Six people longing to mend broken hearts and shattered dreams… Three romances ready to blossom in the charming Midwest town of Clayburn. REMEMBER TO FORGET: Graphic designer Maggie Anderson has lived under her boyfriend's tyranny for nearly two years...until she's carjacked in New York. Will this terrifying experience be the end for Maggie—or the beginning of a freedom greater than she dares imagine? But to gain her freedom, she'll have to remember to forget everything about her old life… LEAVING NOVEMBER: Eight years ago, Vienne Kenney moved away from Clayburn and all its gossip to pursue a law degree in California. But now she has failed the bar exam…again. Is she destined to be stuck forever, a failure—just like her father—in this podunk Kansas town? YESTERDAY’S EMBERS: On Thanksgiving Day, Douglas DeVore kissed his beloved wife good-bye, unaware that it would be the last time he'd see her—or their precious daughter Rachel. Left with five kids to raise on his own, and already juggling two jobs to make ends meet, Doug wonders how he'll manage moment by moment, much less day after day, without Kaye's love and support.

    What was supposed to be a summer fling turned into a toxic love affair. With Trayon away, how will she be able to cope? Does she wait for him or run into the arms of another man? Set on a path of revenge, Trayon wants nothing more than to get what he is owed and that's the throne. On his journey of revenge, he discovers some shocking secrets; family secrets that will cause him to lose sight of his original plan. Will he reach a point where not even, Asayi's love can save him? Stacy is stuck trying to balance his time between two women. When he finds himself giving one woman more time than the other, he might just regret that choice. Will he risk everything him and Tuchie built over a childhood love? This is the second installment to a heart-wrenching, tear-filled and an emotional journey. Secrets, lies, deceit and murder. Everyone has experienced damages in their love life. Will they overcome it or will they remain damaged? Get ready for a gritty and urban hood love novel.

    That's how they see me--all they'll ever see when they look at me. But I am more, so much more. We can't change the past, the hand we've been dealt, But we can play that hand and win in the end. And that's what I plan to do--what I've always planned to do. Then he came into my life. Jaxon Prescott. He's everything I want, But nothing I'm permitted to have. He's too good, too perfect, For someone like me. After all, I'm just a maid, To them. They don't know the real me, My dreams, my fears, my past, My secrets. Jax A rich playboy.... That's how they see me--all they'll ever see when they look at me. They've got it all wrong, So wrong. I've been living a lie, a fabrication of what they want, And I thought it was what I wanted. Then she came into my life. Ava Williams. She reminded me of what I want, What I need, And who I really am. She's everything, But nothing I'm supposed to have. She's not right, not polished enough For someone like me. After all, I'm high class society--better than everyone else, To them. They don't know the real me, My dreams, my fears, my past, My secrets.

    

    To divulge the private confession would violate holy canon law. When he refuses to go to the police, people begin to die, and the priest becomes the prime suspect. Elizabeth Monroe, a college professor who teaches forensic psychology, doesn’t believe the elder priest fits the killer’s profile. Elizabeth discovers a frightening thread woven within each killing—a thread that began thirty years ago. To stop the murders, she has to find where the seed of evil was first planted. Because the roots are penetrating deep within a small Mississippi town and they’re spreading dangerously close to Elizabeth.

    Aleta Williams spins a realistic tale that indeed is... Saltier Than Ever--- CA$H author of the urban classic Trust No Man trilogy, Thugs Cry, and Shorty Got A ThugSix months after her mother's death Jazz is determined to start the healing process and follow her dreams. It seems like things go from good.. to bad... to worse in a matter of time. How can you let go of the past and prepare for a future that is unknown to you; when you are not even sure of your present? Will Jazz be able to push through life's drama and find herself again or will she be left standing alone and hurt by those she trusted and love?Diesel lost his basketball contract, might have impregnated a stripper, and as quiet as its kept he's dealing with the stress the only way he knows how, by lashing out at the black b*tch he believes is responsible for his misery. Will Diesel take responsibility for his own actions?From a preacher to a gangster, Pastor G is out for revenge. He wants the man's head that he believes is the real reason for his wife's death. Will Pastor G succeed on the devils playground?Ken always seems to be in the right place at the wrong time. Trying to make sure a friend makes it home safe, turns into him being a suspect in crime that he claims he didn't commit; thus, making him less closer to winning over the one that has his heart. Will Ken clear his name and capture the heart of the one he loves?Yay-Yay and White-Girl are still the grimiest chicks in Los Angeles, but when karma pays them both a visit, they soon find out that she's the baddest b*tch of them all. Will these chicks ever learn the true reason for their downfall?Supported by the ghetto, grimy, and sassy characters of this novel. This installment is Saltier than Ever! ***Aleta is back with a juicy third installment of the Ghetto Soap Opera series. Saltier Than Ever is full of drama, twists and turns that you wont see coming. ---Karen Williams author of Harlem on Lock, Dirty to the Grave, The People vs Cashmere, Thug In Me, and Sweet Giselle.

    Lady Sondra and her family. Shortly after Lady Sondra is released from doing a ten year stint in Bellevue Mental Institution, tragedy strikes close to home testing her bad side and putting her on a vengeful mission for blood. Things go horribly wrong when she attempts to recruit her twin sons Rahmel and Jahmel to embark on a mission to build an untouchable drug empire all the while trying to keep her daughter Mahogany on the straight and narrow path. Lady Sondra is just one incident away from being sent back to the place she’s vowed never to visit again. Drama and betrayal send her spiraling down a dark bumpy road of no return. Get to know the Bells and learn all of the family secrets as you and those who betray Lady Sondra experience “A Bitch’s Bad Side”

    Easy to tick off so you can keep track of which book is next in reading order. There are no parts or portions of the books themselves here, just the titles in reading order. Perfect for keeping a checklist in your kindle app.

    

    A South Indian Journey is a magical mixture of history and travelogue, and an unforgettable portrait of India - past, present and future.'A wonderful introduction to the history and culture of the south, and a work of love' William Dalrymple'A supremely well-informed and affectionate portrait of Tamil Nadu and its people...One of the most enlightening books on South India ever written' Rough Guide to IndiaMichael Wood was born and educated in Manchester. He was an open scholar in Modern History at Oriel College, Oxford, where he held a Bishop Fraser scholarship in Medieval History as a postgraduate. He has made a number of internationally successful tv series, including In the Footsteps of Alexander the Great, and four of his books have been UK non-

    This anthology brings together writings on Delhi by residents, refugees, travellers and invaders who have engaged with the city at various movements in its long history. Edited by Khushwant Singh, this is a collection as varied and lively - sometimes serious, sometimes richly humorous - as Delhi itself.

    Renowned for her natural talent and haunting beauty, Waheeda Rehman’s career spans an astonishing array of key films in Indian cinema, including Pyaasa, Abhijan, Mujhe Jeene Do, Guide, Teesri Kasam and Rang De Basanti.In this engaging book of conversations with Nasreen Munni Kabir, Waheeda Rehman proves to be a lively raconteur, speaking about her life and work with refreshing honesty, humour and insight: from the devastating loss of her parents when she was young to making a life in cinema on her own terms, from insightful accounts of working with extraordinary film practitioners like Guru Dutt, Raj Khosla, Satyajit Ray, Raj Kapoor, Dev Anand and Vijay Anand to her friendship with stars like Nargis and Nanda.A slice of cinema history told through compelling anecdotes and astute observations, Conversations with Waheeda Rehman provides a rare view of a much-adored and award-winning actress of Indian cinema.

    Gulzar witnessed the horrors of Partition first-hand and it is a theme that he has gone back to again and again in his writings. Footprints on Zero Line brings together a collection of his finest writings - fiction, non-fiction and poems - on the subject. What sets this collection apart from other writings on Partition is that Gulzar's unerring eye does not stop at the events of 1947 but looks at how it continues to affect our lives to this day. Wonderfully rendered in English by well-known author and translator Rakhshanda Jalil, this collection marks seventy years of India's Independence. Footprints on Zero Line is not only a brilliant collection on a cataclysmic event in the history of our nation by one of our finest contemporary writers, it is also a timely reminder that those who forget the errors of the past are doomed to repeat them.

    It captures the dominance of a colonial power over the region that began with the entry of the Portuguese about four hundred years ago. The novel is a graphic description of the displacement of this strongly-rooted community which saw its resurrection in a new area. In the course of its narrative, the novel traces the gradual changes in the structure of the family that moved from a closely knit joint family of the bygone era to the nuclear family. It also deals with the factors that are responsible for the change in value systems of individuals in the wake of such paradigm shifts. With its vast canvas, it remarkably weaves fiction with myth and history, peppered with cultural details and linguistic nuances. The narration in Swapna Saraswatha progresses in the form of an epic detailing the story of nine generations spread over a period of two hundred and fifty years from 1510 to about 1760. It encompasses more than a hundred and fifty characters which include Hindus, Muslims, Christians, chieftains, traders, farmers, priests and black magicians, and covers a range of themes spread across folk tales, legends, armies, myths and a sprinkling of history.

    But there were restrictions too, that come with growing up in an orthodox Tamil Brahmin family, as well as the rarely spoken about dangers of predatory male relatives. Ruskin College, Oxford, gave her her first taste of freedom in 1955, at the age of 22. Oxford brought her a degree in philosophy and economics—as well as hardship, as she washed dishes in a cafe to pay her fees. It was here, too, that she had her early encounters with the sensual life. With rare candour, she writes of her romantic liaisons in Oxford and Harvard, and falling in love with her ‘unsuitable boy’—her husband, Lakshmi Jain, whom she married against her beloved father’s wishes.Devaki’s professional life saw her becoming deeply involved with the cause of ‘poor’ women—workers in the informal economy, for whom she strove to get a better deal. In the international arena, she joined cause with the concerns of the colonized nations of the south, as they fought to make their voices heard against the rich and powerful nations of the former colonizers. Her work brought her into contact with world leaders and thinkers, amongst them, Vinoba Bhave, Nelson Mandela, Desmond Tutu, Henry Kissinger, Amartya Sen, Doris Lessing and Iris Murdoch, her tutor at St Anne’s College, Oxford, who became a lifelong friend.In all these encounters and anecdotes, what shines through is Devaki Jain’s honesty in telling it like it was—with a message for women across generations, that one can experience the good, the bad and the ugly, and remain standing to tell the story.