Since then, tension has risen, kingdoms have fallen and the land is at a crossroad. House Evindass, along with the rest of the Pawdin Empire, is in a life-and-death struggle to free the land and themselves from the Iumenta. Now, in the last book of the Legon series, everything will come to a head. Who will stand triumphant? The Elves or the Iumenta…

    Although she's had her ups and downs, life is good now: she lives with her twin brother, Onyx, and another friend in an artsy community in Cincinnati and is pursuing a master's degree in psychology. An avid reader, Ophelia likes everything to be orderly, including her job at a nearby bookstore. But when a good-looking stranger ends up in her apartment-invited to crash on their couch by her brother-her life begins to change forever.Brax Smith arrives to Cincinnati with nothing other than his van, having left Florida to start a new life, escaping the memories of losing his mother to cancer and dealing with his drunk father. A recovering alcoholic himself, Brax meets two guys at a group session in an eclectic area of Cincinnati when he gets to town. He feels grateful to have a place to stay but also comes face-to-face with the sister of one of his new friends, who is less than excited to have an additional roommate. Can he win her over, despite the fact that she has no interest in being his friend?In this novel, the lives of two struggling people collide and take them on a roller-coaster journey of good times and bad, ultimately leading to true love, devotion, and tragedy.

    But instead of using magic to transport himself to his new lands, Minalan decides to leave cross-country, in a wagon with his father. Down the Bontal River, Min and his dad make a stop at Robinwing, get snowed in at Barrowbell, and enjoy a few days as guests of Baron Astyral. Along the way Minalan comes to terms with many things in his life, and with his father's advice and some introspection he prepares for the great challenge ahead in distant Vanador. No one knows what the future holds, but as the stakes for Callidore grow higher, and weigh more heavily on Minalan's shoulders, it might be possible for Min to find inspiration on the Road to Vanador!

    What’s the man to do? Leave the bathroom and say nothing on the matter? Or, take matters into his own hands?THE MEANTIME STORIES is a funny short read series that draws inspiration from Terry Pratchett, Monty Python, and Douglas Adams, all combined with a twist of Nordic Noir (human folly, abrupt and plentiful deaths, snappy dialogue, quirky deep thoughts, and absurd outcomes). It’s glittering darkness, and clouded light.Each story is a stand-alone, ready to be enjoyed when you yearn for 30 minutes of wacky, brainy, and laugh-out-loud entertainment. Longing for surprises, unexpected twists, and silliness with an edge? Look no further, because in the Meantime, anything can happen!

    The world was 'somewhere inside his skull. And it hurt.' These poems and dramatic sketches, however, delight even when they hurt" -- ROSMARIE WALDROP"BORIS BY THE SEA was born when Aesop was reading Chekhov, and Chekhov was reading Nietzsche, and Nietzsche was watching The Brother From Another Planet. Actually Matvei Yankelevich wrote this book, but 'wrote' is incomplete... he seems more to inhabit this stateless, beautiful being who uses language to move his body or erase the sea: 'Boris looked over himself and realized there were many parts of him that he could not see. And only a small part of these parts was on the surface.' BORIS BY THE SEA could be a children's fable if it weren't so freakin' real, unreal, hyper-real: 'But people need each other to open each other up and see what is inside.' This is Boris--and he, like Pinnochio--has a clever master." -- ROBERT FITTERMANMatvei Yankelevich's first full-length book, BORIS BY THE SEA, is a work of existential theater that destroys the distance between puppeteer and puppet, between ego and id, between what is real and what is absurd. Consisting of prose, poems, and plays, the book creates its own world and then confronts the loneliness of having to exist within one's own creation. Like Daniil Kharms, Yankelevich has written a children's book for only the bravest of adults.

    VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    Sequel to Le petit prince by Antoine de Saint-Exupaery.

    Poulin, Jr., Poetry Prize. In his foreword he writes, "I was immediately struck by the boldness of imagination, the strange cadences, and wild music of these poems. We should be glad that young poets like Keetje Kuipers are making their voices heard not by tearing up the old language but by making the old language new."Keetje Kuipers, a native of the Northwest, earned her BA at Swarthmore College and MFA at the University of Oregon. A Stegner Fellow at Stanford University, she divides her time between Stanford and Missoula, Montana.From Devils Lake Journal:“Keetje Kuipers’ Beautiful in the Mouth is at once lovely, frank, and haunting. The poems move easily between landscapes, inhabiting the American west, Paris, and New York City with equal ease and yet, they never exploit sympathies of locale for their power. Instead, they rely on nothing but the speaker’s own candor, who is able to speak through such disparate poems as “Bondage Play as Substitue for Prayer” alongside “Waltz of the Midnight Miscarriage,” “Reading Sappho in a Wine Bar,” and “Barn Elegy” with a good spattering of honest-to-goodness sonnets.”From ForeWord Reviews:“The poems move like ghosts themselves: disappearing into walls, circling back, appearing for a moment to be captured, then evaporating into thin air. Kuipers pins moments onto the page with the care of an etymologist collecting rare specimens. Her poems are at once visceral and cosmic, “a wave as well as a particle.””

    King Breen, Liam's father, and Cullen, Liam's brother, believe that true honor is achieved once they slay a dragon. Liam believes that dragons are majestic and do not deserve to die. King Breen, Liam’s father, brings Liam along on an expedition to slay a dragon. On one of the nights of the expedition, Liam rescued a dragon’s egg. Liam decides to care for it, and it hatches on Liam’s birthday. Tragedy strikes, which leads to Liam having to leave Derzeli, and Liam goes on the run with the help of Ella the dragon. Ella helps him escape, and runs to a barren wasteland where he saw himself to becoming a hermit for the rest of his life. But due to an event happening with the help of a new friend, and a childhood friend he has no choice but to return home. Having to make the decision to run away from his destiny, or embrace it, the destiny of a king.

    

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    This excerpt from The Hazel Wood—Melissa Albert's fiercely stunning contemporary fantasy perfect for fans of The Magicians—contains the first six chapters.Everyone is talking about The Hazel Wood!“Thoroughly, creepily captivating.” —Kristin Cashore, author of Graceling and Jane, Unlimited “This book is pure imagination candy.” —Stephanie Garber, author of Caraval “Destined to be a classic.” —Kami Garcia, author of The Lovely Reckless “Absolutely breathtaking.” —Seanan McGuire, author of Every Heart a Doorway “Terrifying, magical, and surprisingly funny.” —Jennifer Niven, author of All the Bright Places “Unlike anything else I’ve ever read before.” —Evelyn Skye, author of The Crown’s Game “A part of me will never leave The Hazel Wood.” —Heidi Heilig, author of The Girl from Everywhere “An elegant dark fairy tale, full of the power of story.” —Kat Howard, author of Roses and Rot

    Money, fame, power. He had created a multibillion dollar company from almost nothing and turned Ryan's Future technology inc into one of the forefronts of technological innovation.He had it all, yet he gambled it all on a crackpot idea that Earth had it's own wormhole.He'd proven it too, and now he was in for the adventure of his life. No, he wasn't going to sit back and let others go in his stead, he was going to be on the forefront of this grand adventure.To move mankind one step further closer to the stars.He'd found adventure all right, all that and more as he found his team cut off, trapped in the middle of an invasion.Princess Deidra and her younger Sister Zara were having a series of bad days. When the neighboring kingdom suddenly invaded they found themselves on the front lines and swiftly in danger. But will the dashing Gaijin save them? Save them from the wilds of their world, the invaders, and more importantly, themselves?Princess Deidra isn't so sure she wants to be saved!

    “Provocative...a tantalizing, beautiful fusion of visions” (Bloomsbury Review).

    Together, they have created a gripping, romantic tale unlike any other. "How odd to be made of flesh, balanced on bone, and filled with a soul you've never met." Charlize Wynwood and Silas Nash have been best friends since they could walk. They've been in love since the age of fourteen. But as of this morning...they are complete strangers. Their first kiss, their first fight, the moment they fell in love...every memory has vanished. "I don't care what our real first kiss was," he says. "That's the one I want to remember." Charlize and Silas must work together to uncover the truth about what happened to them and why. But the more they learn about the couple they used to be...the more they question why they were ever together to begin with. "I want to remember what it feels like to love someone like that. And not just anyone. I want to know what it feels like to love Charlie."