Would he succeed in killing the noble Rama and Lakshmana? Not while Hanuman was around, for this faithful friend had a trick or two of his own. The Bengali "Krittivasa Ramayana" written by poet Krittivasa in the 15th century describes how Hanuman manages to get around the wily sorcerer's schemes.

    Her patience snaps, eventually. Pure in her love, this gentle woman is transformed into an avenging angel, raining death and doom on all her foes, until the gods are forced to intervene. Ilango Adigal's Tamil classic, Shilappadikaram presents life with all its flaws but also with hope.

    She is the power that protects and destroys. She represents the fertile, bountiful earth, and is the protector of all life form. All goddesses are considered to be a manifestation of her. The worship of the goddess has evolved over time. Local village goddesses of the forest, field, river and lake became versions of the one great female principle. Lakshmi, Saraswati and Parvati are also considered to be forms of Adi Shakti. The Devi Mahatmayam or the ‘Glory of the Goddess’, describes her as the fierce and beautiful goddess who fights asuras and wards off evil. She shields the gods against evil and stands up for the worthy.Amar Chitra Katha brings together stories of seven goddesses from the Puranas, folklore and the Devi Bhagavata. Endowed with strength, grace and courage, these goddesses show us the power of being a woman.

    As he rises into the sky he spreads light and warmth all over the world. The great Ganga king, Narasimha Rao, commissioned 1200 artisans to recreate this scene in stone. The Konark Sun Temple is a place where the lines between fact, fiction and folklore have blurred over time. Amar Chitra Katha interweaves the history of the 13th century monument with some of the mythology associated with it.

    Ayyappan's courage is unlimited and his wisdom unmatched. Vicious tigresses fall under his spell just as avenging demons succumb to his divine strength. Only power-crazed human beings are foolish enough to try to destroy this extraordinary lad. But, as he ascends to his rightful place as the god of Shabarimala, the glow of Ayyappan's compassion makes even earthly riches lose their glitter.

    To top it he had speech difficulties and was vague and inattentive. Albert hated the kind of rote learning he was obliged to do in school, memorizing dates and texts. But as he grew older, it became clear that Albert was no ordinary person. 1905 is often termed his 'miracle year', the year he published not one but four entirely new papers, on four completely different topics.

    The [Chithoni railway link] bridge was completed eleven weeks ahead of schedule and proved to be helpful to one and all.Two key railway projects changed the way India travels by train—the 760-km stretch of Konkan Railway and the Delhi Metro. Both the projects were up and running in seven years flat and the man in charge was Dr Elattuvalapil Sreedharan, popularly known as the Railway Man. He has been hailed as the messiah of new-age infrastructure projects and his success stories have become railway engineering benchmark.Respected, loved and equally hated, this book covers the amazing story of one man—his perseverance, beliefs, and public and private battles. India’s Railway Man: A Biography of E. Sreedharan is a tribute to this extraordinary man.

    He was a singer by choice, an actor by compulsion, a filmmaker by conviction...a writer, music composer, lyricist and above all, a supreme impresario. He was known to be a miser, a madman and a troublemaker who could never be trusted. And then, there are those who knew him well who insist that he was as sober as a monk. So who was the real Kishore Kumar? This book attempts to provide an answer with a well-rounded picture of his personality and rare and lively pictures to supplement the text.

    He even asks for your help! This is a funny, rhyming story that will brighten the day of every kid or adult who keeps Wally "stuck" on their Kindle. Hold on tight to your Kindle while you're reading!

    Vikram Sampath, in this remarkable book, brings forth little known details of this fascinating woman who was known for her melodious voice, her multi-lingual skills, poetic sensibility, irresistible personality and her extravagant lifestyle. From her early days in Azamgarh and Banaras to the glory years in Calcutta when Gauhar ruled the world of Indian music, to her sad fall from grace and end in Mysore, the book takes the reader through the roller-coaster ride of this feisty musician. In the process, the author presents a view of the socio-historical context of Indian music and theatre during that period.

    So great was his stature as an Urdu poet that he never had to mould his poetry to suit the demands of film songwriting; instead, producers and composers adapted their requirements to his poetry. His songs in films like Pyaasa, Naya Daur and Phir Subah Hogi have attained the status of classics. This exhaustive biography traces the poet’s rich life, from his troubled childhood and his equally troubled love relationships, to his rise as one of the pre-eminent personalities of the Progressive Writers Movement and his journey as lyricist through the golden era of Hindi film music, the 1950s and 1960s.

    More than 400 years after his death, Maharana Pratap is still revered as the supreme symbol of Rajput valour, the indomitable warrior who refused to bow to Mughal emperor Akbar as he fought alone and unaided to preserve his kingdom’s independence.In this stirring retelling of his life, replete with tales of incredible heroism and sacrifice as well as vicious intrigue and murder, renowned historian of Rajasthan Rima Hooja also examines the questions that still engage popular imagination: Who actually won the Battle of Haldighati? How did Maharana Pratap manage to elude capture by the mighty Mughal army for so long? And why did he stubbornly continue to fight on, suffering years of great hardship as he refused to negotiate peace with Akbar? Based on historical sources and contemporary court chronicles but also drawing on Mewari ballads, folklore and legends, this deeply researched yet accessibly written biography of Maharana Pratap is a compelling read.

    A lifetime ago. Before the murder of her father. Before she became Kota Rani, the wise regent who rules over Kashmir with a firm hand.As invaders and immigrants disturb the tranquillity of her land, Kota must find a way to protect her people. But at what personal cost? Can she weather the political intrigues and power-play of the court? Will she succeed in preserving the splendour and diversity of her society? Will social hypocrisy and notions of what a woman should be keep Kota from being the sovereign she knows she is?Set in fourteenth-century Kashmir, The Last Queen of Kashmir is the sweeping saga of a civilization in peril. It is also the tale of one of the greatest queens of the land - one that will speak to the men and women of today.

    Filled with the most recognizable Indian comic characters, from Suppandi to Shikari Shambu, from Kalia the Crow to the Defective Detectives, Tinkle Digest also features new work by some of India's most exciting writers and artists for children. And that's not all! Each issue comes with loads of knowledge pages, facts and value education. The perfect size to read anywhere, Tinkle Digest will never disappoint.

    Kama is both cosmic and human energy, which animates life and holds it in place. Gurcharan Das weaves a compelling narrative soaked in philosophical, historical and literary ideas in the third volume of his trilogy on life's goals: India Unbound was the first, on artha, 'material well-being'; and The Difficulty of Being Good was the second, on dharma, 'moral well-being'. Here, in his magnificent prose, he examines how to cherish desire in order to live a rich, flourishing life, arguing that if dharma is a duty to another, kama is a duty to oneself. It sheds new light on love, marriage, family, adultery and jealousy as it wrestles with questions such as these: How to nurture desire without harming others or oneself? Are the erotic and the ascetic two aspects of our same human nature? What is the relationship between romantic love and bhakti, the love of god?