Meet the Mackenzie family—rich, powerful, dangerous, eccentric. A lady couldn't be seen with them without ruin. Rumors surround them—of tragic violence, of their mistresses, of their dark appetites, of scandals that set England and Scotland abuzz. The youngest brother, Ian, known as the Mad Mackenzie, spent most of his young life in an asylum, and everyone agrees he is decidedly odd. He's also hard and handsome and has a penchant for Ming pottery and beautiful women. Beth Ackerley, widow, has recently come into a fortune. She has decided that she wants no more drama in her life. She was raised in drama—an alcoholic father who drove them into the workhouse, a frail mother she had to nurse until her death, a fussy old lady she became constant companion to. No, she wants to take her money and find peace, to travel, to learn art, to sit back and fondly remember her brief but happy marriage to her late husband. And then Ian Mackenzie decides he wants her. The first of a new historical series.

    He's London's ogre. Lady Isabella Knox enjoys her independence. She collects strays—dogs, kittens, runaway brides—but she has no intention of collecting a husband. Major Nicholas Reynolds returns from the Battle of Waterloo a hero. He’s had enough of soldiering; all he wants now is a bride ... but his scarred face sends young ladies fleeing—literally. When a slip of her tongue brands the major an ogre—and his chances of marriage disintegrate—Isabella sets out to undo the harm she inadvertently caused. How better to revive the major’s marriage prospects than for the two of them to indulge in a make-believe flirtation? They both know it’s not real, so where’s the danger? But Isabella is soon in over her head—and so is Major Reynolds.

    William never knew that Elizabeth’s act of charity cost her greatly. Once Cromwell’s men discover that Elizabeth gave aid to one of Charles’ cavaliers, they seize her family’s estates, thus forcing Elizabeth into an unwanted marriage in order to survive.As a widow, Elizabeth arrives in the Merry Monarch’s court hoping to convince the king to restore her lands. William, now Earl Rivers and the court’s official poet, knows he must help his old friend. He knows exactly how to repackage Elizabeth so that she can capture the king’s attention, but what this infamous libertine doesn't expect is that he will fall in love with his new creation instead.

    Instead, despised by her aristocratic father’s family because of her mother’s foreign birth, she’s taken a “safe” position as a governess. Now, unprotected and alone in London, accused of the shocking murder of her employer, she has no one to turn to except the mysterious—and possibly dangerous—Lord Ruthveyn.A dark-eyed Lucifer, Ruthveyn guards his secrets carefully. His shadowed past is a source of pain and rumors—only whispered. Grace’s plight—which echoes his own—moves him, as does her quiet beauty. Ruthveyn is determined to save Grace by unmasking a killer. But his growing passion places his own heart at risk and threatens to expose his dark gifts to the world.

    Scoundrel. Titan of business. August Faulkner is a man of many talents, not the least of which is enticing women into his bedchamber. He's known-and reviled-for buying and selling companies, accumulating scads of money, and breaking hearts. It's a reputation he wears like a badge of honor, and one he intends to keep. Clara Hayward, the headmistress of the Haverhall School for Young Ladies, on the other hand, is above reproach. Yet when she's reunited with August all she can think of is the way she felt in his arms as they danced a scandalous waltz ten long years ago. Even though her head knows that he is only back in her life to take over her family's business, her heart can't help but open to the very duke who could destroy it for good.