Torn between his professed doctrine of poverty and chastity and the reality of his enormous wealth and thirteen children, Tolstoy dramatically flees his home, only to fall ill at a tiny nearby rail station. The famous (and famously troubled) writer believes he is dying alone, unaware that over a hundred newspapermen camp outside awaiting hourly reports on his condition. Jay Parini moves deftly between a colorful cast of characters to create a stunning portrait of one of the world’s most treasured authors. Dancing between fact and fiction, The Last Station is a brilliant and moving literary performance.

    

    A filmmaker and now a dry alcoholic, he's lived life to the full - sex, drugs and rock 'n' roll. Here, struggling to survive cancer, Noah evaluates his chequered past life, and as a picture builds of a brave and foolish man, gradually it becomes clear that he's a modern-day hero.

    The novel is filled with people claiming to be the Messiah, swindlers and the swindled, Jewish and Christian pilgrims, homosexuals, journalists, Holocaust survivors, Palestinian Arabs, children, and pets—a story told with as much humor as pathos.Dina Rubina lives in Ma’aleh Adumim, Israel. She is the author of two other long novels. Her work has been translated into 12 languages, and a three-volume collection of her work in Russian is forthcoming.Daniel M. Jaffe is a fiction writer and translator of Russian literature.

    A force of nature. To know her is to love her, to love her is to hate her. Shes a woman who changes her name according to the ethnic flavor of the month, dabbles in Mormonism, and steals cleaning supplies from restaurant bathrooms. She is beautiful, excitable, contradiction as art form. Shes the kind of mom who reads her daughters diary, serves ketchup soup for dinner, and drags her girls from Utah to California to Wyoming in pursuit of one loser boyfriend after another. Her love for her daughters is fierce, smothering, neglectful. There is no other way than her. Does that sound extravagant? Or should I say there is no other place than her, observes Lucy, the endearing narrator of Nicole Stansburys very special debut novel, Places to Look for a Mother. In the tradition of Mona Simpsons Anywhere But Here and Larry McMurtrys Terms of Endearment, Places to Look for a Mother tells a tale of mostly maddening mother-daughter bonds. Forgiveness is always there, but its hard to find. And the Taylor family usually loses it. With lithe prose, pitch-perfect dialogue, and gloriously real characters, author Nicole Stansbury conjures a family that proves Tolstoy right once again: All happy families are alike; every unhappy family is unhappy in its own way. The Taylors are no exception, but Places to Look for a Mother is an exceptionally good novel.

    Fantastical and wonderfully strange, this political parable has an uncanny resonance with today's Russia under Putin.Oleg Kashin is a famous Russian journalist and activist who, in 2010, was beaten to within an inch of his life by unknown assailants, in an attack most likely politically motivated by his reporting. The events of Fardwor, Russia! (the title is taken from a flag with a slogan—"Forward, Russia!"—gone wrong) could seem grotesque, if they did not so eerily echo the absurd state of affairs in modern Russia. Under Putin's regime, authors dare to criticize the state of affairs and affairs of the state only through veiled satire&—and even then, as Kashin's experience shows, the threat of repercussions is real.A witty, playful, brave, and incisive work that blends science fiction with political satire, Fardwor, Russia! is a must-read for anyone interested in contemporary Russia&—or the hilarious and frightening follies of power.

    Ludmilla Petrushevskaya has been acclaimed as one of Russia's greatest living writers. These five dreamlike and blackly comic stories, two of which are here in English for the first time, tell of lost children, midnight forests, strange transformations, cruel curses, grief and resilience, in the darkest of modern fairy tales. This book contains "Through the Wall" and "Anna and Maria".

    

    But once in Russia, she quickly becomes entangled in a country she can’t escape. Many years later, Florence’s son, Julian, will make the opposite journey, immigrating back to the United States. His work in the oil industry takes him on frequent visits to Moscow, and when he learns that Florence’s KGB file has been opened, he arranges a business trip to uncover the truth about his mother, and to convince his son, Lenny, who is trying to make his fortune in the new Russia, to return home. What he discovers is both chilling and heartbreaking: an untold story of what happened to a generation of Americans abandoned by their country.The Patriots is a riveting evocation of the Cold War years, told with brilliant insight and extraordinary skill. Alternating between Florence’s and Julian’s perspectives, it is at once a mother-son story and a tale of two countries bound in a dialectic dance; a love story and a spy story; both a grand, old-fashioned epic and a contemporary novel of ideas. Through the history of one family moving back and forth between continents over three generations, The Patriots is a poignant tale of the power of love, the rewards and risks of friendship, and the secrets parents and children keep from one another.

    Here is a story of a great civilization made human, played out through the lives of four families who are divided by ethnicity but united in shaping the destiny of their land.

    

       Vica, Vadik, Sergey and Regina met in Russia in their school days, but remained in touch and now have very different American lives. Sergey cycles through jobs as an analyst, hoping his idea for an app will finally bring him success. His wife Vica, a medical technician struggling to keep her family afloat, hungers for a better life. Sergey’s former girlfriend Regina, once a famous translator is married to a wealthy startup owner, spends her days at home grieving over a recent loss. Sergey’s best friend Vadik, a programmer ever in search of perfection, keeps trying on different women and different neighborhoods, all while pining for the one who got away.   As Sergey develops his app—calling it "Virtual Grave," a program to preserve a person's online presence after death—a formidable debate begins in the group, spurring questions about the changing perception of death in the modern world and the future of our virtual selves. How do our online personas define us in our daily lives, and what will they say about us when we're gone?

    As the gathered family settle in to their first Christmas together for some years, the grown siblings - Rodney, Johnny and Gwen - are surprised when they are invited to each put stickers on the furniture and items they wish to inherit from their parents.Disputed Land is narrated by Leonard and Rosemary's thirteen-year-old grandson, Theo, who observes how from these innocent beginnings age-old fissures open up in the relationships of those around him. Looking back at this Christmas gathering from his own middle-age - a narrator at once nostalgic and naïve - Theo Cannon remembers his imperious grandmother Rosemary, alpha-male uncle Johnny, abominable twin cousins Xan and Baz; he recalls his love for his grandfather Leonard and the burgeoning feelings for his cousin Holly. And he asks himself the question: if a single family cannot solve the problem of what it bequeaths to future generations, then what chance does a whole society have of leaving the world intact?

    Pushkin's "novel in verse" has influenced Russian prose as well as poetry for more than a century. By turns brilliant, entertaining, romantic and serious, it traces the development of a young Petersburg dandy as he deals with life and love. Influeneced by Byron, Pushkin reveals the nature of his heroes through the emotional colorations found in their witty remarks, nature descriptions, and unexpected actions, all conveyed in stanzas of sonnet length (a form which became known as the Onegin Stanza), faithfully reproduced by Walter Arndt inthis Bollingen Prize translation. Eugene Onegin is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in imperial Russia during the 1820s, Pushkin's novel in verse follows the emotions and destiny of three men - Onegin the bored fop, Lensky the minor elegiast,& a stylized Pushkin himself - and the fates and affections of three women - Tatyana the provincial beauty, her sister Olga, & Pushkin's mercurial Muse. Engaging, full of suspense, and varied in tone, it also portrays a large cast of other characters & offers the reader many literary, philosophical, and autobiographical digressions, often in a highly satirical vein. Eugene Onegin was Pushkin's own favourite work, and it shows him attempting to transform himself from romantic poet into realistic novelist. This new translation seeks to retain both the literal sense and the poetic music of the original, & capture the poem's spontaneity & wit. The introduction examines several ways of reading the novel, and the text is richly annotated.Nabokov notes how translating rhymed poetry into unrhymed prose robs a poem of its 'bloom'. A huge work of scholarship, this enormous book illuminates Pushkin's great verse novel in obsessive detail & describes early 19th century Russia.Nabokov's commentary consists of line-by-line notes on Pushkin's poem.

    Not for long. By 1919, White Russians were fighting the Bolsheviks (Reds) for control of their country, and Winston Churchill (then Minister for War) wanted to see Communism 'strangled in its cradle'. So a volunteer R.A.F. squadron, flying Sopwith Camels and DH9 bombers, went there to duff up the Reds. 'There's a splendid little war going on,' a British staff officer told them. 'You'll like it.' Looked like fun. But the war was neither splendid nor little. It was big and it was brutal, a grim conflict of attrition, marked by cruelty, betrayal and corruption. Before it ended, the squadron wished that both sides would lose. If that was a joke, nobody was laughing. "A Splendid Little War" tests the pilots' gallows humour in a world of armoured trains and elegant barons, gruesome religious sects and anarchist guerrillas, unreliable allies and pitiless enemies. The comedy of this war, if it exists, is very bleak. Derek Robinson is at once our finest living comic novelist and a master of military fiction. Biggles was never like this.