The volume responds primarily to the twenty-first century's inescapable evidence of the terms of black life--not so much new as newly visible. The poems trace a whole web of connections between the kinds of violence that affect people across the racial, ethnic, gender, class, sexual, national, and linguistic boundaries that do and do not divide us. How do we protect our humanity, our ability to feel deeply and think freely, in the face of a seemingly endless onslaught of physical, social, and environmental abuses? Where do we find language to describe, process, and check the attacks and injuries we see and suffer? What actions can break us out of the soul-numbing cycle of emotions, moving through outrage, mourning, and despair, again and again? In poems that span fragment to narrative and quiz to constraint, from procedure to prose and sequence to song, semiautomatic culls past and present for guides to a hoped-for future.Hardcover is un-jacketed.

    Gatwood's poems deftly deconstruct traditional stereotypes. The focus shifts from childhood to adulthood, gender to sexuality, violence to joy. And always and inexorably, the book moves toward celebration, culminating in a series of odes: odes to the body, to tough women, to embracing your own journey in all its failures and triumphs.

    With Eyshia missing, and the crew all on edge, Ru is ready to paint the city red until he finds out who took his sister. What will Cashmere do when he finds out his rachet baby mama Kaiyah has been lying to him about their daughter all these years ? Is Ru Tan's baby daddy or is it the feds she been creeping with? And After 10 years of marriage and 5 kids, is Mike and Jae really done? Tensions rise, and no one is to be trusted. Find out what happens next in this installment of Keyshia and Cashmere : A Jersey Hood Love 2

    Married for three years, Mona-Lisa and Corey face normal, everyday marital issues. But with a past like theirs, normal can spiral out of control at any second. Will they be able to hold things together or will Mona revert to her old ways?

    After going through a series of betrayals, the men will do anything to protect their family and business. With Ralph laying on his death bed, Lisa is out for blood as she seeks for revenge and mourns her lost.Faces from the past returns and cause more havoc, sending the fellasinto beast mode. Lies are revealed, hearts are broken, and trustbecomes an issue as the ladies; Lala, Honey Lisa, and Cinnamon, livethe life as being Married To a Boss. Will it all be worth it? or willthe trials break them all apart?

    

    But she will soon out and someone is going to pay!Aliyah is attempting to put her life back together after an unsuccessful suicide attempt due to a horrific husband when someone from her past gives her a reason to live. Will Carlos let that happen?

    Carry your sword, my prophetess. Obstinate contumacy training. Find the objective that is more draining. More strenuous tasks will make you grow. Pain upon you I bestow. I’ll take it all and nothing less. I claim it back; I repossess. Tip the scale; Turn it over. Mark the unused; What’s leftover. The main part no longer exists; Despite the reduction, it persists. Continued movement; A quest for traction. An opposite and negative reaction. Hex induced metamorphosis; Reoccur once again for us. Physically and internally changing. The process of rearranging. The alteration was so fitting. Now they’re pausing; They’re intermitting. In reaffirming the causation; Keep kempt, and maintain your original explanation. Wear our serpent, prophetess; Prior to you was profitless. The soil was sown with no reaping. Tear our hearts out for your keeping. Beyond the boundaries of what is permitted. Reward me for the sins I’ve committed. My acts were bold; Caress my flesh. I give it all and nothing less. The facsimile will shudder. Express what it is I utter. Amidst psychos and others. Among psychos and others. Live with vigor; Efficiently transfigure. Disfigure; Change his figure. Make it so; Mark the torso. Undergo; Nock the torso. Let it grow; Open the torso. Let him know; Carve the torso.

    Clover fuses formal control, a solid grounding in poetic tradition (his allusions range from Shakespeare to Dickinson to John Cale), and sheer visionary exhilaration into a technical, moral, aesthetic, and imaginative lexicon that irradiates each page.The eerie cyberglow of Clover's lines illuminates a pageant of blurred and fragmented desolation: the Bomb, death camps, the Persian Gulf War, the beating of Rodney King, the whole numbing litany of modern horrors. Clover is a master of poetic shorthand, of the stark, unnerving image as immediate as yellow tape at a crime scene.Madonna anno domini is a sacrament for the twilight of the atomic age, a hellish Interzone with "God in abeyance" where dazed speakers search through the vertigo of negation for love and belief. And here. in this utterly convincing vision of a world whose center has long since lost its hold, we see the life on whose brink we, at the end of the millennium, find ourselves poised.

    And this tree, so complete in itself, Is only part of the mountain. And the mountain runs down to the sea. And the sea, so complete in itself, Rests like a raindrop On the hand of God. Ruskin Bond's Book of Verse brings together the poetry of one of India's best-loved writers. This charming collector's edition is a treasury of poems on love and nature, travel, humour and childhood, and will be a lasting source of delight to readers.

    Anything can happen, and probably will, and it will affect me in small or large ways that I couldn't have imagined. The precision of their imagery keeps me reeling with delight."—James TateThin Kimono continues Michael Earl Craig's singular breed of brilliant absurdist poetry, utterly and masterfully slanting the realities of daily existence.Michael Earl Craig is the author of two previous collections of poetry: Yes, Master (Fence Books, 2006) and Can You Relax in My House (Fence Books, 2002). He lives in Livingston, Montana, where he is a certified journeyman farrier.

    The poems weave between personal narrative and pop-cultural criticism, examining and confronting modern media, consumption, feminism, and Blackness. This collection explores femininity and race in the contemporary American political climate, folding in references from jazz standards, visual art, personal family history, and Hip Hop. The voice of this book is a multifarious one: writing and rewriting bodies, stories, and histories of the past, as well as uttering and bearing witness to the truth of the present, and actively probing toward a new self, an actualized self. This is a book at the intersections of mythology and sorrow, of vulnerability and posturing, of desire and disgust, of tragedy and excellence.

    At once witty and disconsolate -- formally inventive, acutely attentive, insistently alive -- this is a book of fierce vulnerability that explores the ways in which we are educated by the implacable powers of time and desire in a world that constantly renews itself.

    Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a “huge beating genius machine” striving to embrace and understand the fullness of the present moment. “I am beautiful. I am full of love. I am dying,” the poet writes. Building on the legacies of forebears such as Frank O’Hara, Sharon Olds, and Mark Doty, Limón’s work is consistently generous and accessible—though every observed moment feels complexly thought, felt, and lived.

     Twenty-year-old Arnessa didn’t grow up on the streets. But when her mentally ill mother abandons her and her older brother is murdered, Arnessa has no choice but to hustle just to keep herself and her little sister alive. Kisa “Kane” Montega, on the other hand, has a wonderful marriage, two beautiful children, and lives in a stunning home on the outskirts of Charlotte. Her cousin, Kennedy, has spent two years away from the volatile music industry, focusing on her children and building a solid foundation with her rap star fiancÉ, Chaz. But in spite of their success, both Kane and Kennedy are gravitating back to their old ways and the game they thought they’d left behind. After a chance meeting, Arnessa goes from being a low-level dealer to partner in their cartel. But the bigger their empire gets, the more haters they have to contend with—and the more each one of them stands to lose. Sexy, suspenseful, and unflinching, Danielle Santiago’s Allure of the Game gives fans exactly what they’ve been hoping for—a deeply satisfying conclusion to an unforgettable trilogy, packed with insight into the mean streets she knows so well.