She is guided in this by a being she calls the Assembler of Parts, and her task, as she understands it, is to glean her life's meaning. From birth, it was obvious that she was unlike other children: she was born without thumbs. The Assembler left out other parts too, for she suffers from a syndrome of birth defects that leaves her flawed. But soon it becomes apparent that by her very imperfections she has a unique ability to draw love from — and heal — those around her, from the team of doctors who rally to her care, to the parents who come together over her, to the grandmother whose guilt she assuages, to the family friend whom she helps reconcile with an angry past. With a voice full of wisdom and humor, she tells their stories too. Yet, only when she dies suddenly and her parents are suspected of neglect, unleashing a chain of events beyond her healing, does the meaning of her life come into full focus. And only then does the Assembler's purpose become clear.With prose that is rich in emotion — from laughter to tears to outrage to joyful relief — and an eloquence that distills poetry from the language of medicine and the words for ordinary things, Raoul Wientzen has delivered a novel of rare beauty that speaks to subjects as profound as faith, what makes us human, and the value of a life.

    Frustrated and lonely, Etto is faced with the seemingly impossible prospect of cobbling together the remaining pieces of his life, including his mostly nonexistent relationship with his father, the town butcher. Things begin to change for Etto when Yuri Fil, a scandal-ridden Ukrainian soccer star and his tough-love sister, Zhuki, arrive in town, and sweep him into their universe of soccer, celebrity, laughter, and fierce loyalty. Under their influence, Etto begins to reconstruct his relationship with his father and learns a few life lessons: that perhaps the game of soccer isn’t just a waste of time—and that San Benedetto, his father, love, and life itself might have more to offer him than he ever believed possible.

    Eliana is his whole world and for someone his age, the burden is immense. You see, Eliana is being stalked. Stalked by a madman who wants nothing more than to see her dead. The madman knows things that no one should know and sees things that no one should see. He tells them if they say a word to anyone, they will both die. And Luke can’t let that happen. Eliana’s past is catching up with her and Luke must do anything to save her. Anything.

    Louis, living the quintessential bachelor life with his young son, Quint. He is also a man who aspires beyond his means and class. When Gerald meets the wealthy divorcée Ann Lauterbach and the two marry, life changes irrevocably for Quint. He enters a social world of private schools and debutante balls known to him only through his father's longings. As Quint's attachment to his stepmother and her "means" grows, her marriage to his father begins to crumble in small, subtle ways, which ultimately leads to larger, more devastating consequences.

    Nobody gets tapped with a magic wand and suddenly has the ability to produce art, music, photos, films, or writing—they just do it. And you probably should too. Make It Till You Make It breaks down 40 myths and truths about the pursuit of creative expression, whether you want to make $0 a year doing your thing or $100,000 a year.

    It might make you uncomfortable. If it does—if your stomach knots or your skin prickles—then your answer is yes. You probably don’t want to admit it. I get that. But it doesn’t change the fact that deep down you’re a killer. Like me. My name is Mia Sanguine. I’m a 17-year- old girl, living in Australia. I go to school, play percussion in the orchestra, and study when I have to. I like horror movies, comic books, and punk music. Oh, and yeah, a group of teenagers has ruined my life. So I’m going to kill them. But don’t get me wrong—I’m not talking about some Columbine-styled rubbish. No offense, but this isn’t the United States. All I need is a mask, an outfit, and a pair of knives. You see, I’m going to become a slasher movie villain. Like Jason, Mike, or Ghostface. In real life. Not because it’s right. But because of what I am. A YOUNG SLASHER.