Manada’s fascinating life story takes her from her wealthy cossetted upbringing to a life of debauchery and prostitution after she elopes with her married lover when in her mid-teens. She is capable, attractive and doesn’t ask for pity as she struggles with illness, poverty and abandonment, but ensures that she emerges relatively unscathed and carves a niche for herself in her profession.Manada matures and settles into a life of prostitution, entertains barristers, doctors and other men of high society. She describes her colourful life with relish but is often introspective as she places her own position as a sex worker in the context of the times, calling out young sanctimonious patriotic men who maintain a high standing in society yet secretly fancy prostitutes. Rather tantalisingly she takes no names, only occasionally hinting at their identities, to avoid scandals and protect the double lives of men who are well-known in Calcutta in the 1920s. Weaving together multiple strands, looking beyond ideas of morality and accusations, we are presented a life of immense beauty and endurance, which is both grand in its scope and deeply intimate in its portrait.

    You've been nothing but an inconvenience. Guised as an instructive manual, A Handbook For My Lover chronicles six years in the life of an unconventional affair between a young woman writer and her older photographer lover.The sensuous epistle documents the woman's demands and desires, her fantasies and eccentricities as she negotiates the minefield that is their relationship.A Handbook For My Lover is a poetic, erotic account of two lovers fated to seek refuge in the transient. It is a celebration of all that is momentary and fleeting rather than that which is permanent.

    To be 'safe', women are told they must allow themselves to be kept under constant surveillance. Their movement is restricted to specific spaces, often homes and hostels. Extreme levels of control are exercised to confine their mobility.But is freedom really incompatible with safety? In this ground-breaking and radical book, Kavita Krishnan locates the personal and political repercussions of erasing women from public spaces. She argues that many real and violent threats to female autonomy are, in fact, hidden in plain sight. Often challenging conventional wisdom, this is a blazing, fiery manifesto for greater equality, political and economic independence, and, most of all, personal freedom.

    But there were restrictions too, that come with growing up in an orthodox Tamil Brahmin family, as well as the rarely spoken about dangers of predatory male relatives. Ruskin College, Oxford, gave her her first taste of freedom in 1955, at the age of 22. Oxford brought her a degree in philosophy and economics—as well as hardship, as she washed dishes in a cafe to pay her fees. It was here, too, that she had her early encounters with the sensual life. With rare candour, she writes of her romantic liaisons in Oxford and Harvard, and falling in love with her ‘unsuitable boy’—her husband, Lakshmi Jain, whom she married against her beloved father’s wishes.Devaki’s professional life saw her becoming deeply involved with the cause of ‘poor’ women—workers in the informal economy, for whom she strove to get a better deal. In the international arena, she joined cause with the concerns of the colonized nations of the south, as they fought to make their voices heard against the rich and powerful nations of the former colonizers. Her work brought her into contact with world leaders and thinkers, amongst them, Vinoba Bhave, Nelson Mandela, Desmond Tutu, Henry Kissinger, Amartya Sen, Doris Lessing and Iris Murdoch, her tutor at St Anne’s College, Oxford, who became a lifelong friend.In all these encounters and anecdotes, what shines through is Devaki Jain’s honesty in telling it like it was—with a message for women across generations, that one can experience the good, the bad and the ugly, and remain standing to tell the story.

    Mostly alone, he would traverse the hills and jungles of India, hunting his quarry using blood trails, examining pug marks and following broken twigs and branches, often putting himself at risk. Later, he became a conservationist, taking up the cause of the endangered royal Bengal tiger.This comprehensive volume contains some of Jim Corbett’s best-known books and short stories, from The Man-eating Leopard of Rudraprayag, a gripping tale of a notorious leopard, to the fascinating stories in Man-eaters of Kumaon and The Temple Tiger. Showcasing Corbett’s acute awareness of jungle sights and sounds and enlivened by his descriptions of village life, this is a must-read for those interested in wildlife and tiger tales.

    These are some of the triggers that drove the women captured in these pages to become lawbreakers.Queens of Crime demonstrates a haunting criminal power that most people do not associate women with. The acts of depravity described in this book will jolt you to the core, ensuring you have sleepless nights for months.Based on painstaking research, these are raw, violent and seemingly unbelievable but true rendition of India's women criminals.

    Nearly a decade has passed since Rahul Satyabhagi, heir to the mega Satyabhagi business empire, had raped Avni Rambha, bested her in court, and gone on to become a men’s rights activist, and the who’s-who of Badrid Bay had breathed a sigh of relief that the sordid mess was over. But now a sting operation proves what many, the three friends included, had suspected all along – he’d been lying. Furious that he has been exposed, Rahul plans to sue the media as well as his long-suffering victim. Now, Rhea, Hitaishi and Amruta find themselves at a crossroad - can they carry on doing nothing? DC Virendra Dixit was among those who’d believed that the Rambha rape case had been a ‘false allegation’, but now the sting tape brings him to a case that promises to be a turning point in his career. Just as he thinks he is nearing a resolution, he finds himself at a crossroad of his own. Rhea, Hitaishi and Amruta have carved out a path that has already affected DC Dixit’s, but do their paths cross? Who is the hunter, and who is the hunted? Can a story of hard questions and difficult choices have an easy resolution?

    These and other hitherto unfamiliar stories of directors belonging to the 100 crore club like Rohit Shetty and Rakeysh Omprakash Mehra; the adventurous Kabir Khan; and the maverick, Mahesh Bhatt take us through the unusual lives of 15 filmmakers of extraordinary films. Sonia Golani achieves the incredible by sitting each director down to candidly discuss the hype around the Oscars; the exclusivity of the 100 crore club ; effect of corporatization and much more. Decoding Bollywood is more about demystifying the world of Bollywood than a mere decoding of 15 directors who have created benchmarks in their respective genres for generations to follow.

    It allegedly involved sexual exploitation, forced castrations, private militias, illegal trade in arms and opium, and land grab on an untold scale-until the self-styled godman was convicted for one of his many crimes in August 2017. The book opens with an anonymous letter which led to the first-ever journalistic investigation, in 2007-Tehelka's Operation Jhootha Sauda-into the reported criminal activities at the Dera. In the years that followed, the author continued to document the lonely battles for justice against the influential godman who had the might of the Dera's machinery and manpower behind him. This book is as much about the grit and determination of ordinary citizens fighting power systems as it is about the difficulty of investigating crimes committed by the rich and powerful in India today.

    

    With a timeline that moves from seven years before to a decade after 1984, the book strives to answer critical questions that continue to linger till today.The narrative moves from Punjab to Canada, the US, Europe and Delhi, looking to sift the truth from the political obfuscation and opportunism, examining the role that the ruling party allegedly played, and the heart-rending violence that devoured thousands of innocent lives in its aftermath.

    Trains that once provoked awe and fear-they were viewed as fire chariots, smoke-spewing demons-have today become a nations lifeblood.Taking a walk along Indias first rail lines, the author stumbles upon fragments of the past-a clock at Victoria Terminus that offers a rare view of a city, a cannon near Masjid Bunder Station that is worshipped as a god, a watchtower overlooking Sion Station, believed to have housed a witch. Each pit-stop comes with stories of desire and war, ambition and death-by Dockyard Road Station, for instance, author Laurence Sternes beloved, Eliza Draper, followed a sailor into the sea or close to Parel Station, the wife of Indias governor general, Lord Canning found a garden rich in tropical vegetation this, she replicated at Barrackpore.Drawing from journals, biographies, newspapers and railway archives-and with nostalgic, first-time accounts of those who travelled by Indias earliest trains-the book captures the economic and social revolutions spurred by the countrys first train line. In this, Halt Station India is not just about the railways-it is the story of the growth of Indias business capital and a rare study of a nation.

    The country’s periphery, however, is dotted with sleepy towns and desolate villages whose people, simply by having more in common with citizens of neighbouring nations than with their own, have to prove their Indian identity every day.It is these specks on the country’s map that Pradeep Damodaran rediscovers as he travels across India’s borders for a little more than a year, experiencing life in far-flung areas that rarely feature in mainstream conversations. In Borderlands, he recounts his encounters with the war-weary fishermen of Dhanushkodi at the southernmost tip of Tamil Nadu, who live in fear both of the Indian Coast Guard and the Sri Lankan navy; farmers in Hussainiwala, a village on Punjab’s border with Pakistan, who are unwilling to build concrete houses for fear of them being destroyed in an ever looming war; Tamil traders of Moreh, a town straddling the Manipur–Myanmar border, who pay bribes to at least ten different militant organizations so they can safely conduct their business; and ex-servicemen in Campbell Bay who were resettled there three generations ago and have long been forgotten by the mainland.From Minicoy in Lakshadweep to Taki in West Bengal, Tawang in Arunachal Pradesh to Raxaul in Bihar, Damodaran’s compelling narrative reinforces the idea that, in India, a land of contrasts and contradictions, beauty and diversity, conflict comes in many forms.

    Illustrated by Stina Wirsén, this poignant and moving fable for all ages was originally conceived by the author as a private gift of love for a beloved friend. Featuring a bisexual bunny and an heiress squirrel, by turns witty and absurd, endearing and brave, this little book harbours a fine ache that lends it a timeless quality.

    The story of how firmly they were bound in fetters of family, caste and society, and how fiercely they fought to escape, needs to be told. In Lady Doctors, Kavitha Rao unearths the extraordinary stories of six women from the 1860s to the 1930s, who defied the idea that they were unfit for medicine by virtue of their gender. From Anandibai Joshi, who broke caste rules by crossing an ocean, to Rukhmabai Raut, who escaped a child marriage, divorced her husband and studied to be a doctor; from Kadambini Ganguly, who took care of eight children while she worked, to child widow Haimabati Sen, who overcame poverty and hardship—these women had a profound and lasting impact. And in their forgotten lives lie many lessons for modern women.In truth, the compelling stories of these radical women have been erased from our textbooks and memories, because histories have mostly been written by men, about men. In an immensely readable narrative, and with impeccable research, Lady Doctors rectifies this omission.