And because of his sudden death, he didn't see any of it.That is, until he wakes up 16 years later in a robot body that matches his old one exactly. Until he steps outside and finds a world utterly unlike the one he left behind - a world where robots live alongside their human neighbors and coexist in their cities. A world he helped create.Now Al must track down his old partner Brendan to find out who is responsible for Al's unexpected resurrection, but their reunion raises even more questions.Like who the robot living with Brendan is.And why she looks like Al.And how much of the past should stay in the past...

    Eliot Ness, fresh from his legendary Chicago triumph over Al Capone and associates, set his sights on Cleveland and went on a crusade that matched, and sometimes even surpassed, his past accomplishments. Dismembered body parts have started washing up in a concentrated area of Lake Erie Sound. Their headless torsos have left no clues to their identity or the reason for death. Elliot Ness and his colorful gang of "The Unknowns" chased this killer through the underbelly of Cleveland for years. As far as the public was concerned he was never captured. But what really happened is even more shocking. This award-winning collection includes a historic photo essay of the actual murders. Torso was nominated for an International Horror Guild award for best graphic story and for 3 International Eagle Awards.

    They are loved. They are hated. In two years, they are dead. The team behind critical tongue-attractors like Young Avengers and PHONOGRAM reunite to create a world where gods are the ultimate pop stars and pop stars are the ultimate gods. But remember: just because you’re immortal, doesn’t mean you’re going to live forever. Collects THE WICKED + THE DIVINE #1-5

    Along the way, Tomine tackles modern culture, sexual mores, and racial politics with brutal honesty and lacerating, irreverent humor, while deftly bringing to life a cast of painfully real antihero characters. A frequent contributor to The New Yorker, Tomine has acquired a cultlike fan following and has earned status as one of the most widely acclaimed cartoonists of our time.Shortcomings was serialized in Tomine's iconic comic book series Optic Nerve and was excerpted in McSweeney's Quarterly Concern #13.

    Meanwhile, a lonely woman explorer is trying to steal the compass, with the help of some weirdly polite automaton butlers.Based on the New York Times bestseller and multiple Eisner-Award and GLAAD-award winning series, Lumberjanes: The Infernal Compass is written by Lilah Sturges and illustrated by polterink.

    Honest, unflinching, and sometimes humorous, it is a look at the practical and emotional effect that serious illness can have on patients and their families. In the end, it is a story of hope--uniquely told in words and illustrations.

    Webber adroitly uses the comics medium to convey the practical hurdles she faced as well as the fear and dread that accompanied her increasingly lonely journey to regain her life. Her raw cartooning style, occasionally devolving into chaotic scribbles, splotches of ink, and overlapping montages, perfectly captures her frustration and anxiety. But her ordeal ultimately becomes a hopeful story. Throughout, she learns to lean on the support of her close friends, finds self-expression in creating comics, and comes to understand and appreciate how deeply her voice and identity are intertwined.

    She's desperate to finish high school and escape her sad divorced mom, her volatile little brother, and worst of all, her great group of friends...who don't understand Morgan at all. Because really, Morgan's biggest secret is that she has a lot of secrets, including the one about wanting to kiss another girl.Then one night, Morgan is saved from drowning by a mysterious girl named Keltie. The two become friends and suddenly life on the island doesn't seem so stifling anymore.But Keltie has some secrets of her own. And as the girls start to fall in love, everything they're each trying to hide will find its way to the surface...whether Morgan is ready or not.

    Meet Hannah the Rockabilly Elven Mage, Violet the Hipster Dwarven Fighter, Dee the Atheist Human Cleric and Betty the Hippy Smidgen Thief. This modern spin on an old school genre is a violent, monster-killing epic that is like Buffy meets Tank Girl in a Lord of the Rings world on crack! Collecting Rat Queens #1-5!

       The Caped Crusader has been the all-abiding icon of justice and authority for generations. But in this surprising original graphic novel, we see Batman in a new light—as the savior who helps a discouraged man recover from a brutal attack that left him unable to face the world. In the 1990s, legendary writer Paul Dini had a flourishing career writing the hugely popular Batman: The Animated Series and Tiny Toon Adventures. Walking home one evening, he was jumped and viciously beaten within an inch of his life. His recovery process was arduous, hampered by the imagined antics of the villains he was writing for television including the Joker, Harley Quinn and the Penguin. But despite how bleak his circumstances were, or perhaps because of it, Dini also always imagined the Batman at his side, chivvying him along during his darkest moments. A gripping graphic memoir of one writer’s traumatic experience and his deep connection with his creative material, DARK NIGHT: A TRUE BATMAN STORY is an original graphic novel that will resonate profoundly with fans. Art by the incredible and talented Eduardo Risso (100 BULLETS, TRANSMETROPOLITAN).

    Wroten tells the story of an artist struggling with the arrival of adulthood and the Sisyphean task of artistic fulfillment. Stunningly drawn in a classic style, with big truths and biting wit, Wroten’s debut graphic novel is Art School Confidential for the Tumblr generation.

    Before he became the revered master of science fiction, Rod Serling was a just a writer who had to fight to make his voice heard. He vehemently challenged the networks and viewership alike to expand their minds and standards―rejecting notions of censorship, racism and war. But it wasn’t until he began to write about real world enemies in the guise of aliens and monsters that people lent their ears. In doing so, he pushed the television industry to the edge of glory, and himself to the edge of sanity. Rod operated in a dimension beyond that of contemporary society, making him both a revolutionary and an outsider.

    As this fundamental reproductive right continues to be stigmatized and jeopardized, over sixty artists and writers have created comics that boldly share their own experiences, and educate readers on the history of abortion, current political struggles, activism, and more. Lawyers, activists, medical professionals, historians, and abortion fund volunteers have teamed up with cartoonists and illustrators to share their knowledge in accessible comics form.Comics for Choice is edited by Hazel Newlevant, Whit Taylor, and Ø.K. Fox, and contains comics from exciting cartoonists like Sophia Foster-Dimino (Sex Fantasy), Leah Hayes (Not Funny Ha-Ha), Anna Bongiovanni (Grease Bats), Jennifer Camper (Rude Girls and Dangerous Women), Ally Shwed (Sex Bomb Strikes Again) and Kat Fajardo (Gringa!, La Raza Anthology), and reproductive justice scholars like Rickie Solinger, (Reproductive Politics: What Everyone Needs to Know) Renee Bracey Sherman (Program Director, We Testify), and Dr. Cynthia Greenlee (Senior Editor, Rewire).6.625"x10.25", 300 pages, perfect-bound, color cover with b&w interior.

    But fighting doesn’t always yield the best results for a confused and sensitive kid who yearns for a better, more fulfilling life than the one he was born into, as Joel learns in a series of brutal conflicts that eventually lead him to question everything he has learned about what it truly means to fight for one’s life. "FIGHTS is somehow brutally raw, funny as hell, deeply sensitive and insightful in each panel." –– Nate Powell (March trilogy)

    Coming out as a young gay man in a provincial country town had led to ugly clashes with his conservative father, and the urban metropolis of Milan had been a welcome change from the stifling small town life of his childhood and the anger and bewilderment of some members of his family. But now, Matteo finds himself with little choice but to return home, with no money, no job, and an uncertain future, like so many other young people of his millennial generation. Afraid of encountering his estranged father, he instead takes refuge with his extended family, at a house shared by his grandmother, three aunts, and his very pregnant cousin. As he tries to rebuild his life, reconnecting with the women of his family and old hometown friends, he warily confronts a few truths about the other generations of his family-from their bigotry to their love, and tolerance, and acceptance-and a few truths about himself, including his fears of confrontation and commitment.