If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.

    He is an extremely wealthy man, although no one knows where he or his money have come from. But Gatsby has a purpose: he is following a dream of love. Will his dream come true?

    Each time Susan thinks she just might have a handle on this "mothering thing," Lily discovers a new stage of growth and testing and Susan tries her best to keep up.A chance meeting of a high school acquaintance, JoJo, also a new mom, in the grocery store gives both Susan and her daughter friends to learn and grow with. Parenting their girls from toddler-through-teen years is a constant challenge for the two mothers...and their daughters. As high school graduation approaches, all four of these women face new territory. Are the young women ready for life on their own? Are the mothers ready to let their girls go?"Learning to Fly" is a story of life, love, and letting go."Fiction that finds blessing in the broken"..".a CBA novelist to watch." --"Publishers Weekly"