Although they have met only on a few occasions, Voss and Laura are joined by overwhelming, obsessive feelings for each other. Voss sets out to cross the continent, and as hardships, mutiny and betrayal whittle away his power to endure and to lead, his attachment to Laura gradually increases. Laura, waiting in Sydney, moves through the months of separation as if they were a dream and Voss the only reality.

    Tasmania. The green, rolling hills of the dairy town Mole Creek have a dark underside -- a labyrinthine underworld of tunnels that stretch for countless miles, caverns the size of cathedrals and underground rivers that flood after heavy rain. The caves are dangerous places, forbidden to children. But this is Tasmania -- an island at the end of the earth. Here, rules are made to be broken.For two young brothers, a hidden cave a short walk from the family farm seems the perfect escape from their abusive, shell-shocked father -- until the older brother goes missing. Fearful of his father, nine-year-old Kip lies about what happened. It is a decision that will haunt him for the rest of his life. Fifty years later, Kip -- now an award-winning scientist -- has a young son of his own, but cannot look at him without seeing his lost brother, Tommy. On a mission of atonement, he returns to the cave they called Kubla to discover if it's ever too late to set things right. To have a second chance. To be the father he never had.The Better Son is a richly imaginative and universal story about the danger of secrets, the beauty in forgiveness and the enthralling power of Tasmania's unique natural landscapes.

    Drinking, prostitution, and other depravities follow the sailors, transforming the upscale town into what many residents—including young lawyer William Bartlett, whose genteel family has lived in Newport for generations—consider to be a moral cesspool.When sailors accuse a beloved local clergyman of sexual impropriety, William feels compelled to fight back. He agrees to defend the minister against the shocking allegations, in the face of dire personal and professional consequences. But when the trial grows increasingly sensational, and when outrageous revelations echo all the way from Newport to the federal government, William must confront more than just the truth—he must confront the very nature of good and evil.Certainty recalls a war-torn era when the line between right and wrong became dangerously blurred.

    Tortured by memories of Bergen-Belsen, her mother leaves Dina to inherit her decades of trauma. Dina desperately anchors herself in family—a cherished young son, a world-weary husband, and a daughter on the way—and her work as a doctor, but she is struggling to cope, burdened by both the very real anxieties of her daily life and also the shadows of her parents’ ghosts, who follow her wherever she goes. A witty, sensitive narrator, she fights to stay grounded in the here-and-now, even as the challenges of motherhood and medicine threaten to overwhelm her. In taut, compelling prose, The Waiting Room weaves between Dina’s exterior and interior lives, straddling the present and the past—and building towards a profoundly dramatic climax that will remind readers of the fragility of human life even as it reassures them of the inescapable power of love and family.

    This year, Angela surprises herself—she tells the truth....The Gillespies are far from the perfect family that Angela has made them out to be. Her husband is coping badly with retirement. Her thirty-two-year-old twins are having career meltdowns. Her third daughter, badly in debt, can’t stop crying. And her ten-year-old son spends more time talking to his imaginary friend than to real ones.Without Angela, the family would fall apart. But when a bump on the head leaves Angela with temporary amnesia, the Gillespies pull together—and pull themselves together—in wonderfully surprising ways....

    For Eneas McNulty, a happy, innocent childhood in County Sligo in the early 1900s gives way to an Ireland wracked by violence and conflict. Unable to find work in the depressed times after World War I, Eneas joins the British-led police force, the Royal Irish Constabulary—a decision that alters the course of his life. Branded a traitor by Irish nationalists and pursued by IRA hitmen, Eneas is forced to flee his homeland, his family, and Viv, the woman he loves. His wandering terminates on the Isle of Dogs, a haven for sailors, where a lifetime of loss is redeemed by a final act of generosity. The Whereabouts of Eneas McNulty is the story of a lost man and a compelling saga that illuminates Ireland's complex history.

    When one is finally offered to her, she realizes with alarm that the libretto is based on a hidden piece of her past. Only four could have betrayed her: one is dead, one loves her, one wants to own her. And one, she hopes, never thinks of her at all.  As she mines her memories for clues, she recalls her life as an orphan who left the American frontier for Europe and was swept up into the glitzy, gritty world of Second Empire Paris. In order to survive, she transformed herself from hippodrome rider to courtesan, from empress’s maid to debut singer, all the while weaving a complicated web of romance, obligation, and political intrigue.   Featuring a cast of characters drawn from history, The Queen of the Night follows Lilliet as she moves ever closer to the truth behind the mysterious opera and the role that could secure her reputation -- or destroy her with the secrets it reveals.

    Beautiful but shy Judy Melton, daughter of a naval war hero, her determinedly feckless friend, the social butterfly Meggie Gore-Stewart, seemingly demure Mathilda Eastcott, and Corrie Hogarth, the tomboy daughter of the owner of the local boatyard, are all in their very individual ways determined to play an active part in the defence of their country. Knitting socks and bomb-dodging is not what they have in mind for themselves while their husbands and brothers, fathers and lovers are away fighting.But attitudes to women's roles in a warring world are difficult to change, and at first all four find it impossible to settle for the traditional kind of work that their families envisage. However, it is not just the young women of Bexham who are determined to find new roles for themselves - so are their mothers. In this manner the little Sussex village, facing as it does the coastline of Nazi-invaded France, finds its closely sewn social fabric gradually unstitch, inch by little inch.Under the tree on the green the women of Bexham meet to look back on a landscape that has changed irrevocably, and which they have in their own ways helped to alter. None of them are the same, and yet, with the men returning from war, they are expected to slip back into their simple roles of mother, daughter, grandmother. This, more than anything perhaps, is their greatest sacrifice. Having been freed by war, they have now to relinquish that very independence that gave them the liberty for which they once fought.Only the chestnut tree planted by Corrie at the edge of the village flourishes in the accepted manner, finally becoming the uniting symbol of all that has passed forever.