronomer Tycho Brahe, whose observatory-castle stood within sight of Elsinore, chosen by Shakespeare as the setting for Hamlet—and whose family crest happened to include the names "Rosencrans" and "Guildensteren." And then there's Galileo himself: As Falk shows, his telescopic observations may have influenced one of Shakespeare's final works.Dan Falk's The Science of Shakespeare explores the connections between the famous playwright and the beginnings of the Scientific Revolution—and how, together, they changed the world forever.

    An evil seed takes root in the mind of Macbeth, a general in the king’s army, when three witches tell him he will one day be king. At the urging of his wife, he resolves to take the throne by the most direct path: a dagger in the heart of King Duncan. But "blood will have blood," and when others grow suspicious of his sudden rise to power, is Macbeth prepared to commit more murders to keep the crown?

    Arguably, no literary work is more familiar to us. Everyone knows at least six words from Hamlet, and most people know many more. Yet the play—Shakespeare’s longest—is more than “passing strange,” and it becomes even more complex when considered closely.  Reading Hamlet alongside other writers, philosophers, and psychoanalysts—Carl Schmitt, Walter Benjamin, Freud, Lacan, Nietzsche, Melville, and Joyce—Simon Critchley and Jamieson Webster go in search of a particularly modern drama that is as much about ourselves as it is a product of Shakespeare’s imagination. They also offer a startling interpretation of the action onstage: it is structured around “nothing”—or, in the enigmatic words of the player queen, “it nothing must.”  From the illusion of theater and the spectacle of statecraft to the psychological interplay of inhibition and emotion, Hamlet discloses the modern paradox of our lives: how thought and action seem to pull against each other, the one annulling the possibility of the other. As a counterweight to Hamlet’s melancholy paralysis, Ophelia emerges as the play’s true hero. In her madness, she lives the love of which Hamlet is incapable. Avoiding the customary clichés about the timelessness of the Bard, Critchley and Webster show the timely power of Hamlet to cast light on the intractable dilemmas of human existence in a world that is rotten and out of joint.

    But with Shakespearean scholar parents who dress in Elizabethan regalia and generally go about in public as if it were the sixteenth century, that’s not terribly easy. It gets worse when they decide that Hamlet’s genius seven year-old sister will attend middle school with her— and even worse when the Shakespeare project is announced and her sister is named the new math tutor. By the time an in-class recitation reveals that our heroine is an extraordinary Shakespearean actress, Hamlet can no longer hide from the fact that she—like her family—is anything but average. In a novel every bit as funny as her debut, Erin Dionne has created another eighth grader whose situation is utterly unique—but whose foibles and farces will resound with every girl currently suffering through middle school.

    Highly popular and influential in the development of Elizabethan drama, it established a new genre in English theatre; the revenge play.

    Césaire’s rich and insightful adaptation of The Tempest draws on contemporary Caribbean society, the African-American experience and African mythology to raise questions about colonialism, racism and their lasting effects.

    Readers all over the world—Shakespeare Our Contemporary has been translated into nineteen languages since it appeared in 1961—have similarly found their responses to Shakespeare broadened and enriched. Mary McCarthy called the work "the best, the most alive, radical book about Shakespeare in at least a generation."

    One of the great playwrights of his age, second only to Shakespeare, he was also a secret agent as well as the central figure in a murder mystery. Now, Park Honan offers the most thoroughly researched and detailed biography of Marlowe to appear in over fifty years. Honan, the acclaimed biographer of Shakespeare, takes us from Marlowe's childhood in Canterbury to his mysterious death in Deptford, shedding much light on this shadowy individual. The book features new information on Marlowe's six-and-a-half years at Corpus Christi College, Cambridge, his shocking blasphemy and his street fights, his methods of preparing himself for writing, and his alleged atheism. The book includes new facts about Marlowe's adventures on the continent, where he was caught with a counterfeit coin, a hanging offense, but talked his way out of the noose and was returned to England in irons. Honan describes his attraction to scientists such as Thomas Harriot and other hard-headed realists bent on innovation and free thought. In addition, there are new details on spies and business agents that Marlowe knew, a more exact account of the circumstances that led to his murder, and a fresh description of his evolving relationship with Shakespeare. The author of Tamberlaine the Great and Doctor Faustus, Christopher Marlowe changed the nature of the English stage. Researched in archives in England, Europe, and the United States, this superb biography paints an unforgettable portrait of one of the most remarkable figures in English literature.

    Morrison's response to Sellars’ 2009 production of Othello is an intimate dialogue of words and music between Desdemona and her African nurse Barbary. Morrison gives voice and depth to the female characters, letting them speak and sing in the fullness of their hearts. Desdemona is an extraordinary narrative of words, music and song about Shakespeare’s doomed heroine, who speaks from the grave about the traumas of race, class, gender, war — and the transformative power of love. Toni Morrison transports one of the most iconic, central, and disturbing treatments of race in Western culture into the new realities and potential outcomes facing a rising generation of the 21st century.