A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

    Among them are: Harlan Ellison, Chelsea Quinn Yarbro, Paul McAuley, Peter Tremayne, Steve Rasnic Tem, and Ramsey Campbell.This anthology collects the very best in vampire fiction which blends sheer horror with dark humor, deadly tenderness with tingling terror. For the classic vampire, as this volume amply shows, the Blood is the Life. From Hugh B. Cave's pulp thriller "Stragella" through to Harold Waldrop's bizarre mix of vampire and Nazis in "Der Untergang Des Abendlandesmenschen" and Christopher Fowler's "The Legend of Dracula Reconsidered as a Primetime TV Special." In between lie artful chillers by the likes of Clive Barker, Brian Lumley, R. Chetwynd-Hayes, Robert Bloch and John Burke, along with new and original stories by Niel Gaiman with "Cards from a Vampire Tarot," and Kim Newman with "Andy Warhol's Dracula: anno Dracula 1978-79." You can sink your teeth, too, in F. Paul Wilson's fast-paced thriller "Midnight Mass," Manly Wade Wellman's "Chastel," offering bloody intrigue and adventure with Judge Keith Hilary Pursuivant; and Les Daniel's "Yellow Fog," which features his enigmatic vampire-hero Don Sebastian de Villanueva.CONTENTSIntroduction: The Children of the Night by Stephen JonesHuman Remains by Clive BarkerNecros by Brian LumleyThe Man Who Loved The Vampire Lady by Brian StablefordA Place To Stay by Michael Marshall SmithThe Brood by Ramsey CampbellRoot Cellar by Nancy KilpatrickHungarian Rhapsody by Robert BlochThe Legend of Dracula Reconsidered as a Prime-Time TV Special by Christopher FowlerVampire by Richard Christian MathesonStragella by Hugh B. CaveA Week In The Unlife by David J. SchowThe House At Evening by Francis GarfieldVampyrrhic Outcast by Simon ClarkThe Labyrinth by R. Chetwynd-HayesBeyond Any Measure by Karl Edward WagnerDoctor Porthos by Basil CopperStraight To Hell by Paul McAuleyIt Only Comes Out At Night by Dennis EtchisonInvestigating Jericho by Chelsea Quinn YarbroDracula's Chair by Peter TremayneA Taste For Blood by Sydney J. BoundsThe Better Half by Melanie TemThe Devil's Tritone by John BurkeChastel by Manly Wade WellmanDer Untergang Des Abendlandesmenschen by Howard WaldropRed As Blood by Tanith LeeLaird of Dunain by Graham MastersonA Trick of the Dark by Tina RathMidnight Mass by F. Paul WilsonBlood Gothis by Nancy HolderYellow Fog by Les DanielsFifteen Cards From a Vampire Tarot by Neil GaimanVintage Domestic by Steve Rasnic TemTry A Dull Knife by Harlan EllisonAndy Warhol's Dracula: Anno Dracula 1978-1979 by Kim Newman

    The nine stories in this volume exhibit Strantzas’s wide range in theme and subject matter, from the Lovecraftian “Thistle’s Find” to the Robert W. Chambers homage “Beyond the Banks of the River Seine.” But Strantzas’s imagination, while drawing upon the best weird fiction of the past, ventures into new territory in such works as “On Ice,” a grim novella of arctic horror; “One Last Bloom,” a grisly account of a scientific experiment gone hideously awry; and the title story, an emotionally wrenching account of terror and loss in the baked Mexican desert. With this volume, Strantzas lays claim to be discussed in the company of Caitlín R. Kiernan and Laird Barron as one of the premier weird fictionists of our time.Cover artwork by Santiago Caruso

    It's the one thing Walter will never be. But what if he could play white, the way so many others seem to do? Would it bring him privilege or simply deny the pain? The title story in this collection asks those questions, and then moves on to challenge notions of race, privilege, personal choice, and even life and death with equal vigor. From the spectrum spanning despair and hope in "What She Saw When They Flew Away" to the stark weave of personal struggles in "Chocolate Park," Let's Play White speaks with the voices of the overlooked and unheard. "I Make People Do Bad Things" shines a metaphysical light on Harlem's most notorious historical madame, and then, with a deft twist into melancholic humor, "Cue: Change" brings a zombie-esque apocalypse, possibly for the betterment of all mankind.

    Here are seven exquisite tales combining the keen psychological insight characteristic of the modern short story with the haunting mystery of the nineteenth-century Gothic tale, in the tradition of writers such as Goethe, Hoffmann, and Poe.

    A desperate young woman makes a prayer to the Saint of Sidewalks, but the miracle she receives isn’t what she expected. A painter spies a naked man, crouched by the Cathedral of St. John the Divine, transform into a beautiful white bird and decides to paint him, and becomes involved in his curse. Jeanne, a duelist and a sacred blade for God and Her holy saints, finds that the price of truth is always blood. And in the novella “Once, Future” Howard reimagines the Arthurian romance on a modern college campus as a story that is told, and told again, until the ending is right.

    An elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. A woman born with a genetic abnormality is mistaken for a vampire, and a crime committed long ago is revenged in the Arctic via a 1.9 billion-year-old stromatolite.In these nine tales, Margaret Atwood ventures into the shadowland earlier explored by fabulists and concoctors of dark yarns such as Robert Louis Stevenson, Daphne du Maurier and Arthur Conan Doyle - and also by herself, in her award-winning novel Alias Grace. In Stone Mattress, Margaret Atwood is at the top of her darkly humorous and seriously playful game.