About dating the enemy that is. They were true to their hearts.Kaitlin Malone know what it's like to date the enemy. She was raised to hate the Crutchfields, and absolutely does - until she meets Bram Crutchfield. It turns out he's a great guy - one she could talk to, share things with...even love. But when Kaitlin gives her heart to Bram, her world spins out of control. Soon the Crutchfields are her friends and she's a traitor to her own family.To make things worse ,Bram was raised to hate the Malones,especially Kaitlin's father - who murdered Bram's dad. Bram doesn't know Kaitlin is a Malone. If he did he would hate her, too.What's a star-crossed lover to do?

    Ellie is wrestling with family demons, and Miah is one of the few African American students. The two of them find each other, and fall in love -- but they are hesitant to share their newfound happiness with their friends and families, who will not understand. At the end, life makes the brutal choice for them.

    Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady who is the prosecutor called me. Monster.Fade In: Interior Court. A guard sits at a desk behind Steve. Kathy O'Brien, Steve's lawyer, is all business as she talks to Steve.O'BrienLet me make sure you understand what's going on. Both you and this king character are on trial for felony murder. Felony Murder is as serious as it gets. . . . When you're in court, you sit there and pay attetion. You let the jury know that you think the case is a serious as they do. . . .SteveYou think we're going to win ?O'Brien (seriously)It probably depends on what you mean by "win."Sixteen-year-old Steve Harmon is on trial for murder. A Harlem drugstore owner was shot and killed in his store, and the word is that Steve served as the lookout.Guilty or innocent, Steve becomes a pawn in the hands of "the system," cluttered with cynical authority figures and unscrupulous inmates, who will turn in anyone to shorten their own sentences. For the first time, Steve is forced to think about who he is as he faces prison, where he may spend all the tomorrows of his life.As a way of coping with the horrific events that entangle him, Steve, an amateur filmmaker, decides to transcribe his trial into a script, just like in the movies. He writes it all down, scene by scene, the story of how his whole life was turned around in an instant. But despite his efforts, reality is blurred and his vision obscured until he can no longer tell who he is or what is the truth. This compelling novel is Walter Dean Myers's writing at its best.

    No, not because his mom died—although she did, and it sucks. But he wears the suit for his gig at the local funeral home, which pays way better than the Cluck Bucket, and he needs the income since his dad can’t handle the bills (or anything, really) on his own. So while Dad’s snagging bottles of whiskey, Matt’s snagging fifteen bucks an hour. Not bad. But everything else? Not good. Then Matt meets Lovey. She’s got a crazy name, and she’s been through more crazy than he can imagine. Yet Lovey never cries. She’s tough. Really tough. Tough in the way Matt wishes he could be. Which is maybe why he’s drawn to her, and definitely why he can’t seem to shake her. Because there’s nothing more hopeful than finding a person who understands your loneliness—and who can maybe even help take it away.

    Soon they're having weekly poetry sessions and, one by one, the eighteen students are opening up and taking on the risky challenge of self-revelation. There's Lupe Alvarin, desperate to have a baby so she will feel loved. Raynard Patterson, hiding a secret behind his silence. Porscha Johnson, needing an outlet for her anger after her mother OD's. Through the poetry they share and narratives in which they reveal their most intimate thoughts about themselves and one another, their words and lives show what lies beneath the skin, behind the eyes, beyond the masquerade.

    It's true that no one can guess his hidden thoughts, which are hilarious, razor-sharp observations about lust, love, tubas, algebra, everything. And then there's his home: his father ran off years ago, so he's being raised by his mother, who works long hours, and by her boyfriend, whom John calls "the man who is not and never will be my father." This man is his enemy, an abusive disciplinarian who seems to want to kill John and, in a horrible final confrontation, nearly succeeds. Moving, wholly involving, original, and emotionally true, You Don't Know Me is a multilayered novel that presents a winning portrait of an understandably angst-ridden adolescent.

    It's pretty much the only good thing that happens there, and everyone plans to make the most of it--especially Ash's best friend, Natalia, who's the head of the committee and has prom stars in her eyes. Then the faculty advisor is busted for taking the prom money and Ash finds herself roped into putting together a gala dance. But she has plenty of help--from her large and loving (if exasperating!) family, from Nat's eccentric grandmother, from the principal, from her fellow classmates. And in making the prom happen, Ash learns some surprising things about making her life happen, too.

     And for twelve years, Marley's hometown has lived up to its name. She lives in a house by the river, has loving parents, a funny younger brother, good friends, and receives frequent letters from her mysterious Uncle Jack. Then one day a letter arrives from Alabama, and Marley's life is turned upside down. Marley doesn't even know who she is anymore -- but where can she go for answers, when she's been deceived by the very people she should be able to trust the most?

    The first time Juli Baker saw Bryce Loski, she flipped. The first time Bryce saw Juli, he ran. That's pretty much the pattern for these two neighbors until the eighth grade, when, just as Juli is realizing Bryce isn't as wonderful as she thought, Bryce is starting to see that Juli is pretty amazing. How these two teens manage to see beyond the surface of things and come together makes for a comic and poignant romance.

    Evil stepsisters? Check. Miserable life? Check.Lucy Norton’s life has all the makings of a Cinderella story. Her dad’s always away on business, leaving Lucy with her cruel stepmother and bratty stepsisters. She’s burdened with chores, and has a hard time fitting in at her new school. So when she sees Connor Pearson, the star player on the varsity basketball team, Lucy hopes her destiny has finally changed. With everything else going on in her life, doesn’t she at least deserve to get the handsome prince?Melissa Kantor’s enchanting novel proves that sometimes the happy ending isn’t quite the one you’d expect. Lucy’s about to discover the truth about finding her real Prince Charming… and finding herself.

    Ages 12+Leo Borlock follows the unspoken rule at Mica Area High School: don't stand out--under any circumstances! Then Stargirl arrives at Mica High and everything changes--for Leo and for the entire school. After 15 years of home schooling, Stargirl bursts into tenth grade in an explosion of color and a clatter of ukulele music, enchanting the Mica student body.But the delicate scales of popularity suddenly shift, and Stargirl is shunned for everything that makes her different. Somewhere in the midst of Stargirl's arrival and rise and fall, normal Leo Borlock has tumbled into love with her.In a celebration of nonconformity, Jerry Spinelli weaves a tense, emotional tale about the fleeting, cruel nature of popularity--and the thrill and inspiration of first love.

    When she answers a babysitting ad, LaVaughn meets Jolly, a seventeen-year-old single mother with two kids by different fathers. As she helps Jolly make lemonade out of the lemons her life has given her, LaVaughn learns some lessons outside the classroom.

    A new reading-group guide written by the author is included in the back of this paperback edition.

    Isabelle describes the scene at school with bemused accuracy--the self-important (but really not bad) English teacher, the boy that is constantly fixated on Ashley Barnum, the prettiest girl in class, and the dynamics of the lunchroom, where tables are turf in a all-eyes-open awareness of everybody's relative social position.But everything is not normal, really. Since the dealth of her father, Isabelle's family has only functioned on the surface. Her mother, who used to take care of herself, now wears only lumpy, ill-fitting clothes, cries all night, and has taken every picture of her dead husband and put them under her bed. Isabelle tries to make light of this, but the underlying tension is expressed in overeating and then binging. As the novel opens, Isabelle's little sister, April, has told their mother about Isabelle's problem. Isabelle is enrolled in group therapy. Who should show up there, too, but Ashley Barnum, the prettiest, most together girl in class.

    Now things are changing. Bryon's growing up, spending a lot of time with girls, and thinking seriously about who he wants to be. Mark still just lives for the thrill of the moment. The two are growing apart - until Bryon makes a shocking discovery about Mark. Then Bryon faces a terrible decision - one that will change both of their lives forever.